Sentences with phrase «seeing a painted photograph»

The extreme drawing errors in these hands are, in a sense, not errors at all, since the mistakes guarantee that you are not seeing a painted photograph.

Not exact matches

If people saw enough movies and slide films and paintings and photographs of oil and oilmen perhaps they would begin to understand (and like) the industry.

It sounds pretty good, but I'll be honest when I first saw the photograph I thought it looked a bit like a can of paint:)

And, knowing that other scientists had recently shown that mice can tell the difference between paintings by Picasso and Renoir, he decided to see if rodents could also discriminate between photographs of their fellows» expressions.

Here at DIY and HGTV we've seen it all — paintings, photographs, antlers, clocks, mirrors, plates, even shoes.

Unlike the rose, lily and iris, the hydrangea is rarely painted or photographed, so seeing it here is an entirely fresh experience.

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

It must also be said that the visual representation and self - representation of comic book artists through photographs, drawings and paintings of the artists sitting at their desks and surrounded by their tools deserves closer study (see Priego 2010).

Where: Los Angeles Miles from highway: 5.8 Another must - see museum in Los Angeles, the Getty Center displays its collection — from pre-20th-century European paintings, drawings, and sculpture to 19th - and 20th - century American, European, and Asian photographs — in pavilions around a central garden.

Experience an unprecedented level of detail with 800,000 polygon cars and some of the most beautiful environments ever seen... all waiting to be driven, painted, or photographed to your heart's content.

Those who have seen Antarctica's Mount Erebus tell him that his paintings capture the iconic volcano far more accurately than any photograph.

And, seen in this way, those of my paintings that have no photographic source (the abstracts, etc.) are also photographs.

(Yes, books and catalogues occasionally include photographs of the black paintings, but by the time the production manager has pumped up the contrast enough that the reader can see the crossing bands, the reproduction no longer looks anything like the actual painting.)

This allows me room to paint and work on paper at the same time, to be able to move the paintings around to see them in a different environment, and to photograph work easily.

While I haven't seen the show or experienced her paintings first hand, in photographs the work displays a range of sophisticated color palettes and color relations, layerings of transparent color, that match the work of some of the best colorists including mitchell, frankenthaler, matisse and deibenkorn.

The exhibition includes Simmons's first chalk drawings on blackboards done in the artist's «erasure» technique along with sculptures, paintings, photographs and a 1992 wall drawing not seen since it's first presentation at the Drawing Center.

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works — from paintings and sculptures to prints, photographs, installations, films, and videos — dating from the Haitian Revolution to the present.

Polke was particularly interested in testing the limits of his materials, often mixing unusual chemicals into his photographs and paintings to see what might occur.

See 45 works of paintings, sculptures, installations, photographs and videos from artists including, Jean - Michel Basquiat, Nick Cave, Robert Colescott, Glenn Ligon, Kerry James Marshall, Wangechi Mutu, Lorna Simpson, Mickalene Thomas, Kara Walker, Carrie Mae Weems, and Kehinde Wiley.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Paul Cadmus paints another quiet moment in a dance studio, but he also designed the costumes seen in photographs and a recreation.

To, thankfully, some of the very interesting explorations in collage, 3 - D printed art, like Ashley Zelinskie's reverse abstractions (see the photograph of her table - top sculpture below) and paintings that extended from the vertical walls into the horizontal planes of the floor.

While embracing traditional photographic material (photo paper, chemical developers, etc.), Robertson creates photographs that are often seen as doppelgängers for paintings.

Most paintings I see with images seem to come from photographs, and you can tell that, in a certain way.

Some of the shown drawings, paintings, and photographs have never be seen before in public.

Created as a synthesis of painting, drawing and collage, the works fuse formal concerns with the representational image, which can be seen in Phillips» inclusion of photographs of exterior spaces and architectural elements.

Borchardt - Hume asserts: «The photographs allow an insight into the private world of Richter, albeit an insight that is always seen — quite literally — through the veil of paint and painting.»

They invite the viewer to question the source — photograph or painting — and therefore the very notion of how we identify what we see.

Alongside early works by Georgia O'Keeffe, cityscapes by Edward Hopper and photographs by Alfred Stieglitz, Paul Strand and Edward Weston are rare loans such as a painting by E E Cummings, better known for his poetry, and Edward Steichen's c1920 work Le Tournesol (The Sunflower)-- one of the few paintings not destroyed by the artist when he turned to photography and not seen in Europe since being shown in Paris in 1922.

Behind him, one sees his painting of a skull, and the photograph recalls its blurred photorealism.

Kazuo Shiraga also features a complete facsimile of the artist's personal scrapbook of photographs documenting his public performances and painting process — a rare treasure never before seen by the public.

The public will have a unique chance to see early photographs, painting, and prints, as well as one of the first examples of American avant - garde cinema, Mannhata, made by Paul Strand and Charles Sheeler.

Seeing this little stack of paintings and, later, the studio's remarkable archive — which houses much of the artist's output from the last 40 years or more — in geological strata - like piles, I realized that I'd brought the right tool to photograph the space.

Anderson paints primarily from photographs, but also drawings and recollections of what he has seen, often executing multiple canvases considering various perspectives and meaning in the same image.

Hurvin Anderson paints from photographs, drawings, and recollections of what he has seen, often executing multiple canvases considering various perspectives and meaning in the same image.

Featuring the work of 60 artists and including 164 vibrant paintings, powerful murals, photographs, sculpture, and more, this landmark exhibition is a rare opportunity to see era - defining artworks that changed the face of art in America.

Con Te Partiro (Time to Say Goodbye), 2006, for example, presents a cluttered studio — paint encrusted palette, paint splattered floor, photographs and paintings covering the walls, a tripod - mounted camera in the center of the room — seen from above.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

In the recent paintings and photographs that are displayed alongside her sculpture, certain natural motifs recur in different forms, and the interdisciplinary nature of Mary's artistic practice can be seen in the shared monumentality of this broad, yet unified, exhibition.

The exhibition includes rarely seen major paintings, sculptures, photographs, and works on paper by a selection of artists.

Titled «Ain't I a Woman,» after Sojourner Truth's famous speech that demanded African - American women be included in the struggle for women's rights, these pieces link painted portraits with videos in which we see Thomas's muses posing for photographs.

The exhibition offers a new assessment of the artist's pioneering work, including rarely seen pieces such as his series of hand - painted photographs of graffiti.

Even though this is a painting of a familiar face, and of a photograph you have seen before, there is something intimate about Rodolfo Villaplana's painting.

Aptly titled «Why Pictures Now,» after a 1981 photograph by the artist, the exhibition features Lawler's photographic investigations into how pictures function: Charming images of Jasper Johns paintings adorning the walls of collectors» homes, Richters being moved from one museum to another, or an in - museum shot of a Thomas Struth photograph of museum crowds surrounding ruins within a museum (you'll get it once you see it).

At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings, film and video from the Whitney's holdings and those of other public and private collections — all presented within a layered exhibition design by Mauss that allows for the works to be seen in a new light.

The first time I saw one of his paintings, I thought it was a photograph.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

John Edwards» studies in photography saw him take photographs on Bacon's behalf, many of which the artist used in his paintings; Bacon, who thought very highly of these, would often refer to Edwards as «my photographer».

One year ago Zehra Dogan was jailed for painting this watercolour of a photograph she saw in the newspaper.

See if you can name ten great paintings after each has been photographed, shrunk, then blown up again.