Sentences with phrase «seeing the paintings again»

Maggie had said that Daniel would want to see her painting again.
I never saw the painting again
And how did you react to seeing the paintings again after such a long time?

Not exact matches

It's about how you see things, your approach to life, and the creativity of your mind — it's who you are, not what you do, and she would always be an artist whether or not she ever painted or drew again.
Again, this year, one of my favorite appointments was with the henna artist who painted me up with a beautiful tattoo — I was sad to see if fade away a couple weeks later.
i made a handprint had it in for 3 hours took it out let it cool off then i painted it, after painting it the thing seems not hard now will it be ok to bake it again with the paint on it to see if it hardens up
Arsenal boss Arsene Wenger has painted a positive picture over seeing playmaker Henrikh Mkhitaryan feature again this season.
If you choose to paint over the message the crayon repels the water based paint, again allowing you to see the message.
Thanks again for having me here today, and see you next month when we discover yet another type of paint!
The best thing about paint is it's pretty easy to cover up and start again if you make any serious mistakes, so give it a go and see what you can create!
Since I love Sugar Cosmetics, so I got so excited when I saw a nail paint from Sugar Cosmetics again this month.
I don't see how I can ever use regular paint ever again!
This probably could have been made in the 1970s with matte paintings and Irwin Allen producing, but you're glad it's instead coming now, when filmmakers are able to make it all look entirely real and these unforgettable buildings can be seen and appreciated again with the dramatic and historic weight they will forever hold.
Many of the paintings seen earlier crop up again in new contexts, which is part and parcel of the section's theme: that what we think we see depends in no small measure on our frame of reference.
You'll laugh again when Django is offered the opportunity to pick out his own clothes and we next see Foxx in a velvet Little Lord Fauntleroy outfit straight out of The Blue Boy painting from Gainsborough.
Yet Holly sees enough in him to paint his portrait again and again over the years, while Dom, as an early teen, is drawn to him like steel to a magnet.
Now it appeared the painting might never be seen again.
They give you that extra push to plough through some of the repetitive combat scenes you are bound to encounter numerous times, just so you can unlock new party members and once you do the combat gets a fresh coat of paint again until you have seen everything that character has to offer, and you want to go out and recruit new ones.
Mera and Don Rubell in front of Kerstin Brätsch's painting When You See Me Again It Wont Be Me (From Broadwaybratsch / Corporate Abstraction Series), 2010.
Four years on from the last time I saw her work (at the Bill Maynes Gallery) she has reinvented her practice yet again, giving us some of the most accomplished, not to mention downright beautiful, painting to be seen anywhere.
Of course it was problematic, but it was also thrilling to see paint alive again.
Johns had seen Munch's painting for the first time at the New York exhibition in 1950 and again, in Washington, in 1978.
A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.
Widely revered and remembered in Miami, and in general by collectors and scholars of contemporary Latin American art, Alfonzo's painting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980spainting can once again be seen at the Whitney Museum of American Art, in the current show, described here, «Fast Forward: Painting from the 1980sPainting from the 1980s.»
«I don't know if in my lifetime I will ever see all of those paintings together again
«V (planchette)» (2014), whose smooth aluminum surface is painted a chalky black, swerves from wide at its base to slight at its middle and swells again at its top, resembling an hourglass shape when seen from a certain angle, whereas «X» (2013), is just that, in mirrored and polished stainless steel, with its thin, shiny strips arched upwards, criss - crossing parallel to the surface of the ground, each bending under like strange feet or paws to support itself.
«One of the speculations and fears with a situation like this is that the painting could go into private hands and never be seen again,» Mr. Bacigalupi said.
In response to the art fair experience, Powhida has fabricated pieces he considers emblematic of art world tropes that are seen over and over again on the international art fair circuit: Post-minimalist sculptures, large - scale decorative abstractions, shiny object sculptures, ceramics in vitrines, celebrity paintings, etc..
After all the screens and monitors, it was almost a shock to go - stop - go across the street — to Zwirner again — and see paintings.
So many paintings you wont see in the flesh again in London for a very long time.
