Sentences with phrase «seeing a gallery exhibition»

In a postscript, I ask how their work has made me see gallery exhibitions by younger artists differently as well.

ArtInfo selects Assaf Shaham's solo exhibition as one of 5 must - see gallery exhibitions in New York

I also wanted to draw attention to the pleasures of seeing a gallery exhibition in a domestic space — here, in the apartment of a gorgeous (and recently cleaned) terracotta pre-war building by Blum & Blum.

Not exact matches

2015 will see the completion of the Wine & Food Village with the opening of Rosgal Gallery, to feature rotating exhibitions, and Redolent Mercantile, a retail experience in finds exclusive to Napa and even California.

I still have many photo shoots to work on before the exhibition, but I can't wait to see all of the ready photos hanging on the gallery's walls

The exhibition wasn't just vehicles — the top gallery is filled with story boards and sketches, so you can see how they orchestrated some of the famous actions scenes.

It's a way to see what is important to you, what you care about, and the diversity of those around you,» says Hussain, the creator of the current interactive public art exhibition at Gutman Library Gallery...

Save time to see the Lynette Yiadom - Boakye: Verses After Dusk exhibition at the gallery, and visit the Serpentine Sackler Gallery, just a short walgallery, and visit the Serpentine Sackler Gallery, just a short walGallery, just a short walk away.

Between Beaufort and William Streets, the Perth Cultural CentreOpens external site in a new window is home to a number of cultural institutions where you can catch a gallery or museum exhibition, or see a live performance.

The city's art museums continue to flex their muscles: the National Gallery of Australia's big - ticket James Turrell survey and the National Portrait Gallery's fascinating In the Flesh exhibition are must - sees for anyone visiting in 2015.

The exhibition will be in the Crypt Gallery of St Martin - in - the - Fields, just off Trafalgar Square, and there will also be a chance to see David Levene's images of Myanmar too.

The rest of the day is free so we wandered off to see an exhibition of work by «The Canadian Seven», artists from early 20th century (brilliant) at Ontario Art Gallery, then had a drink at the Village Idiot pub (yes, that is its» name) over the road.

See works by both at the Turner Contemporary gallery on the seafront and head to Resort Studios and Crate for regularly changing art exhibitions and events.

Looking at her bio and list of exhibitions I see that she started exhibiting in galleries back in 1997, and has had many shows in museums and galleries since then.

You will be able to see some of his latest work at a new exhibition, SKIP A.D., at London's StolenSpace gallery from 2 June until 1 July 2017.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

Tomorrow (November 15) is the last day to see an exhibition of recent paintings by John Walker at Alexandre Gallery, New York.

British silkscreen and collage star Joe Webb stages his first ever retrospective at For Arts Sake gallery in London this spring, in a large - scale exhibition displaying some of his most famous pieces alongside never - before - seen works.

,» 303 Gallery, New York, NY, April 12 — June 14, 2003 2002 «Liz Larner: Untitled,» Museum of Contemporary Art, Chicago, Chicago IL, May 1 — September 8, 2002, on MCA plaza in conjunction with Art Chicago / Pier Walk, curated by Dave Hickey 2001 «Liz Larner,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, December 2, 2001 - April 7, 2002, catalogue 1999 «Liz Larner,» 303 Gallery, New York, NY, May 15 - June 12, 1999 1998 «Liz Larner,» Regen Projects, Los Angeles, CA, June 27 — August 1, 1998 «Liz Larner: I Thought I Saw a Pussycat,» MAK, Austrian Museum of Applied Arts, Vienna, Austria, June 3 — August 9, 1998; catalogue 1997 303 Gallery, New York, NY «Liz Larner,» Kunsthalle Basel, Basel, Switzerland, curated by Peter Pakesch, June 8 — August 24, 1997, catalogue 1994 303 Gallery, New York, NY 1993 Jennifer Flay Galerie, Paris, France 1992 Peter Pakesch, Vienna, Austria 1991 Stuart Regen Gallery, Los Angeles, CA 303 Gallery, New York, NY 1990 Galleri Nordanstad - Skarstedt, Stockholm, Sweden 303 Gallery, New York, NY 1989 Galerie Peter Pakesch, Vienna, Austria, December 12 — January 20, 1990 303 Gallery, New York, NY 1988 Margo Leavin Gallery, Los Angeles, CA Selected Group Exhibitions:

To read more about Rauschenberg's involvement with the environmental movement, see Robert S. Mattison's essay, «Robert Rauschenberg's Environmental Activism,» in the exhibition catalogue Last Turn — Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, March 6 — April 12, 2008.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

The decades that followed saw him show work at numerous exhibitions mounted by New York galleries and American museums.

