Sentences with phrase «seeing inside shots»

i love seeing inside shots of the diapers.

Not exact matches

«Seeing those guys getting shot up, it would chew me up inside to know that I sat back in safety and didn't help them,» he told me.

See also: — Nikolas Cruz, Who Was Too Disturbed to Carry a Backpack, Legally Bought AR - 15 — Inside Nikolas Cruz's Social Media Accounts: Guns, Ammo, and Blood — School Shooting at Marjory Stoneman Douglas High Sends Parkland, Florida, Into Chaos — White - Supremacist Group Says Stoneman Shooter Nikolas Cruz Trained With Them

I love the inside shot of these muffins — even though they're refined sugar - free you can still see that they're fluffy, light and by all other accounts delicious!

I'd rather see us attack more and score more inside the paint or shoot more threes.

They ought to have had a penalty and seen Lille reduced to ten men inside the first half, when Sebastien Corchia blocked a Max Gradel shot with his arm after the Ivorian international had taken the ball round goalkeeper Vincent Enyeama.

He can cross or cut inside and shoot meaning that he is unpredictable as we saw against City when he scored.

I saw Gnabry start in the same position in our last game and he was really a big dummy of a Walcott.I realised he couldn't create the width Walcott gives.Gnabry kept on cutting inside headless and taking misguided shots way off the target.On the evidence of his last game i don't know who can play that line better than Walcott.

Moreno broke through playing on the left wing where he can cut inside and strike shots with power and precision but he was also noted for his work rate, his intelligent interchanges and ability to see the picture when it comes to passing the ball.

Welbeck put the hosts ahead as he collected Alex Iwobi's slide - rule pass before cutting inside and seeing his shot deflect in off the heel of Maya Yoshida.

Marc Muniesa saw a well - struck volley from 30 yards tipped over before Xherdan Shaqiri spurned an opportunity to shoot when in space inside the box.

Messi hit an effort just wide, and the closing stages of the first half saw Suarez miscue a shot inside the box, allowing Domenech to gather, before Valencia's Geoffrey Kondogbia sent a shot into the side - netting having combined with Daniel Parejo.

Substitute Sergi Canós shot wide after cutting inside and then saw an effort saved by Randolph before the excellent Woods fired over the bar after a marauding run from midfield.

The Manchester United loanee cut inside the box and saw a shot blocked but gathered the rebound and some clever dribbling allowed him the space to beat three men and fire high into the net.

Zaha then struck a shot straight at Artur Boruc when well placed inside the area before Junior Stanislas saw his goal - bound shot deflected wide by Dann as the two sides went in at the break goalless.

José Holebas sends a free kick sailing inches wide, before Richarlison cuts inside from the left and sees his shot deflected behind by Jack Stephens.

He saw a couple of chances blocked, and one shot that looked destined for the back of the net somehow cannoned out off the inside of the post and back into play.

The hosts races into a two goal advantage inside twenty minutes thanks to strikes from Michu and Angel Rangel during an abject first - half QPR performance that saw the visitors fail to register a single shot on or off target.

Even the Arsenal faithful have turned against Almunia, with supporters inside the stadium on Saturday chanting «Sign a new keeper» following a torrid afternoon for the shot - stopped which had seen him concede a penalty before redeeming himself with a save, but he got his body positioning all wrong for West Brom's second and went walkabouts for their third.

Coutinho, bright from the off, then saw Robles paw his shot away after the Brazilian had jinked inside Pennington onto his right foot.

Occasionally isolated when used as lone strikers, both López and Gignac appear to relish seeing more of the ball and both men are particularly adept at cutting inside and shooting at goal with their stronger right feet.

In Norway last weekend, Start's 3 - 1 victory over Tromso saw Gjermund Asen cut inside and shoot.

-LSB-...] on Folksy >> See more shots from the project and pages from the book on Pinterest >> See more shots of designers in their studios >> Look inside makers» studios on the #studiofolksy tag -LSB-...]

Buy Revealing Craft on Amazon >> Buy Revealing Craft on Folksy >> See more shots from the project and pages from the book on Pinterest >> See more shots of designers in their studios >> Look inside makers» studios on the #studiofolksy tag >>

DOWNTOWN BROOKLYN, NY — Peter Liang, the rookie NYPD officer found guilty of manslaughter last month for fatally shooting young, unarmed black man Akai Gurley in a dark East New York stairwell in 2014, may never see the inside of a jail cell.

In London, if someone gets shot, I can use an ultrasound to look inside and see if there is a life - threatening air pocket called a pneumothorax.

I'm always worried about making something without seeing a shot of the inside!

