Sentences with phrase «see romance films»

Not exact matches

By using Wattpad Studios, romance writers and dating experts can draw from their own experiences and create stories for other media, and as a result, they have an opportunity to see their stories turned into books, films, and TV shows.

As years passed, several films saw the light of the day, featuring popular real life dating sites as the vehicle for the main couple's blossoming romance.

Its a perfect film, romance, action, courage, revenge, tears, its very much an emotional roller coaster, but well worth it, you must see this before you die, its an actual history lesson.

It was a lot different from many other romance films you'll see.

Elliott had a more age - appropriate romance in Haley's previous film I'll See You in My Dreams, playing opposite Blythe Danner.

Jennifer Lopez and Ralph Fiennes (in what feels like a rare turn) have palpable chemistry, and the film is shot with the sweeping air of off your feet romance that we desperately want to see in our romantic comedies.

A brief romance with a likeable Derek Luke as the very man her advocacy group is battling in court sees her open up a bit, and minor drama ensues with careless sibling played by Julianna Guill, the film's mild comic relief.

The film is partly inspired by the 1974 French sex comedy Les Valseuses, and will see three small time crooks «inadvertently performing good deeds», with smidgens of surprising romance thrown in.

As we often see with Director Hong the film focussed on the foibles of a man with a skewed sense of romance and starred his frequent collaborators Kwon Haehyo and Kim Minhee.

Simultaneously an examination of the processes of effective activism and a deeply felt romance, B.P.M. is one of the most refreshingly frank queer films we've seen in many years, both about politics and about sex.

The most anticipated film of the year, Terry Malick's Tree of Life hasn't even seen the dark of theaters yet and already we're getting some bits from his next film; an as of yet untitled romance starring Rachel McAdams and Ben Affleck.

If only the low - aiming script by Simon Kinberg (xXx: State of the Union, X-Men 3), rumored to have undergone several rewrites at the hands of others, saw their characters as living, breathing human beings instead of mere comedic devices in the singular big joke the film is built on, and perhaps we would have seen even more fireworks in the romance department.

And in Tessa Louise - Salomé's cinephiliac romance Mr leos caraX (since retitled Mr. X), the titular director talks about his work, mostly in voiceover, with brilliance and surprising openness while ravishing clips dissolve in and out of each other, making us hungry to see the films in their entirety again.

Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon, after my friends learned I'd never seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd made any other movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.

I could add a couple more: Anomalisa (Charlie Kaufman and Duke Johnson, 2015)-- the most original film I saw in 2015 La belle équipe (Julien Duvivier, 1936)-- a great film from this interesting and underrated director Die grosse Liebe (Otto Ludwig Preminger, 1931)-- Preminger's first film, a charming romance with a mother character that could have stepped out of a John Ford film; and does the revelation of Preminger's full name explain why Billy Wilder had a character in One, Two, Three (1961) called Otto Ludwig Piffel?

The film tries at time to be a comedy, a romance and a drama, but misses on all three fronts, and ultimately left me scratching my head at what I just saw.

Packing romance, retribution and a whole lot of time travel, the film sees JCVD play officer Max Walker of the Time Enforcement Commission (TEC) explore a scummy politician's rise to power by hopping through the time - space continuum.

«Better Luck Tomorrow» is not just a thriller, not just a social commentary, not just a comedy or a romance, but all of those in a clearly seen, brilliantly made film.

Doubling as an effective romance, Zemeckis story of Hanks's FedEx worker Chuck Noland becoming stranded on a deserted Pacific Ocean island after a plane crash, driven to survive by the thought of returning to his girlfriend Kelly (played by Helen Hunt) is one of the director's most restrained (even the music cues by Alan Silvestri don't start till over an hour into the film) and in - command pieces of work that sees the esteemed filmmaker largely hold back on artistic flashes and instead focusing on his leading man Hanks working his magic as the determined Chuck.

