Sentences with phrase «seeing films of all kinds»

We're going to be seeing films of all kinds and genres within this shared universe, and more so than any of the other MCU films, Black Panther feels like an invitation for everyone to take part — to tell stories from unique perspectives and world views, and to bring cultural, ideological, and social ideals to these comic book heroes.

Not exact matches

And he finally said... He called me up and said we're on the last day of a picture and then the last day of the picture if you'll come out I'll just shoot some film on you and nobody will know the difference and then you can see what you look like and all that kind of thing.

Can you see this kind of film being shown in libraries all over Canada?

«I decided to co-host the premiere of Food, Inc. because it is the kind of film everyone should see and it is information everyone should have,» Stella McCartney said.

That is the kind of ability and versatility that I see when I watch Allen's film.

What I do care about is that his 10 - yard splits were 1.62 and 1.65, unofficially, because that lined up with the kind of get - off I saw from him on film.

This isn't the same as the rotating cameras seen in the likes of IndyCar and MotoGP (and occasionally trialled in F1), but the kind that films everything at once.

If you watch his film all year, you see a lot of that kind of thing when he makes plays.

This kind of «sensory conflict» may occur when our bodies detect motion that our eyes can not see (such as during plane, ocean or car travel), or when our eyes perceive motion that our bodies can not detect (such as during an IMAX film, when the camera swoops at high speed over the edge of steep cliffs and deep into gorges and valleys while our bodies remain sitting still).

I can't wait to see what kind of positive feminist message awaits us in the upcoming Wonder Woman film...

There's plenty of bad hair and cheesy rock hits, which may explain why reviewers have not been kind to the film, though anyone dreaming of seeing Cruise sing «Pour Some Sugar on Me» or Brand and Baldwin duet on «Can't Fight This Feeling» may still have reason to visit their local cineplex.

The songs are familiar but more importantly they're kind of perfect songs within the context of the scenes, God knows I was singing «Gloria» in my head for a few days after seeing the film.

Absorbing and hypnotic, Annihilation is the best kind of sci - fi film - the kind that challenges and subverts the genre, all the while introducing new ideas that you'll see in films to come.

While the film is admittedly imperfect, it nonetheless deserves to be seen by all Americans to provide a clear understanding of what kind of a country we are currently at war within.

We've seen movies built around this kind of story a million times and while Jordan Canning's film Suck It Up never makes any attempts to transcend its genre trappings, it's at least sporadically amusing.

There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from seeing if our main characters make it out alive, which in the end does not really matter, because they all pull of ridiculous stunts, making for a very far - fetched film.

«Brother's Keeper» I think, is the first film of its kind that I've seen to allow a very humanist approach, concerned not mainly about hard facts of the crime case, but the indecipherable interior of its main participants: The mentally atrophied Ward brothers.

When Hollywood tackles terrorism, it rarely offers the degree of ambiguity on display in In the Fade and I have never seen a studio - funded film opt for this kind of uncompromising ending.

The start of this film is basically a Bond sequence... seeing as this is what the film has now become, a kind of «Bond / Mission: Impossible / (recent) Die Hard» mix with the good humoured character teamwork of «Ocean's Eleven».

There's a certain kind of film I see at many festivals: oblique, short on narrative and incident (or filled with repetitive incident), shot in a style that favors long (distance and time) shots of people doing nothing, or doing mundane things like crossing the street in real time.

I didn't particularly mind it myself; it's about as melodramatic, formulaic, and uninteresting as most films of its kind that I've seen, but at the same time, not as bad as, say, half of the lot.

Kind of like last years «Upstream Color» which, once you stepped back, it became easier to see what the film was really about.

Despite its dubious inhabitants, the film consistently entertains by throwing the kinds of curves one should see coming but doesn't.

The film has been criticized as an apology for the people behind the market crash, but I don't see Chandor's sympathy for the various individuals on display — notably Kevin Spacey as a career company man disgusted by the corporate behavior — as any kind of apology.

Somewhat critic - proof, Harold and Kumar Go to White Castle is the kind of movie that will probably be appreciated the more closely aligned with being a pothead you tend to be, and if you're baked yourself while watching it, it may be the funniest film you've seen since... the last time you were high watching a movie.

