Sentences with phrase «see the screen tells»

Not exact matches

If you open your Facebook and you see the screen on the left, then it will tell you about the new Apps & Websites section, which is where the app controls will be housed.

I think the reason we like to see this story told and retold on screen, is because it's the story of our lives.

Back then teams didn't have easy access to TV screens to see what had happened, so when «de Crasharis» got back to the pits he told team boss Guy Ligier that his car had simply broken down.

As a result, only time will tell whether they will fulfill the promise that many in the concussion community see them as having, although I, for one, think they will eventually revolutionize the way in which athletes are identified for remove - from - play screening on the sports sideline, among other uses, and, within five years, are likely to be standard equipment for all contact and collision sports.

I saw great advice to tell your kids to find a woman if they are in trouble because oftentimes security guards are the least screened indivuduals at malls and amusement parks.

You're guided through the sign up by a simulated (or possibly real, it's hard to tell) but very pleasant naked blonde woman, who asks you the questions out loud as well as seeing them written on your screen.

If the postcard is used, the most check the date on the Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect

Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect The first and the best free dating site for Expats in Germany.

Although the world's first picture post cards date from the 1860s to the mid-1870s, post cards, as we know them, came Aspect Ratio If you see postcards for sale but are unsure of their size when looking at them on your computer screen, you can usually tell by the «Aspect

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

All you have to do is tell us below which Academy Award winning actor you'd like to see more of on the big screen.

Based on the memoir by Solomon Northup (as told to David Wilson) and adapted for the screen by John Ridley, 12 Years a Slave sees an affluent black American — a violinist and family man born free in New York state - pitched into a waking nightmare when he's kidnapped by slavers in 1841.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

«I was in a screening room by myself the first time I saw it and I cried a lot because there was zero repercussions,» the 35 - year - old Tony Award winner told host Stephen.

Naomie Harris said she doesn't smoke or drink, so for the film's latter scene when Chi» ron comes to visit her and she's trying to light the cigarette, she didn't know that director Barry Jenkins had pulled Trevante Rhodes aside and told him to take the cigarette out of her hand, so what we see on screen in that moment was improvised on the spot to come to her rescue.

Sofia Coppola told a press conference in Cannes that she hadn't seen the 1971 big screen original feature The Beguiled, directed by Don Siegel and starring Clint Eastwood, ahead of pursuing her version.

VIOLENCE / GORE 6 - A seated man's legs stick out beyond a dividing wall in a bathroom that hides the toilet and the rest of the man (we see pools of blood around the man's shoes and blood splatter across most of the wall and extending into the area where the toilet would be, on the sink in front of the man, on the floor beneath the vanity, and on the floor beyond the pools of blood); sirens sound off - screen, another man in the house tells a sheriff's deputy that he brought two pizzas for the dead homeowner, the owner did not like anchovies, and so the owner brought out a gun and blew his own brains (we hear that the dead man had just been evicted from his house).

Certainly from watching the movie, you can tell that there's no artistic or creative reason behind putting all of these people back onto the screen together to play out more or less the same scenario that we saw two years ago.

Whether or not he's telling the truth remains to be seen, but one thing is certain: with Anderson behind the camera and a cast that includes Hoffman, Amy Adams and Joaquin Phoenix (making his big screen return after wasting the last few years making «I'm Still Here»), «The Master» will likely be a contender in nearly every major category come awards time.

From the moment we first see him, arriving late for a concent, his eyes defeated, his body telling us he has had enough, to the final moments on screen, Kristofferson dominates this ego fest with a remarkable performance.

Discussing the premiere of the Danny Boyle classic, Kelly told how she was initially surprised when she saw how her co-star Robert Carlyle reacted when he saw himself on screen.

We've seen plenty of live - action fairy tales hit the big screen in recent years, but most of those movies are content to include tell just one story.

«I just saw my life on that screen,» he told the director.

Hmmm... The fact that in a few of the screen shoots we see the Nintendo logo is telling me we are in fact looking at the Wii U version early build.

«Honestly, «Yoga Hosers» is the movie I wanted to see back when I was a 12 year old girl,» director Kevin Smith told audiences before a recent screening of the feature.

