Sentences with phrase «seeing painted across»

If there is one thing I love seeing painted across the blog world its all the beautiful red.

Not exact matches

I see it across LinkedIn, Facebook, and Twitter every day: despite trying to grow a strong digital presence and personal brand, many people inadvertently paint unflattering pictures of themselves.

Your sense of wonder when you see an incredible sunset painted across the sky?

The painting has been exhibited across the globe and seen by millions.

In paintings, Chandra is depicted as riding a chariot across the moon to ensure that it shines brightly at night for all to see.

Viewers can see the microwave residue from the big bang «painted» across the sphere of the sky, and — after the data are translated for human ears — hear a version of what the early universe may have sounded like.

She compares it to the way we might enjoy a painting from across the room, but appreciate it in a different way when we can get up close and see the brush strokes.

The drive across the Painted Desert was quite surreal with its petrified logs, as was the equally petrified old car we saw as we crossed a section of historic U.S. Route 66, once the main highway to Los Angeles from Chicago.

On the side profile you can see the gold painted alloy wheels and gold lines running across the body.

At the entrance to the farm we had a big wooden sign with Owens Peach Enterprise painted across it in the worst orange color you've ever seen.

Our guide Dean, who owns Kaslo Kayaking with his wife Daphne, took us across the lake to the opposite shore where you can see vibrant, surprisingly intact examples of First Nation rock - art paintings in the side of granite cliffs.

When dusk falls on the beaches of Sayulita, you will see, like floating spirits, silhouettes skim across the water, bodies dive and emerge awaiting the next wave, facing the sunset, painted in the dazzling tones of the sun's descent into the sea.

Warhammer can conjure up a lot of different images when its name is mentioned, from the masses of detailed plastic figures being controlled by fiercely intent generals across wonderfully made and painted terrain to what I see; Space Marines marching across the map with Dreadnoughts in tow, seeking to destroy the enemy forces in Warhammer 40K; Dawn of War, one of the best RTS games of all time.

«I stopped using the word «to paint,» and said «to make,»» he explained, showing images of canvases he created by dragging saw - toothed planks across expanses of pooled paint.

As I teach, judge, visit exhibitions and look at work in books or across social media, I see bits and pieces of paintings that cause me to think about how a particular effect or even a type of brush stroke could impact my own work.

«To understand what my painting is all about,» Davis once said, «look at my painting in terms of individual colors... select [ing] a specific color such as yellow or a lime green, and take the time to see how it operates across the painting.»

Or you can see it as a kind of «motif» or configuration that runs from right to left, horizontally across the centre of the painting, starting at the right - hand slope, running across the strong green horizontal bands, and ending in the mid-left hand - shaped fanning - out.

We see the paint smooth as a final pass cuts across incised and engraved lines, thick from hands and palette knives or thin from bush handles.

«In other words, instead of simply glancing at the work, select a specific color such as yellow or a lime green, and take the time to see how it operates across the painting....

Hawkinson works across a wide range of media, from sculpture, installation, and painting, to photography and collage, and many of is highly original works include moving components and sound, inventing new ways for seeing and thinking about the world around us.

From the moment I saw them, a full decade past his New York retrospective, I was reeling in color, in paintings as much as six feet tall and nearly twenty feet across.

I saw a show of his, probably in 1975, at the Whitney Museum of American Art and in that show I saw a piece that was probably 8 feet long and 5 feet tall and, basically, it was a line across the middle of the painting and the top half was sort of a dark green and the bottom was kind of a pearly grey.

Across the show, the first at Almine Rech's New York space, Calder mobiles and Picasso portraits, among other rare and never - before - seen paintings and sculptures, reveal visual and emotional resonances between the two famous artists, while reminding us why their work was so revolutionary in the process.

This fall there are some really exciting shows at commercial galleries all across the country, especially in the case of artists previously featured in New American Paintings, and we're pleased to share with our readers the must - see gallery shows of the season.

After all the screens and monitors, it was almost a shock to go - stop - go across the street — to Zwirner again — and see paintings.

Our editorial staff have put together our monthly Must - See list for the month of May, our guide to more than 50 of the best contemporary painting exhibitions in the country, including 15 shows of artists previously featured in New American Paintings and dozens of notable and not - to - be-missed shows across the USA.

Regarding seeing an Albers painting: I was recently at the Wadsworth Atheneum, before seeing this show, and came across one of the Adobe series, which I thought very beautiful; I even loved the way it was painted.

