Sentences with phrase «see the gallery remaining»

Not exact matches

Click on the gallery below to see the remaining three SA Aperta configurations, so long as you can bear the torture of seeing what you can't have.

But the gallery, which did not yet represent Ms. Dumas, told her about it, Mr. Robins claims, causing her to become angry with him because, like many artists, she prefers to see her paintings remain long term in prominent collections.

Do you see the gallery as a project you intend to remain committed to for years and years going forward?

I first saw Stockwell's work at the Genovese Sullivan Gallery in Boston — two solo shows, I think — and though his imagery has evolved, those circles and their undulating patterns remain a signature of his work.

Indeed when it rehung its major galleries several years back good old Waldemar Januszczak described it as a schizophrenic display, but it remained compelling simply because it was interesting to see how a poorly thought out idea affects the flow and meaning of a gallery.

New Ways of Seeing: Beyond Culture, curated by Jan Garden Castro and Eileen Jeng, opened at Dorsky Gallery Curatorial Programs on Sunday, May 10, 2015 from 2:00 - 5:00 p.m. and remained on view through July 12, 2015.

Among the 190 + participating galleries at the fair, feminism, protest and queer aesthetics are everywhere (see Frieze editorials here and preview here) According to Anton Kern Gallery, remaining performances of Lara Schnitger's Suffragette City will be Thursday May 3 at 2 and 5 pm; Saturday May 5th at 3 pm.

Still, art fairs remain great places to see new work, to learn about galleries outside of your region and to experience the ebbs and flows of art currents.

An exhibition of work by New York City - based artist Trish Tillman, titled «Remains (to be seen),» will open in the True F. Luck Gallery at the Visual Arts Center of Richmond on March 30, 2018.

Instead, the gallery is focusing on figures that remain largely unknown in the U.S., such as metalworker Franz Weissmann — «probably the most famous sculptor in Brazil,» according to Renaud - Clement — and painter Joao Jose Costa, whose work Latin American art advisor Anna Di Stasi says she has «never seen in New York.»

Jane Freilicher and Jane Wilson: Seen and Unseen is made possible, in part, by The Robert David Lion Gardiner Foundation, Joseph and Sylvia Slifka Foundation, Mildred C. Brinn, DC Moore Gallery, Mary and Howard S. Frank, The Wolf Kahn and Emily Mason Foundation, Tibor de Nagy Gallery, Mr. and Mrs. Richard E. Salomon, Lola Goldring and Family, Barbara and Jon Landau, Jen and James Marden, Patti and Mark Renton, Dr. and Mrs. Jeremiah A. Barondess, and a donor who wishes to remain anonymous.

His work has additionally been included in numerous group exhibitions: Pattern: Follow the Rules at the Eli and Edythe Broad Museum at Michigan State University (2013); Albright - Knox Art Gallery, Buffalo (2012); Nothing Beside Remains, curated by Shamim Momin, Los Angeles Nomadic Division (LAND), Marfa, TX (2011); Seeing is a Kind of Thinking: A Jim Nutt Companion, curated by Julie Rodrigues Widholm, Museum of Contemporary Art Chicago, Chicago, IL (2011); and Big New Field: Artists in the Cowboys Stadium Art Program, Dallas Museum of Art, Dallas, TX (2010).

His work has been included in numerous group exhibitions, including The Campaign for Art, San Francisco Museum of Modern Art, San Francisco, CA (2016); Surface Tension, The Flag Art Foundation, New York, NY (2015); Pattern: Follow the Rules, Eli and Edythe Broad Art Museum at Michigan State University, MI (2013); Albright - Knox Art Gallery, Buffalo, NY (2012); Nothing Beside Remains, Los Angeles Nomadic Division (LAND), Marfa, TX (2011); Seeing is a Kind of Thinking: A Jim Nutt Companion, Museum of Contemporary Art Chicago, Chicago, IL (2011); and Big New Field: Artists in the Cowboys Stadium Art Program, Dallas Museum of Art, Dallas, TX (2010).

Standing head bowed and in silence is a submissive stance and potentially uncomfortable, though it remains to be seen whether visitors to the gallery will be equally discomforted by what they experience.

How the new, publicly - owned gallery will operate in practice remains to be seen.

Whether that's required at an art fair remains to be seen, but sales seemed to going well for the blue - chip galleries despite a more subdued atmosphere this year.

Don't miss, too, the chance to see a selection from the British Council's Collection curated by Michael Craig - Martin, which has toured the world representing British art for many years; or Goshka Macuga's commission The Nature of the Beast, which will remain in the gallery for a year.