NEW YORK - Diane Simpson's group exhibition See sun, and think shadow on view at Gladstone Gallery, New York, from June 23 to July 29, 2016.

The gallery says Als «shares with Neel a devotion to the diversity of New York City» and for him, the exhibition «is an attempt to honor not only what Neel saw, but also the generosity behind her seeing.»

The night before we meet had seen the opening of his latest exhibition of paintings, at Carl Freedman Gallery in east London (Emin was there).

Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international galleries based in Hong Kong and China, where «the Orient,» as a subject, seems to be enforced on artists debuting a solo exhibition at these spaces.

Please join 11R for a conversation between artists Douglas Melini and Brian Alfred with curator Daniel S. Palmer, on the occasion of Melini's current exhibition at the gallery, You Have To Peer Into The Sky To See The Stars.

She exhibited them at that year's Paris Salon, where the masterly abstractionist Hans Arp saw them and persuaded her to let him put them on exhibition at Peggy Guggenheim's Paris gallery and later in her short - lived London gallery.

In his 1950 exhibition at the Betty Parsons Gallery, he put up a notice that while there is a tendency to look at large paintings from a distance, these works were intended to be seen from close up.

I stopped by the Alexandre Gallery to see the exhibition yesterday.

Those who have seen the previous exhibition of Antony Gormley in this gallery will surely remember the «Insiders», the minimal, skeletonlike sculptures that visualize the core of the human figure.

As this is a non-commercial venue, an exhibition at the Butler Gallery provides the artist with a special opportunity to see through a particular proposal or thematic objective.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

THE SEEN Staff Last night, Spanish artist Jaume Plensa attended the opening for his solo exhibition, Private Dream at Richard Gray Gallery, presenting new sculptures.

Nikki Maloof at Jack Hanley Gallery, Independent The Brooklyn - based artist Nikki Maloof is building out her menagerie - like solo exhibition at Jack Hanley at the end of last year with an actual porch, plus her usual fare of animals, most fittingly seen in paintings of moth screens.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

«The history of painting has seeped into the portraits», Opie says, describing how seeing Lady with an Ermine (1489 — 90) at the National Gallery's 2011 Da Vinci exhibition in London immediately evoked her son Oliver holding his pet mouse.

As a corollary, you also need good images since that's the way your good work will be seen by dealers and curators until the studio visit or the gallery exhibition.

Kerry James Marshall: Look See, an exhibition of new paintings by the artist, marked his first gallery solo show at David Zwirner in London that same year.

The exhibition will feature never before seen canvas oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery in 2012.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

With beautiful galleries, exhibitions, artist commissions, collection displays, historic archives, education resources, inspiring art courses, café / bar and bookshop, the Gallery is open all year round, so there is always something free to see.

And since his death in 2007, according to the «selected» list of solo exhibitions at the Christensen website, his work has been seen in four gallery exhibitions at Spanierman, which represented the estate, five at Lew Allen, in Santa Fe, and one at Elaine Baker, in Boca Raton.

With beautiful galleries, exhibitions, artist commissions, collection displays, historic archives, education resources, inspiring art courses, dining room and bookshop, the Gallery is open all year round, so there is always something free to see.

While I was on my way to see his current exhibition, Trevor Winkfield — Saints, Dancers and Acrobats, at Tibor de Nagy Gallery (February 17 — March 25, 2018), I began to wonder — as someone who has followed his work since the late 1970s, and who has read many of the things written on his work, as well as much of his own writing — if I could add anything to what has already been said.

In the exhibition, Collage as Painting: Kate Abercrombie and Trevor Winkfield, currently on view at Fleisher / Ollman Gallery, Abercrombie's paintings reflect the financial anxieties and desires I see in my neighbors, and in myself.

«Kerry James Marshall: Look See» coincided with the artists's first exhibition with David Zwirner gallery in London in 2014.

If you live in the Northwest, be sure to see Alden's exhibition at Foster / White Gallery, which opens this week and continues through the end of April.