Sentences with phrase «see women in power»

«So if we want to see women in power, let's help each other create wealth and let's redeploy that wealth into helping other women grow amazing businesses.

Not exact matches

The main objective of Women Powering Business and DWEN is for the women in our network to do real business with us and we've seen real business haWomen Powering Business and DWEN is for the women in our network to do real business with us and we've seen real business hawomen in our network to do real business with us and we've seen real business happen.

Keala Lusk, a former Uber software engineer, wrote on Medium that during her time at Uber she saw «malicious fights for power, interns repeatedly putting in over 100 hours a week but only getting paid for 40, discrimination against women, and prejudice against the transgender community.»

As an investor in the online accessories company Stella & Dot, Spector had seen «the power of women selling to other women, as well as their buying power.»

In a statement, Nick Denton, the founder of Gawker Media, who was also personally named in the Hogan suit, said: «Just because Peter Thiel is a Silicon Valley billionaire, his opinion does not trump our millions of readers who know us for routinely driving big news stories including Hillary Clinton's secret email account, Bill Cosby's history with women, the mayor of Toronto as a crack smoker, Tom Cruise's role within Scientology, the N.F.L. cover - up of domestic abuse by players and just this month the hidden power of Facebook to determine the news you see.&raquIn a statement, Nick Denton, the founder of Gawker Media, who was also personally named in the Hogan suit, said: «Just because Peter Thiel is a Silicon Valley billionaire, his opinion does not trump our millions of readers who know us for routinely driving big news stories including Hillary Clinton's secret email account, Bill Cosby's history with women, the mayor of Toronto as a crack smoker, Tom Cruise's role within Scientology, the N.F.L. cover - up of domestic abuse by players and just this month the hidden power of Facebook to determine the news you see.&raquin the Hogan suit, said: «Just because Peter Thiel is a Silicon Valley billionaire, his opinion does not trump our millions of readers who know us for routinely driving big news stories including Hillary Clinton's secret email account, Bill Cosby's history with women, the mayor of Toronto as a crack smoker, Tom Cruise's role within Scientology, the N.F.L. cover - up of domestic abuse by players and just this month the hidden power of Facebook to determine the news you see.»

Through having more women use their investment power to invest in the types of fund managers, leadership teams, financial returns companies they want to see more of in the world, we believe, it will drive the initial impetus to change the gender - gap in venture capital.

She rightly saw the distrust between men and women as being rooted in the unequal distribution of power between them: «At any given time, the more powerful side will create an ideology suitable to help maintain its position and to make this position more acceptable to the weaker one... It is the function of such an ideology to deny or conceal the existence of a struggle.»

So when the Second Vatican Council said that «The hour is coming, in fact has come, when the vocation of women is being acknowledged in its fullness, the hour in which women acquire in the world an influence, an effect and a power never hitherto achieved» it was saying something that everyone could see was true, and had important implications.

It begins where women in theology attempt to deconstruct basic ethical principles such as «the common good» and «the question of moral power and authority,» but from there it moves to the creative impulses we see around us, as women in faith and faithfulness reconstruct the future image and face of the Church as a «community of Christ, bought with a price, where everyone is welcome, «14 as Letty Russell describes it.

Given society's growing recognition that men and women are equal, is the gospel to retain its power if it remains tied to a hierarchical structuring in which women are seen as subservient and dependent?

Whenever you see men and women in the Bible going forward in the power of the Spirit, you will also find that they spend very large amounts of time, hours, in prayer and in the Word of God.

They would not allow any woman to be seen in a position of power — any type of power.

In the first place such education, now as always, is concerned with the nurture of men and women whose business in life it will be to help men to see their immediate perplexities, joys and sufferings in the light of an ultimate meaning, to live as citizens of the inclusive society of being, and to relate their present choices to first and last decisions made about them in the totality of human history by Sovereign PoweIn the first place such education, now as always, is concerned with the nurture of men and women whose business in life it will be to help men to see their immediate perplexities, joys and sufferings in the light of an ultimate meaning, to live as citizens of the inclusive society of being, and to relate their present choices to first and last decisions made about them in the totality of human history by Sovereign Powein life it will be to help men to see their immediate perplexities, joys and sufferings in the light of an ultimate meaning, to live as citizens of the inclusive society of being, and to relate their present choices to first and last decisions made about them in the totality of human history by Sovereign Powein the light of an ultimate meaning, to live as citizens of the inclusive society of being, and to relate their present choices to first and last decisions made about them in the totality of human history by Sovereign Powein the totality of human history by Sovereign Power.

