But Trump steals the show in a supporting role: 59 % of 18 - 19 year olds would rather
see a film with him.
The tale - tell signs are small churches and cemeteries, some dating back more than 100... Why «Black Panther» Is a Defining Moment for Black America — «It's the first time in a very long time that we're
seeing a film with centered black people, where we have a Read More...
I can live without the potential Google Wave of movie tech if that is what it is, I can adjust if thats the way things go, and I can go
see films with HFR if that's the only option.
In fact, anytime
I see a film with people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold on to the arms of my theater seat for dear life, just as I did as a child watching that old John Ford flick.
The article quotes Jamie Broadnax, creator of «pop - culture website» Black Girl Nerds, who enthuses, «It's the first time in a very long time that we're
seeing a film with centered black people, where we have a lot of agency... [The cast members] are rulers of a kingdom, inventors and creators of advanced technology.
Firstly, how great to
see a film with a bit of originality, rather than the usual splurge of remakes, sequels and toy adaptations.
The preview audience
I saw the film with spent a lot more time laughing than shrieking.
I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance
see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
Over the last several years, Indonesian horror has been on the rise, but later this month, local moviegoers will be able to
see a film with particularly high promise.
Just be ready to have deep conversations with whoever
you see this film with, it's guaranteed you're going to want to talk about it.
It's why people want to research the sets, read the book, and
see every film with a tangential connection.
Although I regret missing the chance to
see the film with an audience when it premiered at SXSW last year, it still would have been a waste of time, because it's not nearly as awesome as the first 20 minutes would lead you to believe.
I saw the film with French subtitles and several colleagues who screened it with English subtitles reported the same problem, so it's probably safe to assume that the film's construction is a little murky.
Its been a very long time since
I seen a film with such a creepy aura about it.
Plus, it's not very often
you see a film with the potential to trump both the original and the sequel, but this could very well do it.
If you're going to
see this film with high expectations that it's going to offer something fresh then you will leave with the feeling that you've purchased a knocked down sandwich from the supermarket at the end of the day, looks ok but not so tasty when you come to eat it.
The plot by the writer (who also wrote the similarly scattershot The Judge) makes no sense, particularly in its final third, where it drops not one, not two, but three insanely illogical twists — one of which had the audience
I saw the film with guffawing at the outrageousness of it all.
While watching Nightcrawler in a packed house only added to its spooky, magnetic power, there are times when
seeing a film with a big group can actually be quite alienating, even lonely.
So,
I see films with strong, vocal support like Spike Jonze's, the Coen Brothers», and Alexander Payne's films getting in.
But after speaking with the people who I had
seen the film with they were able to «talk me down» because I was genuinely disturbed by all that I had seen but I finally decided I was glad I had seen this film.
There's a general principle that critics should be able to
see films with enough time to give them real consideration — and Disney was working to erode that principle.
Still, the majority of the replies seem to be from Rowling and Harry Potter die - hards who are firmly against
seeing the film with Depp attached.
Just
seeing the film with an audience is so instructive «cause you can feel the energy.
When
I saw this film with a pretty packed crowd, a lot of the audience seemed to laugh at a lot of this film.
I saw this film with a «Neon Genesis: Evangelion» expert, and even she was lost.
This is a must -
see film with strong performances that promises to be among this year's strong Oscar contenders and Netflix's first feature to compete at the Academy Awards.
It's so rewarding to
see a film with so much humane, visual, aural, and technological artistry.
I like
seeing these films with a lot of people who are crazy about movies.
I saw films with stories about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary of a Teenage Girl), relationships between interviewer and interviewee (End of the Tour, True Story), washed up Olympians (The Bronze), two kids who go for a joy ride (Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming - of - age (The Summer of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).
Its spirit and level of humor is sure to please fans of lowbrow comedies such as American Pie, and needs the «rowdy bunch» factor (
seeing the film with boisterous friends) in order to be properly appreciated.
Replete with howlers, it had the audience
I saw the film with in titters from very early on.
The problem with
seeing the film with all of its visual information restored is that it highlights the ways that an intricate set design can be undermined by genuinely bad, static direction.
This suggests to Weaver that white reluctance to
see films with black actors can be overcome.
Not exact matches
«So I set out to
see if I could miniaturize the projector
with modern electronics and get my Instagrams developed onto slide
film.
This is more than the Cold War's simple fixation on Russian villains, however,
with StudioCanal producing, for example, «The Tracking of a Russian Spy,» which
sees Logan Lerman play a journalist who travels to Russia and becomes a tool of the Kremlin, in a
film which sets out to tackle ideas of fake news and disinformation campaigns.
He made and uploaded his first, the 68 - minute Enfin l'Automne (Fall, Finally) to YouTube last year, largely just to
see if he could do it, and he's now on the verge of signing a deal
with a Hollywood studio to do a proper
film.
And many, many sequels aren't executed
with the thought or care of their far - superior original
films, especially in series that have stretched over many years — as one
sees in the chasm of quality between «The Terminator» (1984) and «Terminator Genisys» (2015).
In addition to
seeing Martin Scorsese produce the new
film, it will be directed by Todd Phillips, the man behind «The Hangover» trilogy,
with a script by Scott Silver, the man behind «8 Mile.»
Spielberg — along
with the screenwriter Zak Penn («X-Men: The Last Stand,» «Last Action Hero») and Cline (who is also a credited screenwriter)-- creates an event
film that has to be
seen on a big screen to be fully appreciated.
GALLOWAY: It's interesting because I started to
see a sort of shift in your point of view of the world
with this
film.
EASTWOOD: I had
seen... No I hadn't, I
saw it at a theater down on Western Ave. that did foreign
films and they were doing Yojimbo, a Kurosawa
film with Toshiro Mifune as the lead and I thought well this picture's great but nobody had the nerve enough to make it as a Western.
Meanwhile, Vox recently floated the idea of Fox going all - in on Deadpool by launching a
film series, similar to Disney's The Avengers series, that would
see his character team up
with others from the X-Men comics to form a group known in comic books as the Uncanny X-Force.
Of course, movie studios aren't keen to
see this happen, and will include anti-piracy measures
with the
films to try and prevent it.
Other studios have had mixed results
with the Marvel characters they own (
see: Fox's 2015 Fantastic Four reboot), but Deadpool «s success could pave the way for that character to find his way into future
films from the successful X-Men series, to which 20th Century Fox also holds the rights.
But when people did actually
see it, the movie was greeted
with generally positive reviews — the
film scored 77 % among «Top Critics» on Rotten Tomatoes — and a strong audience reaction.
Tours take fans throughout DuPont State Recreational Forest complete
with a «sponsor» — er guide — to
see sites used in the
film.
But, as anyone involved
with any
film anywhere will attest to, the most important goal behind any movie is to get it
seen by people.
Seeing a severed hand as one of the opening shots of a
film meant for families probably would have been a difficult conversation to have
with children too young to recall 1980's «Empire Strikes Back.»
Movie studios and theater partners have been grappling
with ways to get more people to
see their
films.
With an actor, an athlete, or a musician, we can
see the whole
film or attend the whole game or the concert.