At the film's recent press day, Moretz, Blackley, Leonard, Cutler, Forman and Cross discussed bringing the emotional experience of the book to the screen, the challenge of finding the right cast, Blackley and Leonard's preparation for their musical roles, creating the onscreen chemistry in the relationship between Adam and Mia, Stacy Keach's heartfelt portrayal of Gramps, Forman's reaction to seeing her novel adapted to film, and Cutler's desire to recreate the roller coaster experience of the book but tell a story that's ultimately life affirming and has a positive message.

And anyone who has seen her and Gosling's enchanting «A Lovely Night» sequence or heard her triumphant «Audition,» which she performed live on screen, or simply given themselves over to the story at the center of the film — which has a 93 percent favorable rating on RottenTomatoes.com and has grossed $ 269 million worldwide (on a $ 30 million budget)-- can tell you that she and her collaborators more than rose to the occasion.

I missed the press screening, so I had to wait a couple days to see it, and during that time everyone kept telling me how horrible it is.

At the end of our interview with Mark Rylance in LA, Moviehole.net tells him it's good to see him on screens again,...

But he lapses into unnecessarily long discussions of what the characters are thinking and what drives them to do what they are doing on screen, which gets bland after a while because by the time you've gotten to the commentary, of course you've already seen the film and don't need to be told what's happening.

On another occasion, when the studio publicist saw me, I was told the screening had been canceled.

It's a remarkably simple, true story that deserved to be told (and deserves to be seen) on the big screen and Naomi Watts» performance is one of the best of the year.

In an interview earlier this week, X-Men franchise producer Hutch Parker told Screen Rant, «there's still a desire and a passionate interest to see that movie made.»

It's also telling how some who saw the film have pointed out that they, along with most of the people attending that screening, were basically the perfect audience for the film to pander to, which does call into question whether the positive reactions will be shared among those who aren't in the target demographic.

If you missed it in its brief Varsity run (where, I'm told, the print had a severe scratch running through the entire film), you owe it to yourself to see this celebration of cinema on the big screen.

Carey Mulligan can also be seen in the screen adaptation of Pride & Prejudice, another British classic that tells the tale of unmarried women and their possible suitors.

It's a story that is familiar to us now, but the film tells it anew, and it feels so urgent that it's almost jarring when we see the Twin Towers burning on a TV screen and remember that this took place 15 years ago and is not, in fact, coming to us live.

Brimming with ideas, viewpoints and excellent filmmaking, these films offer a fresh look at countries and stories rarely told on screen — and they all deserve to be seen and...

«I personally don't perceive the Palme d'Or [should be] given to a film that is then not seen on the big screen,» Almodóvar told the room full of press, a comment which seemed to suggest the two Netflix films in competition this year, Noah Baumbach's The Meyerowitz Stories and Bong Joon - ho's Okja, have no shot at winning because they don't yet have a French theatrical release planned.

As for the portrayals, Teller (who, incidentally, looks nothing like a real boxer), Eckhart and Hinds are fine and mostly believable in their roles (especially the first two), but this author can not help but speculate that this real - life struggle and redemption story could have been told much better with some genuine emotion instead of the mediocre tale we see on the screen.

«Not only are they directed by women, but they're telling very powerful stories about women that haven't been seen on screen nearly enough.»

This was, we were told, its first screening in more than fifty years — what a way to see a film!

It is from this vantage point that Petit narrates the film with French - accented expositional commentary to tell us, time and again, what we are already seeing on screen.

For those who have visited an IMAX screen in the last few months, you may have seen the incredible 70 mm teaser for the film, which tells of the infamous military evacuation of the small French coastal town during the early years of World War Two.

In telling the story of how Tommy Wiseau made the 2003 cinematic calamity «The Room,» James Franco — a bit of a disaster artist himself — connects with a character on screen like he never has before, and lets us see how Wiseau went from Hollywood nobody to cult legend.

please tell me where this is screening, as i presume that's why this appears in the film reviews... I MUST SEE.

People learn best by seeing someone demonstrating, so being able to capture your screen at the same time you provide a narrative (text or audio) is better than simply telling using text.

«Customers told us they wanted to see the team back on screen, and we are excited to make that happen,» Amazon Prime Video EU vice president Jay Marine said in a statement.

However, if I check to see what a patron might check out, the first several screens all tell me to put myself on the waiting list.

We're talking about holding out for the iPhone 5, and we'll probably wait at least until we see what they announce, but I'll tell you this: If there's no significant screen - size increase on the iPhone, I'm definitely going with Samsung.