We didn't get to see the traces of the romance that the character shares with Cable in the comic - book series, but we're sure that this relationship will be explored in the X-Force film.

I actually just saw a film of Anton Yelchin this weekend, it's a romance so I doubt it's for you, but man it's so sad he's gone, he's a pretty darn good actor.

Ultimately, Meet the Parents is one of the funniest comedies I've seen since Annie Hall, a film with which it shares a wry sensibility about modern romance.

And like that previous film, it gives the audience what it wants to see: an irresistible confection that serves up the laughs and a sweet, involving romance, with the proven Roberts - Gere electricity as the not - so - secret ingredient that gives the film its special kick.

In fact, the impact of seeing the same performers at one moment pale, overworked but concerned with their scruffy patients, and the next involved in an absurd six ‐ sided romance that culminates in an interracial kidney transplant, is, if anything, intensified by the quick cuts possible only in film.

From here on out, this film isn't much different than other coming - of - age or high school romance films you've seen before.

Even though the script most of the time didn't allow any real romance develop between them (even though it tried), you could see it being a decent re-edit of the film that is currently released.

Its influence can be seen in countless films that came after it, yet for decades it remained the happiest of LGBTQ screen romances.

Audiences can expect to see Michel Hazanavicius» winning, black - and - white silent film «The Artist;» Roman Polanski's adaptation of the stage play «Carnage;» David Cronenberg's sexually charged «A Dangerous Method,» with Viggo Mortensen, Keira Knightley and Michael Fassbender; Sam Levinson's Sundance entry «Another Happy Day» (starring Barkin); and Drake Doremus» Sundance romance, «Like Crazy.»

With two weeks to go until director Roger Michell's Daphne du Maurier adaptation My Cousin Rachel arrives in cinemas, a new batch of images from the film have arrived online featuring Rachel Weisz, Sam Claflin, and Iain Glen; take a look below... SEE ALSO: Watch the trailer for My Cousin Rachel here A dark romance, MY COUSIN -LSB-...]

The female audience that primarily were drawn to see eye - candy men like Walker, Diesel and Tyrese strut their macho stuff, often without a shirt, will probably not care enough to see Walker - wannabe Lucas Black and comic relief cute, Bow Wow, especially as the film is mostly chaste from a romance point of view.

His pictures always non-traditional (even Beverly Hills Cop is surprisingly stately in its development and resolution), Brest is at his best in presenting the broad, the theatrical, even the melancholy through his word jumble (Walken can say «absconded» without irony; Lopez can't even read in the film without moving her lips), and at his worst when trying to justify surprise moments of spontaneous lovemaking and unlikely romance (see also: Meet Joe Black).

Perhaps the closest thing imaginable to a modern day Ernst Lubitsch film, Love & Friendship sees puffed - up gentry adorned in lace - trimmed garments (colour - coded as to the capacity of their imagination) trying to get their prissy minds around the concept of modern romance.

It's refreshing to see a film about an older man and younger woman that doesn't involve some sort of icky, Woody Allen-esque romance, because although «The Intern» isn't technically a romantic comedy, it features many of the same tropes reworked to fit Ben and Jules» platonic relationship.

First off I liked Cianfrance's last two films, and also I'm in the mood for a good old - fashioned sweeping romance (going to see La La Land for similar reasons).

Both films are obviously based on Bram Stoker's Dracula novel, but where Stoker saw romance, these German filmmakers saw pestilence.

(POSSIBLE SPOILER) Yet, if you go into this film expecting to see a romance between Gere and Lopez, prepare to be disappointed.

(The feature - length film sees animations of «hyper - eroticized cyborgs» conveying a narrative about power, romance, and sexuality.)

External factors may include the media (younger people may want for more from a relationship after being socialised by images of romance on films and television), seeing friends and families in relationships (people who have divorced or separated parents may have a different CL to those with parents who are still married), or experiences from prior relationships, which have taught the person to expect more or less from a partner.