Sentences with phrase «seeing lila»

I love seeing Lila's printing and her drawing; too cute.

Elena begins her narration by stating when she last saw Lila (2005) and that the purpose of her narration is to draw Lila (who has been missing since 2010) out to correct her story.

The opening sees Lila standing outside the game's church, inside of which is the only safe place without battles.

We inserted her goal, Training Director, at the top of the resume so everyone looking at the resume could see Lila wanted a position as a Training Director.

Not exact matches

Best in Fiction: Among novels that released in 2014, my favorite included All the Light We Can not See by Anthony Doerr, Americanah by Chimamanda Ngozi Adichie, and of course Lila by Marilynne Robinson (which I've only just started).

My midwife Missy and her student Lila Rose thought it would be a good idea to check me and see if they could break my water.

But before you do that, stick around and see how Lila and I created this bouquet of pencils — for homework, for doodling, and as she suggested, perhaps for gifting to the teacher this year?

She's already filmed her next five roles: as previously discussed she'll play the showy small role of James Brown's mom in Get On Up (August, 2014); she's excellent as a college professor in The Disappearance of Eleanor Rigby Pts 1 and 2 (release date still TBA but I saw it at TIFF); she's in Michael Mann's thriller Cyber (January, 2015) with Chris Hemsworth as the headliner and supposedly her role is large there as an FBI agent; She'll headline Shonda Rhimes TV series «How To Get Away With Murder» and if it gets picked up past the pilot, don't expect to see her on your movie screens for awhile; The other leading role is Lila & Eve (she plays Lila) but her co-star is... (wait for it)... Jennifer Lopez?

And then we see Dexter next to the murderers he stalks down - the ice - cold Ice Truck Killer in season 1, the borderline Lila in season 2, the ethically distorted Miguel Prado last season, and now John Lithgow's repugnant Trinity Killer.

A handsome champion swimmer with a Ph.D. in English, he's so inexpressive and blandly hunky that it's difficult to see why he'd become the tug - of - war rope in the struggle between Lila and her former roommate, Laura (Holmes).

That's what makes It Felt Like Love so transfixing — using our expectations of the genre, looking upon a coming - of - age as some sort of fairy tale (that's how Lila sees it herself), when it is actually realistic in the worst way possible.

There are times when the camera lens gazes at body parts as if it were looking through Lila's eyes, allowing the audience to see what she is thinking about without her having to say a single word.

See the conference agenda as well as travel information, and register now for LILA 2015!

Lila's emergency call brings the police, but there are no clear - cut leads, since she didn't see the perpetrator.

It was such a treat to hear so many wonderful authors share readings with us, and I can't wait to see each of their titles in LILA's book boxes.

And every year they all pretty much feature the same titles (this year it's «The Bone Clocks» by David Mitchell, «All the Light We Can not See» by Anthony Doerr, «Lila» by Marilynne Robinson and Atul Guwande's «Being Mortal»).

If I were Lila, Iâ $ ™ d move everything into a money market account for a while and sit on it for at least three weeks, then wait until I started feeling confident about the stock market again — or at least until I felt it was close to the bottom, which I donâ $ ™ t think weâ $ ™ ll see for another year unless there are tremendous cuts in interest rates (this last bit is solely my opinion from having watched the stupidity of the housing market over the last few years).

Image: CHRIS BURDEN You'll Never See My Face in Kansas City Morgan Gallery, Kansas City, Missouri, U.S.A; November 6, 1971 Relic: ski mask Collection: Gilbert and Lila Silverman, Southfield, Michigan

Image: CHRIS BURDEN You'll Never See My Face in Kansas City Morgan Gallery, Kansas City, Missouri, U.S.A; November 6, 1971 Relic: ski mask Collection: Gilbert and Lila Silverman, Southfield, Michigan MoMA PS1 presents The Talent Show, featuring works by 18 artists in the First Floor Main Galleries Through to April 4th 2011.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

With her team, she has been working with the architect David Chipperfield to yank the collection's home in the Lila Acheson Wallace Wing out of the 1980s (when artists like Chuck Close and Julian Schnabel ruled the roost, as can still be seen in the installation) and into the simultaneously more minimal and more frenetic now.