In her letter to the 1995 Fourth World Conference on Women in Beijing, Mother Teresa wrote: «That special power of loving that belongs to a woman is seen most clearly when she becomes a motheIn her letter to the 1995 Fourth World Conference on Women in Beijing, Mother Teresa wrote: «That special power of loving that belongs to a woman is seen most clearly when she becomes a mothein Beijing, Mother Teresa wrote: «That special power of loving that belongs to a woman is seen most clearly when she becomes a mother.

Churches involved in this kind of hands - on ministry see firsthand the power and influence of the abortion industry, and the harm it does to women, children, and communities.

Power play: Hanna Rosin, journalist and author of The End of Men: And the Rise of Women, elucidated how successful these contemporary couplings can be: «They are on paper the most stable, prosperous marriages the Western world has seen in decades,» Rosin wrote in 2013, when she described Frank and Claire Underwood of the Netflix television series House Of Cards as a shining example.

And so it's such a great way of helping these moms with younger babies get over their fears because they see all these other women breastfeeding in public and it's no big deal so I just think you know power and numbers to like it definitely helps you overcome your fear if you're not the only one doing it.

The pelvis is a fixed dimension as well, so in a labor process you know the only thing that I have any control over is the power or that is this labor adequate to try and keep things moving in and you know, you can have a woman with a good pelvis, if she's got a 10 pound baby there could still be a dystocia or inability to get that kid through that and she could have an eight pound baby next time and do very well with that and you see that sometimes.

The Power of Women... The Power of Community — ``... I think I got so into it because I was just so impressed with seeing all those women in person who really knew and felt the importance of supporting women in birth.&rWomen... The Power of Community — ``... I think I got so into it because I was just so impressed with seeing all those women in person who really knew and felt the importance of supporting women in birth.&rwomen in person who really knew and felt the importance of supporting women in birth.&rwomen in birth.»

Klein can over play his hand one way: Being seen as denying significant power to Sen. Andrea Stewart - Cousins, the Democratic minority leader who would be the first black woman to hold the majority leader post in state government.

Leaders within those groups say there is a shift happening, seen in recent months by the emergence of women and some men who have come forward to reveal their stories of abuse and harassment by people in positions of power.

«We've seen this movie before, and in this time of rising women's power, we don't need to see the re-run.»

Sandbakk sees that the difference between the sexes is mainly due to the fact that women use less power per stroke, indicating that female skiers may be too weak in their upper bodies.

See Kristin L. Dunkle and colleagues, «Gender - based Violence, Relationship Power, and Risk of HIV Infection in Women Attending Antenatal Clinics in South Africa,» The Lancet, Vol.

«This is Alex Wang's take on the 80's power woman, when we first saw female empowerment in the office,» Redken Global Creative Director Guido Palau said this about the look.

You might see a power woman in stilettos at a meeting, but when she's out there slumming it, building everything, she's definitely not in 1 cm thick heels.

This type of relationship can sometimes be seen as a quintessential stereotype in dating: a perceived man of power, wealth, or prestige with a gorgeous younger woman on his arm.

We see a woman of power and wealth talked - over by boorish bankers and her boorish board (Bradley Whitford is boor - in - chief).

As Iris, a high - strung single woman who, in the wake of her mother's death, tries to displace grief with a frenzy of casual sex, Samantha Morton (previously seen here only in British TV imports) gives a performance of astonishing power; she bursts into view with the kind of magnetism Emily Watson brought to Breaking the Waves.

Although we've seen the struggle for individualism and personal power done many times before, particularly in independent films, Real Women Have Curves never seems to lack for freshness despite it all.

And while you can almost see the checklist that he's working from, dutifully crossing off items like «insane set - piece stunt that Cruise does himself», «tense infiltration hinging on a disguise powered by spotty tech» and «lovely, leggy woman in a tight evening gown», the result never quite gels the way it did in the previous films.

It's all about the power of one man to bring out the best and worst in a house full of women who aren't immune to his seductive charm.There are more than a few moments of dark humor along the way but when Kidman cries, «Bring me the saw!»

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain a tale of love, loss, memory and the mystical.

And being one of the many women joining forces - and I get to look across the room to see all these incredible women that mean business and have always meant it - but now culturally there is a time and space for them to take that ownership and that power and really create systemic change in this business and across industries.»