Many years ago I used something from YSL that was similar to this, almost like the glow shots, had a gel / whipped texture with slight shimmer - I would get asked what foundation I was using by so many and I'd tell them... of course when you like something it goes away - When I saw this in the Chicago Social magazine I wanted to give it a try - Unfortunately YSL is the only place it's sold currently, so I had to go by swatches of YSL shades to guess what I should use - I got B40, I have olive skin - tone, with neutral undertones, in Armani Luminous Silk I am 5.25 - I could have gone to B30, but I like the glow it gives me - The only difference from this foundation to the one I mentioned I used years ago is there no shimmer in this formula - When tested on my hand against the Armani Luminous Silk, the YSL doesn't move as fluidly, however on my face it went on very easy over my Omorovizca Gold Rescue Cream, which is very heavy - I think with less moisture on my face it will look more matte, but I prefer a very dewy finish - It does cover up any imperfections, for me it's maybe an area that is a tad red, and so far as held up well - It's not like I am some outside laborer, I work inside behind a computer so it shouldn't start melting or anything... if so I'm concerned for my well being in general - It does give more coverage than Luminous Silk, so I think most will be happy with that, as well seems to adhere to the face pretty well - I can see this being a pretty big hit for Spring foundations and even the summer - I applied this morning with a brush and it took the lovely blast of 18 * while walking to my office, walked in looking dewy so cheers to All In One Glow for keeping me glowy as I pretend to enjoy working -

We had the TV hung professionally with the wires inside the wall behind the TV — they only poke out of the wall behind the media console where they need to plug into the cable box (hence why you can't see them in this post — but I'm kicking myself for not including a shot with the TV!).

Ask questions, purchase origin, detailed shots of inside and see if it has stains or damages.

Four people inside an airport terminal are shot and killed (we see blood on their wounds and splatter on one person's arm); two men with a grenade charge toward soldiers and when they are shot, they drop the grenade and it explodes (we do not see remains).

► An explosion blows a hole in a wall and a man taped into a chair is taken out of the building as gunmen shoot at people inside; one man is struck in the back and we see the bloody wound as someone says that it struck his spinal cord, an explosive is thrown into the room and a man throws himself on it to squelch the blast (he is unharmed).

And even though the film is not a «poker movie,» per se, Sorkin has managed to shoot the various poker scenes in novel ways that rival what you might see on ESPN, explain the game as it is happening, and watch it all from the inside.

This is an amped up body snatcher movie benefitting from some of Carpenter's most cinema - fluent and crafty direction: wide shots when we need to see the vastness of the unruly wilds; tight shots to remind us of the close quarters with parasitic death inside.

When Krauss and his partners, Demens (Jack Reynor) and Flynn (Ben O'Toole), start pulling victims into separate rooms to abuse them, extracting screams and fearful noises, the door shuts on us and the other hostages, until it takes us inside, where we can see the «death game» in process, in which the officer shoots his gun at the floor, then warns the victim to remain silent, leaving those outside to assume he's dead and fear for their own lives.

The Last Shot is full of jokes so inside, perhaps only Nathanson sees the humor value in them.

Snatched by George Wolf In the opening few minutes of Snatched, we see inside a photo album with various shots of an unforgettable face.

The movie is marked by perhaps the best aquatic shots you will see on the screen in 2017 of a huge but lovable creature about nine feet tall, similarly lonely, isolated, penned inside a glass body of water.

As we've seen in spy shots and teasers for the GLC («GL» means SUV, and «C» means C - Class - size), this new model's styling closely apes the look of the AUTOMOBILE All - Star - winning C - Class sedan, both inside and out (that's a good thing).

Now, it's pretty clear that nothing has changed since we saw the new GT2 RS at E3, but this time around we get a look at the rear (the only rear shot we had before was from Forza 7 pre-alpha gameplay) and finally get to see what's going on inside — at least to an extent, anyway.

You can also expect a bunch of new carbon bits inside and out, new wheels (possibly also in carbon fiber like the GT350), and a super aggressive front end as we can see in the teaser shot from Ford's future product demo a few months ago.

For instance, after saving a genetically altered ape from scientist by lobbing a grenade at the front door and shooting everyone inside, the Gorilla (seen below) was unlocked as a playable character.

For instance, defence tactics sees the player attempting to block head and body shots from a sparring partner in which you must reduce your opponent's landed shots to less than 5 within 30 seconds, while range striking tasks you to hit your sparring partner inside the designated range to accumulate 300 points within 1 minute.

The end of the Federation Day level sees you sliding down the inside of a collapsing building, shooting away at enemies while avoiding the debris and destruction in your path.

The game even plays inside an old fashioned TV (as you can see from the screen shot above).

While the last, gorgeous clip was mainly third - person in - game footage and a few seconds of first - person action, this new video is all shot from inside a mech, so you can see the HUD and what it will look like when you're jumping around the devastated city, strafing behind cover, and firing away at your opponents.

Inside are the Pheromone Goggles and Pheromone Shot gadgets, that, once put on, sees the alluring elite angel Risu energetically greet you.

What motivated me to take photographs of these three gardens in Tokyo — the Imperial Palace, Shinjuku Gyoen National Garden, and Hamarikyu Garden — were Nobuyoshi Araki's pictures of the Imperial Palace, which I saw in his book Tokyo Story (1989), and Wolfgang Tillmans» picture of a pine tree inside the Imperial Palace, which he shot in 1997.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

If you haven't wandered around inside the various NCBI databases and online tools, you should give it a shot just to see how impressive the medical research infrastructure is, particularly when compared to what's available to the public respecting law.