It seems to me that for most part, the best paintings throughout history establish their particular light almost as a byproduct of all the other concerns that painter had, which may account for what I see as a consistency in how that light features across entire outputs, because it is almost incidental.

Unlike most representations of women in painting, which sees them subdued and passive, Hahn portrays women across the spectrum of emotional states.

Drawn from important public and private collections from across the United States and Europe, the exhibition includes CMA's newly acquired Ohio Stadium painting and both well - known and rarely seen works.»

Drawn from important public and private collections across the United States, William L. Hawkins: An Imaginative Geography will include approximately fifty of Hawkins's most important paintings, both well - known pieces and others rarely seen.

The paintings of Caravaggio glow with a cinematic light, so it is no surprise that they stunned Rome's population when first seen in 1600 and drew admiration from artists across Europe.

She saw the «struggle» within Victory Boogie Woogie: that there were six or seven other paintings buried within it, that it bespoke multiple possibilities not only within the painting, but across several media.

Up close and personal, leaning away from the viewer but her deep blue eyes directly confronting us, Branded is an uncompromising self - portrait by Jenny Saville in which thickly - impastoed paint becomes flesh spread across the canvas for us all to see.

I sometimes think I see a dark horizon cutting across Mark Rothko's paintings.

Why you won't: Even assuming you enjoy such abstract work, which not everybody does, it may still irritate you that, wherever you stand, the gallery light casts a bright golden glare across some portion of the work, making the painting's symmetry difficult to see.

This energy is present in every work: as seen in the speckled light dancing across the bodies in the painting, Sisters, and through the inviting, confident gaze of the woman in Summon.

Antiwar messaging bookended entryways as well: One was occupied mightily by a Bread and Puppet Theater display (MILITARIZED; HYPNOTIZED declared their banners), and the other hosted seldom - seen paintings by Don Van Vliet, whose chunky, visionary abstraction The Drazy Hoops, 1997, hung catty - corner from Wally Hedrick's Peace, 1953, a wavy American flag with the title scrawled across it.

Foremost among them was Anish Kapoor's Void, a large hollow semi-sphere made of fibreglass and painted in a deep shade of velvety red in combination with his Mirror Glow (Oriental Blue), a concave mirror made of stainless steel and positioned across Void on the opposite wall in such a way that a viewer looking in the mirror could notice the other work's reflection, while not seeing their own.

Considering the work of Edward Hopper and Fairfield Porter, Philip Koch looks at»... the difference between two of the main ways of seeing in painting - one can either move one's eye across the surface or plunge into the painting's depth.»

For seven days from Thursday, February 9 up to 20 million people across the UK will see animated clips of Hockney's brushstrokes, building to reveal a painting in the artist's inimitable style.

CH: In the catalogue from your last show at Alexander Gray, Across Five Decades, it was so great to see your early abstract paintings.

I would liked to have seen more emphasis on the wide - ranging perspectives available in contemporary art (a singular Cardiff telephone would have gotten the point across), and some variation in the historical choices (Magritte's The Invisible World painting, the show's calling card, makes the point well enough alone).

«When I sit down to paint I reach a certain point of calmness and a state of relaxation, where my inner most thoughts come to express themselves through my brush, as I spread the watercolour across the paper seeing my ideas and thoughts come to life; it is my way of trying to make sense of the world and people around me».

Across the top of the painting, we see a banner with the slogan VIVE LA SOCIALE, referring to the rise of socialism in that era.

Across the Venetian Way heading inland and minutes to the north you see that artist have already been painting on -LSB-...]

The work can be seen across vast sight lines, drawing visitors» eyes into the space the way a recessive sky blue does in a painting.

Rothko painted in such a way that at times paint can be seen flowing upward across the surface.

What struck me in September 2010, when I first saw his work — yes, I know: how could I not have been aware of it before, when 2012 marks his 85th birthday, his paintings are in at least 98 public collections throughout the world, he has had countless solo exhibitions, globally, and been included in an endless series of mixed shows — stumbling across his National Portrait Gallery show, was its supreme stylishness.

But in present - day downtown Brooklyn he's disarmed streetwalkers with his wordplay (which includes such horrible pick - up lines as «I Paid the Light Bill Just To See Your Face») painted in bold lettering across the concrete - and - steel facades that dominate the landscape.