In fact, in the sequel's trailer, we saw that a villainous woman will steal some of Hank Pym's technology and somehow harness the power of the Quantum RealIn fact, in the sequel's trailer, we saw that a villainous woman will steal some of Hank Pym's technology and somehow harness the power of the Quantum Realin the sequel's trailer, we saw that a villainous woman will steal some of Hank Pym's technology and somehow harness the power of the Quantum Realm.

Honestly, of all the people we can think of off the top of our heads as people I'd be excited to see step into Wonder Woman's boots, Christina Hendricks is right at the top, and it doesn't even have much to do with her truly epic curves; she's proven herself in the past few years as one of the strongest actors on television, bringing a quiet but supremely forceful power to the character of Joan Holloway.

Women have been punished for being in power, for being powerful for many centuries and I thought that was the remarkable thing about making Prospero into Prospera... You can bring in that history of female struggle, and certainly in Shakespeare's day and for many centuries before and after women of knowledge were punished for that knowledge... We can see now in the extreme fundamentalist states, whatever religion they are, that they want to exclude women from education... because an educated woman is a dangerous tWomen have been punished for being in power, for being powerful for many centuries and I thought that was the remarkable thing about making Prospero into Prospera... You can bring in that history of female struggle, and certainly in Shakespeare's day and for many centuries before and after women of knowledge were punished for that knowledge... We can see now in the extreme fundamentalist states, whatever religion they are, that they want to exclude women from education... because an educated woman is a dangerous twomen of knowledge were punished for that knowledge... We can see now in the extreme fundamentalist states, whatever religion they are, that they want to exclude women from education... because an educated woman is a dangerous twomen from education... because an educated woman is a dangerous thing.

Seeing a beautiful woman in an evening dress brandishing a high - powered artillery weapon.

The #MeToo movement has seen a number of men and women - both celebrity and not - coming forward to share their stories of sexual harassment and in support of those who have been abused by people in power.

Although still an attractive woman, this producer, 45 - year - old Rosie (Pfieffer, Sinbad), finds that her age is beginning to show, and she's self - conscious about it, especially in a career that sees people regularly turned down for jobs strictly because the powers - that - be deem them as too old to know how to appeal to the much - prized teen and twenty - something consumer crowds advertisers love.

An open letter signed by 190 actors had called on women in the film industry to wear black and to «use our power as communicators and connectors to shift the way society sees and treats us.

Great art it's not — but it's frisky, in charge of itself, and about as keenly felt a vision of this S&M power game we could realistically have expected to see... The film's single biggest asset is Johnson, who has worked hard with Marcel and Taylor - Johnson to perform a three - woman salvage job on the character of Anastasia.

Speaking to Popsugar Australia, the Kenyan - Mexican actress revealed that the joy of Wakanda — the fictional African nation where Black Panther is set — is that «we see women alongside men, and they're powerful in their own right, but them assuming their power in no way diminishes the males in their lives».

This year alone, they released six of the most inventive, quality offerings out there: two terrifying survival thrillers, Damien Power's devastating and brilliant Killing Ground and Sam Patton's lesser but still - worthy Desolation; Sean Byrne's masterful tale of artistic obsession and satanic possession The Devil's Candy (all three even harder to endure because the featured families in peril are so human and likable); A Dark Song, an unnerving occult thriller in which a woman hires a medium to help make contact with her dead daughter; and House on Willow Street, which, similar to last year's horror highlight Don't Breathe, sees a house robbery — led by a woman with a mission, played by modern scream - queen Sharni Vinson — go terrible wrong, but this time in a more supernatural way.

It is quite repulsive to see how some men in position of power and authority make laws which affect women negatively.

In her most refreshing novel ever, Fay Weldon has written a farcical story about women who - new politics aside - can't quite see past the allure of power and bad men.

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

And I see Susan Meiselas's project as a way of trying to reformulate and resist images of women who are in positions of very low status and very little power in society, and to talk about them as fully realized subjects, without glorifying what they do to make a living.

It is also exciting to see these power structures challenged in the work of emerging male artists like Kudzanai Chiurai, a Zimbabwean artist whose recent bodies of work re-represents colonial and art histories to depict black women in positions of power.

Women are rising to great political power in societies around the world and we are just beginning to see a shift occur as more women step into positions of global leaderWomen are rising to great political power in societies around the world and we are just beginning to see a shift occur as more women step into positions of global leaderwomen step into positions of global leadership.