Sentences with phrase «see the exhibit early»

As a Science Center member you can enter in at 4 pm to see the exhibit early, before the crowd hits.

The Fashion Spot had the opportunity to see the exhibit early to give you a glimpse at the fashions on display.

Not exact matches

Our view has been that the US recovery has just entered the early expansion phase (see Exhibit B).

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

Having seen that Koscielny is not up to scratch in dealing with Paul Pogba's musclar strength play who had earlier out muscled him man to man to set up Antonio Valencia to put Man U 1 goal up 3 minutes into the game, and seeing another defensive flaw exhibited by Mustafi who allowed Jesse Lingard to put Man U 2 goals up 11 minutes into the match.

In Wenger's early years they were regarded as one of the toughest teams in the division and plenty of fans would like to see the current side exhibit the same committed qualities that Vieira, Petit, Keown, Adams et al displayed during their time at Highbury.

For information on exhibits designed with Early Learners in mind, see our Babies & Toddlers visiting tips.

De Blasio — who has long said he «does not see» Rikers closing in less than 10 years — called on the state to approve bills for speedier trials and earlier release for incarcerated individuals who exhibit good behavior, noting that the state already does this for its own prisoners.

At a Labour focused conference earlier this year, where Labour Humanists was exhibiting, I had a rather unpleasant encounter with a rising star in the Labour party, who had seen our rather tongue - in - cheek leaflets proclaiming «Still not doing God!»

In early January, we saw the wheel exhibit some elevated friction that didn't come down.

North Dakota doesn't seem to have a higher incidence of the disease than is normal nationwide, so the scientists looked to see whether residents were exhibiting early warning signs.

(See the story «Hobbit Symposium Held», below) Although given the genus name Homo, the fossils found a few years ago in Indonesia exhibit many traits, especially in the hands and feet, of much earlier members of the hominin lineage, particularly Australopithecus afarensis, which lived three million years ago and is not thought to have migrated out of Africa.

We'd seen a billboard for the exhibit during a day trip back in early October (before the exhibition opened.)

Contrarily, as part of the S&P Global Developed Sovereign Inflation - Linked Bond Index that measures the performance of the inflation - linked securities market, the S&P Japan Sovereign Inflation - Linked Bond Index rose 3.84 % YTD, see Exhibit 3, and its yield - to - maturity has also shifted from negative territory to 0.648 % in the same period, which is a level last seen in early 2012.

Since the Bank of Japan announced a negative interest rate policy earlier this year, both government and corporate bond yields have decreased (see Exhibit 1).

For orthopedic conditions, typically the association is seen when early to late neutering is compared [12, 13, 16] with a predisposition of neutered dogs to exhibit joint disorders, especially in dogs neutered before sexual maturity [12, 13, 19, 20].

Pano is usually seen in puppies between the ages of 5 and 18 months old, but some puppies exhibit symptoms even earlier than 5 months of age.

She suggests that dogs exhibiting the early signs of IVDD see a holistic veterinarian immediately for a combination of chiropractic care, acupuncture and herbs.

Featuring exhibits documenting the full spectrum of the country's history, visitors can see artifacts from the long millennia of Maya rule, items from the early days when Belize was a pirate haven, cats o» nine tails and chain balls from colonial times when the building was a prison, and special displays about the distinct cultures and peoples in modern Belize.

His early paintings and reliefs, inspired by cave paintings he saw while traveling in Europe, were often exhibited with the group of Chicago artists who were nicknamed the «Monster Roster» because of their fascination with morbid or mythological imagery.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Visitors to the Scarlatti Kirkpatrick exhibit will find a rich context in which they can see the trajectory of the artist's career, as earlier Stella works from Johnson's personal collection now hang in the Glass House's Painting Gallery.

[2] An early exhibit of the Japanese artist Yoshitomo Nara, a Japanese girl, can be seen in the window of the east elevation.

In addition to the installation, we will present a carefully curated, dynamic selection of works including a stunning new series of paintings by Terence Koh - ART HK 12 is one of the premiere occasions that the gallery has exhibited work by the ground - breaking contemporary artist - as well as a rarely seen editioned work documenting a seminal early performance piece by Tehching Hsieh and an important early work by Joseph Kosuth.

SEEING DOUBLE Nolan Preece / Kaethe Kauffman curated by Liz Gordon in collaboration with Katharine T. Carter & Associates OPENING RECEPTION SATURDAY FEBRUARY 18th 7 — 10PM exhibit featured 01.18.17 — 03.20.17 A photographer for over forty years, Nolan Preece has devoted his work to understanding and mastering the challenging techniques of early photography -LSB-...]

He has explored unconventional materials, as can be seen for example in his early margarine sculptures and his slaughtered pigs exhibited in glass cases.

A legendary figure in both photography and film with a career spanning over half a century, it has long been recognised that William Klein began his artistic career as a painter, however his paintings have scarcely been seen or published since they were first exhibited in the early 1950s.

If you have not already journeyed to Delray Beach to see the Cornell Museum's «FLORA» exhibit, the good news is that it lasts through early September!

The exhibition focuses on exhibiting YU Youhan's latest works after his retrospective exhibition at the Power Station of Art Shanghai in 2016, as well as early works seen for the first time.

Met Breuer has future programming to look forward to this summer and through the fall, including rarely seen early photographs by Diane Arbus, which were taken on the streets of New York City between 1956 - 62, which is an exhibit scheduled for July.

Following on the heals of Jaune Quick - to - See Smith's inclusion in the critically acclaimed Metropolitan Museum of Art exhibition, The Plains Indians, Artists of Earth and Sky (reviewed in the New York Times and The New Yorker among other publications and on view through May 10, 2015), her newest body of oil paintings as well as early watercolors and prints will be exhibited with Accola Griefen.

Opening Friday, November 26th at Toronto's LE Gallery, Tristram's newest body of dynamic watercolors take the dystopian urban landscapes that have always been at the core of his visual narrative, as seen earlier this year with his NYC exhibit Refuge (covered), and weaves a heavy dose of nature - based networks -LSB-...]

The first time I met Eugene («Gene») Lemay, the artist, founder, and president of Mana Contemporary, was when our mutual friend, the artist Ray Smith, brought him, fellow artist Yigal Ozeri, and Ysabel Pinyol, Curatorial Director of Mana, to see the exhibit Come Together: Surviving Sandy, Year 1 at Industry City in early November 2013.

It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti's career across five decades, from early works to iconic bronze sculptures.

Visitors to the Scarlatti Kirkpatrick exhibit found a rich context in which they can see the trajectory of the artist's career, as earlier Stella works from Johnson's personal collection now hang in the Glass House's Painting Gallery.

It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of his career across five decades, from early works such as Head of a Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.

Philipsz has also exhibited at the Tanya Bonakdar gallery in New York, which presented her work I See a Darkness earlier this year.

When the CAMH staged its first exhibit, «This Is Contemporary Art,» in 1948, many people hadn't yet seen works by Alexander Calder, Henry Moore, Wassily Kandinsky, Joan Miró and a host of other early - and mid-20th-century artists now classified as modern.

It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti's career across five decades, from early works such as Head of a Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.