Sentences with phrase «seeing the objects together»

But even in seeing the objects together everything changes.

Not exact matches

Toddlers can often be seen grouping objects together by size, color, and other similar features.

They can also see each other and interact with the display together, by pointing to it or by manipulating the virtual objects and environment using a tabletop trackpad.

Together, this provides you with ten different power combinations that enable you to see planets, galaxies, and other objects much better.

«Pulsars will allow us to see these massive objects as they slowly spiral closer together.»

The same s - bots have previously been used to test different cooperation strategies (see Robot swarm works together to shift heavy objects).

Meanwhile, new technologies allow engineers to dream beyond designing glorified mechanical arms: So - called «swarm bots» work together like army ants to move relatively heavy objects; a fire hose — cum - snake robot can slither across the floor before putting out a blaze; and Nissan is developing an avoidance system to prevent car crashes based on bees — which use their compound eyes to see nearly all the way around themselves while buzzing about, changing direction when they sense something in their path.

About 150 tiny reflective beads are held together by laser light, forming this arrangement (inset) that can act as a mirror to see objects in space.

Globular Clusters are a fascinating objects to view and can be easily seen with binoculars, they are groups of ancient stars huddled together and orbiting the central bulge of our galaxy.

The smaller 7 m antennas can be clustered more closely together; because of the way interferometers behave, this compact arrangement allows them to see the broader structure or «big picture» of the astronomical objects that are observed.

«We, for the first time, can make deep images that resolve objects just 0.02 arcseconds across — this is a very small angle — it is like resolving the width of a dime seen from 100 miles away, or like resolving a convoy of three school busses driving together on the surface of the Moon.»

Thor's resulting vision reveals the Infinity Stones (we had previously never seen them together) as well as their locations in two different cosmic objects: the Tesseract (seen in The Avengers, Thor, and Captain America: The First Avenger) and the Aether (Thor: The Dark World).

Thor's resulting vision reveals the Infinity Stones (we had never seen them together) as well as Infinity Stones in two different objects — the Tesseract (from The Avengers, Thor, and Captain America: The First Avenger) and the Aether (Thor: The Dark World).

There were a range of social effects as well: children were seen to be negotiating items with other children, which is quite a higher order thinking skill; they were modelling behaviour on others, so they could actually see how children were playing with some of the equipment and then being able to join in (so it was a lot more inclusive, they were able to see how some of the children used some of the equipment); and they were really working together, using teamwork skills and creating these different objects and structures and stations to play around in the school playground.

Observe how children identify the problem — moving the object — and see if they can work together to try different solutions until they find one that works.

I'm particularly interested to see how all of these objects are used together.

... First - person action games helped study subjects improve their spatial resolution, meaning their ability to clearly see small, closely packed together objects, such as letters, she said.

As seen in the GIF above from YouTube user MrCheeze, the trick is to use two metal objects together: a minecart from Hyrule Castle and a metal block.

It's so interesting to see how many people I admire and how they put their places together, like their choices of objects and furniture.

This ten - year effort can be seen coming together in Asymmetrical Objects, a month - long exhibition curated by Zakaria Mehta along with Himanshu Kadam.

This small, but enlightening and enriching exhibition at Galerie Thaddaeus Ropac in Salzburg, brings together 12 of these «objects», rarely ever seen, and recently acquired by the J Paul Getty Museum and the Los Angeles County Museum of Art (LACMA) from the Robert Mapplethorpe Foundation, set up by the artist before his death from HIV / Aids - related complications at the age of 42.

With creation dates ranging from 1960 - 1981, the humorous aspect of the sculptures, in combination with the ready - made aspect — hotch - potched together from familiar objects and rusty scraps — draw comparisons with Marcel Duchamp's ready - mades, and it is clear to see the anti-aesthetic influence of the «noisy alarm» of Dada in the work of Swiss - born Tinguely.

It features many objects never - before - seen in Europe, and reunites objects not seen together since on - board these spectacular vessels, which revolutionised ocean travel from the mid-19th century to the late 20th century.