We've had a lot of younger artists through and people do know him, they have been students of Gilliam, but it's also important for the younger generations to see these works especially as abstract painting has entered the center of the conversation again.
I never thought I'd see you again Contemporary history painting by the likes of Paul McCarthy, Pamela Golden and Jason Brooks.
Painting suffers a crisis of faith during the rise of photography and the Pictures Generation, and Rudolf Stingel puts ornament once again on trial, though now by appropriation; Untitled (1992) instructs us how to create a painting, just as Seuphor proclaimed «le néo regard» («a new way of seeing») more than six decades Painting suffers a crisis of faith during the rise of photography and the Pictures Generation, and Rudolf Stingel puts ornament once again on trial, though now by appropriation; Untitled (1992) instructs us how to create a painting, just as Seuphor proclaimed «le néo regard» («a new way of seeing») more than six decades painting, just as Seuphor proclaimed «le néo regard» («a new way of seeing») more than six decades earlier.
«While his contemporaries Donald Judd and Dan Flavin created work that was machine - made, I see Stella as a modern day John Henry, racing against the machine, brushing paint from one end of the canvas to the other and back again, setting an admirable and competitive pace.»
Editorial Personal Profile: Beatrice Riese, by Peter Pinchbeck The Dilemma of Contemporary Abstraction, by Robert C. Morgan Reality, by Katinka Mann Matters of Choice, by Peter Stroud Abstract Dilemmas: A Monologue, by Edwin Ruda Abstraction — A Midlife Crisis, by Phillis Ideal On the Interface of Abstraction and Landscape, by Hearne Pardee Further Desistance / I'm Late, I'm Late, by Marthe Keller The Symbol and the Search, by Jeanne C. Wilkinson Volumetric Abstraction, by Peter Pinchbeck Dilemma, by Mac Wells Finding Meaning in Form, by Cecily Kahn Abstract Dilemmas Pop Quiz, by Don Voisine Merely Painting or Getting the Thing in Itself Wrong Again, by Saul Ostrow Three Racoons and A Garage Are Not Art, by Richard Timperio On the Question of Relevance and Meaning in Recent Abstract Painting, by James Little Leo Rabkin — Statement, by Leo Rabkin The Depths of Abstraction, by Tom Evans Engineering Tranquility, by James Juszczyk Painting as Mediation, by Stephanie Demanuelle Abstraction Resignified: Some Remarks on the Fate of Abstract Painting, by Corey Postiglione Abstract Painting Versus New Media, by Joe Walentini The Margins of Seeing, by Gail Gregg In Memoriam: Jeanne Miles 1908 - 1999, by Peter Pinchbeck Jeanne Miles: A Reminiscence, by James Gross
In these grand abstractions we can see again the achievements he made in the Berkeley series - the freedom and originality of the Berkeley pictures opened up for him the possibilities for painting which are now apparent in all his work.
They allow one again to see paint as both itself and trace, substance and image.
CC A great painting that I love seeing every time you haul that sucker out again.
Again I saw, if that word makes any sense for something so expansive, his impossibly rough - hewed painted metal constructions.
Peering inside, the viewer sees where the paint ends, where the artist has allowed raw material to be bare again.
The paintings haven't been shown much since then so I've always wanted to see them again.
See if you can name ten great paintings after each has been photographed, shrunk, then blown up again.
It's a big deal to see the latter painting again in New York, because the last time it showed up here, in 1999, then mayor Rudy Giuliani led a disgraceful campaign to censor Ofili and strip the Brooklyn Museum, which was exhibiting it, of city funding.
As the same rotating cast of inanimate characters appears again and again in the paintings, we realize that what we are seeing is a memory play, a chronicle of the interaction over time between objects and owner.
When Matisse stopped in New York en route to Tahiti, he took the train to Philadelphia to visit Barnes and to look again at paintings he had not seen for years.
I see the space, and I design this abstract painting in my studio, which then changes again completely because of the reality of the space.
Yves Klein, who was a foreigner, I was really interested in; because, again, there I saw in him a real Dadaist, a man who was able to show an empty room or those blue, blue paintings.
I painted the nude that got me in, and then the tutor never saw me again» and «I wasn't interested in abstraction at all.
Overlapping View sees the artist once again reflect upon the complex connection between past and present visual practice, but also begin to extend and develop the relationship between photography, painting and human memory.
We can see paint on it, in a style similar to Pollock's dripping (again, we encourage you to read about him here) and Abstract Expressionism in general.
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