Sentences with phrase «see traditional exhibitions»

Results show that despite huge publicity and media attention for contemporary artists such as Tracey Emin and Damien Hirst, art lovers voted with their feet in Britain and abroad to see traditional exhibitions of old masterpieces or well - known early 20th century painters.

Not exact matches

Expect to see traditional dancers perform, followed by a riding exhibition by Mexican charros (cowboys) and finally a ritualized death match between matador and bull.

«The region has seen phenomenal growth in online engagement in the last two years, transitioning from a traditional face - to - face booking model to a new virtual reality where 24/7 updated information is a basic expectation and speed of access is essential when it comes to planning, researching and booking,» said Nadege Noblet - Segers, exhibition manager, Arabian Travel Market.

WTM 2012 saw the traditional first morning session before the exhibition opened and the new Thursday Speed Networking sessions, aimed at facilitating post WTM business deals.

We're also seeing exhibition and fan spaces liberated from traditional and expensive events like PAX or GDC [for example, we previously visited Lost Levels here at Offworld].

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Drawn to soft and pliable materials including fabric, hide, and rubber, Hlobo's early sculptures and ritualistic performances were equally informed by traditional Xhosa culture and gay pageantry; his most recent solo exhibition, «Sewing Saw,» attempted to deconstruct his attraction to malleable raw materials.

«The paintings in the red room are traditional still - lifes representing abstract constructions, and you do not see them when you enter the exhibition.

The exhibition opens on January 10th and continues until February 12 2011 Ebru Uygun's work can be seen as a semaphore for the deconstruction of traditional artistic practice.

This museum - quality exhibition juxtaposes for the first time historical works by Japanese artists belonging to the original Mingei movement — whose techniques derive from traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.

There isn't a painting or a sculpture to be seen, but visitors to the 30th annual Turner prize exhibition will be greeted by some reassuringly traditional sounds.

In the exhibition we want to show the artists views on what romance looks like to them, what they think about traditional forms and new possibilities of being romantic, where they (don't) see romance and if they either have a emotional or rational way of dealing with it.

The exhibition begins in the museum's ground floor galleries and courts and continues in the China galleries on the second and third floors, where contemporary works can be seen alongside traditional art from the museum's collection.

Released on the occasion of Bove's solo exhibition at David Zwirner in New York in 2016, Polka Dots features an essay by Johanna Burton charting the artist's fascination with process and commitment to disrupting traditional ways of seeing.

«The objects assembled in this exhibition challenge the way African - Americans have historically been seen, creating alternate narratives to the traditional Western art accounts from ancient Egypt and classical Greece, to the birth of modern painting, to postwar abstraction and conceptual practice,» according to a news release.

Dedicated to presenting large - scale sculpture and installation works by leading artists from around the world, Encounters provides visitors with the opportunity to see works that transcend the traditional art fair stands, presented in prominent locations throughout the exhibition halls.

Judith F. Dolkart, chief curator at the Barnes, saw a connection between Shonibare's outlook and that of founder Albert C. Barnes, who took a greater interest in public art education over traditional exhibitions of his famous collection.»

WATER MILL, NY 9/11/2015 — The Parrish Art Museum has organized Jane Freilicher and Jane Wilson: Seen and Unseen, an exhibition featuring two notable figures in American art who abandoned the Abstract Expressionism of the 1950s New York art scene to fundamentally reinvent traditional landscape and still - life painting based on highly individual approaches to representation.

The exhibition, his first in the UK since 2008, will see the Serpentine Sackler Gallery populated by a diverse mix of sculptural forms that demonstrate Tayou's unique visual language based on archetypes, made and found objects and traditional craft.

While the works by these artists reveal traditional themes, including impersonation, reinvention, self - consciousness, vanity and the complex game of seeing a mirrored image, the exhibition will also explore how issues of identity and self - portrayal were bent in new directions in the 20th century as if refracted through a prism.

After seeing Olitski's exhibition at the Metropolitan Museum of Art in 1969, Poons realized that expanded artistic possibilities allowed for more unconventional processes, and immediately began his search for a less traditional method.