Commenting on his unorthodox artistic practice, Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»

Together, they offer the opportunity to see through Warhol's eyes, the individuals and objects which fascinated him, and they become icons in their own right, of the quest for fame with which Warhol was always preoccupied.

Seen together for the very first time, the works of Bove and Scarpa question how objects and artworks are embedded within structures of meaning, emphasizing the importance of the direct and temporal encounter with sculpture.

Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early objects, works on paper, installations, performances, audio recordings, and films, alongside rarely seen archival materials.

Seen together for the very first time, the works of Bove and Scarpa question how objects and artworks are embedded within structures of meaning, emphasising the importance of the direct and temporal encounter with sculpture.

In the exhibited object «Untitled, we can clearly see two elements, here a well crafted steel - structure and second an obviously found object, scratched and mistreated by its daily use, contradicting each other on the one hand but then mended together on the other.

In works such as Couch (2012)-- a sateen sofa sawed in half and then cemented back together — McMillian uses post-consumer objects including discarded mattresses, carpets, chairs and bedsheets as both the material and the subject matter of his art, as he evokes the physical, psychological and economic distress of communities hit by loan defaults, home foreclosures and unemployment.

As he sees his work as part painting, part sculpture, Sinsel brings these different kinds of found objects together in tight, simple, yet detailed compositions by means of craft - based practices such as metalworking, ceramics, weaving and sewing.

However, if the question is «by what authority am I taking over a gallery / bringing together a series of objects / and asking people to come see it?»

Although I could see the attraction in terms of how to deal with architectural space and sweeping gestures that would bring fragmentary objects together as one coherent pictorial unity, I'm curious what other impulse is behind it?

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

Commenting on his unorthodox artistic practice, Fred Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»

Together, tactics of queerness such as humor, subversion, caricature, exaggeration, and others, can be used to disorient objects themselves: to see them anew, to give them new context, to understand how they perform as socio - cultural representations.

The exhibition brings together two projects, United Space of Conditioned Becoming, a survey that features videos, objects, events and lectures produced over a 15 - year span, and her most recent multi-media project, Endless Dreams and the Water Between, first seen at The Maritime Museum in Greenwich, England.

Jesse's recent contribution to «they, them,» an exhibition that recently closed at DREI in Cologne, saw the artist traversing sculptural ground with an assemblage of found objects, Princess Horse (Tiril's Horse)(2015), that came together as a gender - bending, jerry - rigged plaything.

Note the solar spectrum is scaled by a factor of a millionth in order to see them together, since the total area under the curve is about (6000/300) ^ 4 = 160,000 times larger for the hotter object.

Mosaics are magical because from a distance they look like solid objects but up close you see the incredible detail that comes from the hundreds of tiny pieces of china that have been painstakingly glued together.

Or the name was like one of those declarations in English you'd see on some Japanese T - shirts, where words - as - objects got banged together in a blithe frustration of meaning.

So basically you can see the real world and the virtual world together, with motion tracking you can even move the phone / shift objects.

Two types of objects were of particular interest: couple displays representing jointly acquired objects that couples want visitors to see (e.g., the shelf in the living room showing off the shot glasses from all of the countries we've been to together), and couple markers reflecting those favorite objects that couples jointly acquired (e.g., the quilt in our bedroom that we bought while on a romantic weekend trip to New England).

Researchers have investigated the role of «placemaking» in relationships, seeking to understand how objects in a home reflect and represent the couple that resides in that space.1 In a study published in the journal Personal Relationships, researchers asked partners who were married, or couples that were not married but cohabiting, to list objects in their homes and note whether each item was acquired by a particular partner individually («that's my ’59 Fender Stratocaster and your first edition of Darwin's Origin of Species»), or whether the couple had acquired it together («our collection of vintage pornography»; see this post for more on language use and relationships).

Seeing Benign Objects «and Besotted Brand «s book plates makes me wish I found these about 5 months ago when I started putting together the books we gave to our guests at the wedding!