I am (now) obsessed with
seeing brush marks on the cabinet doors.
I just don't like
seeing the brush marks and they need repainted anyway.
Quick Tip: At first I thought I wasn't using the ideal brush when I could see the brushstrokes while painting, but when the paint dried, the surface was completely smooth - so don't fret when
you see brush marks on yours.
A useful activity sheet where students can clearly
see the brush marks so typical of Hockney's style.
You can
see some brush marks if you get up really close to it, but overall, the paint seems to have leveled out pretty smoothly.
Not exact matches
Katie from the Wellness Mama blog lost her cellulite by dry
brushing, moisturizing with coconut oil, and adding more fats to her diet (
see her comment on the cellulite post at
Mark's Daily Apple)
Ask students to careful copy the
brush marks seen in Monet's work.
He'd discussed it with
Mark while having lunch in the Students Union Building; and
Mark, in the incredibly tolerant way of one who's
brushed aside death (he was a cancer survivor; his lower left leg was amputated), and who
saw his friend's madness for what it was, said with self - deprecating reasonableness: «I think any kind of effort that brings relief to Africa is all right.»
Get up close and you can
see the small
brush marks and the history of their making.
The strokes were made with a
brush loaded with red or black and painted directly onto a wet ground; we can
see the speed of the
mark, the downward pull of gravity, and the drips where they meet.
If you do a Google image search for «acrylic portraits» you'll tend to
see more painterly artwork, where obvious
brush marks are part of the design.
Oh, these are stylized silhouettes, but astonishing in their miniature resemblance, obtained by means of luck, iron wire, spools, corks, elastics... A stroke of the
brush, a stroke of the knife, of this, of that; these are the skillful
marks that reconstruct the individuals that we
see at the circus.
On close inspection the trace of the
brush can be
seen in the shape of the
marks, but not through any disturbance of the surface.
He's great on wet paint, especially in his descriptions of Albert Oehlen's brushwork --» grids of dots, and passages of fluid, slashing
brush marks «bundled» like kindling... veils, which are often made from dirty turps and some interesting, jewelescent earth tones, give the paintings the feeling of being
seen from inside a sock.»
(2) The paint did leave
brush marks just like the ready - made used to paint the green apple chair (link to
see here) and the home - made used to paint the chest (link to
see here).