The makers of this film seem to be trying to grab the box office dollars of those who are either too young or too squeamish for harder stuff, and who might be seeing this kind of material for the first time.

In an interview with BBC's The One Show, Oscar winner and new raider of tombs Alicia Vikander talked about how excited she was to be playing a badass female character and how exciting it is «To see female characters in these kinds of films... It's definitely a big change happening.»

I can't wait to write my review, but suffice it to say that it's unlike any film you'll see this year, just as its probably one of the last gasps of this kind of film from a major studio, where the shock and awe comes from expert artistry of the hand drawn variety rather than CGI (which Scorsese mastered in Hugo).

Glass faced all kinds of dangers in the harsh world of trapping, and we see most of them in this film.

Compare it to the others and you can see what kind of impact that film made.

The kind of films that I love have a character walking down a hallway and you're like, «Did I just see someone behind the drapes?»

Colin, we don't often see you in this kind of comedic role, and in particular a physical one, as seen in the film.

The ratings and brief comments kind of people who read the NYT and go to see films are much more important to me.

In 1980, Alan Parker's film must have been seen as a slice of life kind of thing.

Sadly people don't get to see those films because they don't have the same money behind them for publicity and all that kind of stuff.

Sad to see that a quality, amazing, awesome, well - acted, well - made film that every aspect of it is perfect is getting bumbed out by three bad to decent films that are kind of forgettable.

This sci - fi / fantasy / adventure film has some of the best production design in years, capturing an alternate universe Europe in the»30s and»40s that feels inspired by steampunk and the kind of fantastic stories of adventure seen in the serials of the day.

JM: The last film I saw in the cinema I loved was Force Majeure, but Mad Max also left a different kind of impression.

Silence is the kind of film we rarely see anymore unless one of a handful of auteurs like Martin Scorsese made it.

And while the movie is extremely violent (without much blood), he does find clever ways to show violence, and even seems to be commenting on the cinematic pleasure of seeing well - orchestrated, creative, gleefully over-the-top fights in films as a kind of catharsis.

They really are about, from what I've seen so far, supporting up and coming artists, artists who have a strong vision and voice and perspective, and they really wan na permeate the films with those kinds of voices.

It seems impossible that Coppola could keep this up for the duration of the picture, could see to fruition the kind of viable update / continuation of Wiene's The Cabinet of Dr. Caligari that the Akira Kurosawa film he helped produce, Kagemusha, with its sanguineous, medieval battlegrounds painted with heavy brushes, aspired to be.

Jason Bateman is shaping up as a director of very different films from the kind we see him in as an actor,...

The film's said to be a more comedic kind of picture than what we're used to from Mr. Washington (we've been dying to see him display his funny bones, especially with the gold - toothed get - up he seems to have going on here), and Wahlberg always fares well with that kind of dynamic, so this is potentially a pretty potent pairing.

Indeed, Bad Blake is seen through the movie working his way toward a number, «The Weary Kind» (the film's theme), whose lyrics point toward the possibility of renewal: «This ain't no place for the weary kind / This ain't no place to lose your mind.&raKind» (the film's theme), whose lyrics point toward the possibility of renewal: «This ain't no place for the weary kind / This ain't no place to lose your mind.&rakind / This ain't no place to lose your mind.»

I kinda liked Avatar when I saw it and appreciated the spectacle, but that film winning any kind of awards not related to visual effects is ridiculous.

Co-writers and co-directors Jay and Mark Duplass specialize in social discomfort (see «Cyrus «-RRB- and long takes of awkward social anxiety, and while that still applies here — when Jeff's brother Pat (Ed Helms) tries to rationalize the purchase of a Porsche to his long - suffering wife Linda (Judy Greer), the laughs and cringes come in equal measure — there's also something intangibly kind about the film.

(There's a specific cinematic language these films speak; when you hear a certain kind of music cue, or see a shot framed in just such a way, or when a character expresses anything approaching contentment, you'll know it's coming, so gird your loins.)

Among the number of reviews I've seen of this film highlighting it's take on «white trash», I'm not sure this would be the kind of music they would really listen to.

I saw it in a kind of makeshift double feature with THE AVENGERS, and boy did BRAVE come off as the B - film in that offering.