Sentences with phrase «seeing the sea always»

All salt and shadow, and swell and surf - stretching from here to the ends of the earth, seeing the sea always seems to help me catch my breath.

Not exact matches

We must set our course by such stars as we can see, always prepared to change it as new currents, shoals, rocks, and channels are disclosed in the uncharted seas into which we sail.

Sure, when Jesus is feeding the multitudes, or speaking to the crowds, there are always women among the throngs of people, but when Jesus is speaking just to his inner disciples, or when Jesus and his disciples are crossing the Sea of Galilee, all you ever see are men.

No ONE (BAR NONE) has ever seen any God (outside of the occasional burring bush and always alone), parted the Red Sea or the Jewish Sea of Reeds or even a damn pond or have they ever turned anyone to stone, pillar of salt or into your favorite color.

The Church has always taught the importance of water in the Old Covenant — at Creation, at the flood, at the crossing of the Red Sea — and has also always seen a symbolising of baptism in the water that poured from Christ's side on Calvary: «O God whose son, baptised by John in the waters of the Jordan, was anointed with the Holy Spirit, and, as he hung upon the Cross, gave forth water from his side along with blood...» 8

Honest smiles, clear skies, and calm seas, These are the things a fisherman always sees.

Fact # 1: Carbon Dioxide is a Heat - Trapping Gas Fact # 2: We Are Adding More Carbon Dioxide to the Atmosphere All the Time Fact # 3: Temperatures are Rising Fact # 4: Sea Level is Rising Fact # 5: Climate Change Can be Natural, but What's Happening Now Can't be Explained by Natural Forces Fact # 6: The Terms «Global Warming» and «Climate Change» Are Almost Interchangeable Fact # 7: We Can Already See The Effects of Climate Change Fact # 8: Large Regions of The World Are Seeing a Significant Increase In Extreme Weather Events, Including Torrential Rainstorms, Heat Waves And Droughts Fact # 9: Frost and Snowstorms Will Still Happen in a Warmer World Fact # 10: Global Warming is a Long - Term Trend; It Doesn't Mean Next Year Will Always Be Warmer Than This Year

Always love seeing your sea

Are we all becoming more and more over-everything puppets that just live in a sea of too much information, too much to do and achieve, too little time to feel and «see», too little time to actually LIVE and not just chase all the work, to - do lists, always being informed and everywhere and nowhere at the same time?

My heart always sinks when I see a sea of dark colours for winter.

Learn about and see up close and personal some of the oceans famous faces; sharks, seals and sea lions and the vibrant colours of the tropical reef will mean conversation will always be interesting.

Words Used: Magenta: I like going is mum look the am said to at went in me here my on dad a and come up can sat for Red: we get put with go no they today was where you she he this are will as too not but likes down big it little see so looked Yellow: when came one it's make an all back day into oh out play ran do take that then there him saw his got looking of yes mother from her baby father Blue: have help here's home let need again laugh soon talked could had find end making under very were your walk girl about don't last what now goes because next than fun bag coming did or cake run Green: always good walked know please them use want feel just left best house old their right over love still took thank you school much brother sister round another myself new some asked called made people children away water how Mrs if I'm Mr who didn't can't after our time most Orange: man think long things wanted eat everyone two thought dog well more I'll tree shouted us other food through way been stop must red door sea these began boy animals never work first lots that's gave something bed may found live say night small three head town I've around every garden fast only many laughed let's suddenly told word forgot better bring push Word List Acknowledgement: www.tkp.school.nz/files/530877945427c642/folders/1/Highfrequencyhomewordlists%20(2).pdf ********************************************************************** © Suzanne Welch Teaching Resources

To be fair, some of my impatience can be attributed to the fact that we're closing in on the end of a fairly substantial story arc and, as fun as Alabasta has been, it's always genuinely exciting to see the crew move on and kick off what will inevitably be another multi-volume tale of high seas adventure.

As a veterinarian, I always cringe when I see someone throwing a ball way out into the sea when riptides are present.

Even when the whales aren't in season there are always beautiful sea birds, dolphins and seals to be seen.

The kids will make up new games and make new friends, as we almost always see dolphins, sea lions and sometimes even whales.

With breath - taking excursions and local sights to see, there is always something to do in Porto Elounda; whether it's visiting the Areti Monastery or discovering Crete's tropical sea life with scuba diving.

While you shouldn't expect to always see whales or tons of wildlife, Sea Quest and Pete provided an absolutely professional and fun environment to experience nature in the San Juan Islands.

A surf camp day can get quite tiring as you're always moving and the sun can really exhaust you, but seeing first - time surfers having a blast in the waves, learning a completely new skill and just being by the sea, is such a calming, fulfilling feeling I wouldn't want to miss for anything in the world!

It is not at all uncommon to see dolphins and other large sea animals and you will always see plenty of marine life when you pass over the reefs such as coral and colorful fish.

There is always something new to see under the sea.

The number of sea turtles you see will vary depending on what time of the year it is, their arrival starts on May 1st and ends on October 30th, but you will always be able to see at least a few of them no matter what.

The kids will love playing pirate and we almost always see dolphins, sea lions and sometimes even whales.

Depending on the time of year, you may see whales surfacing, giant sea - rays dancing on the water, and almost always, a guaranteed gorgeous sunset.

The private beach area is always popular, and with sand, sea and watersports on offer, it's easy to see why.

That means that whenever you arrive, you always see your destination ahead of you, framed carefully: A buzzing town on a hill, a desert oasis obscured by blowing sands, a labyrinth out in the sea, a little fishing village where bananas grow on tropical trees, a strange movement on a low mountain.

Jaster, seeing this as a prime opportunity to jumpstart his own quest, doesn't tell them that he's not the legendary bounty hunter and escapes Rosa and to set out into the sea of stars he's always dreamed of exploring.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

I always thrill to see Philip Guston's 1975 triptych «Red Sea; The Swell; Blue Light,» but it appears under the rubric Loss and Redemption.

I'm looking forward to it because I've always liked his work and I like the idea of seeing it on a cold day in February, looking out on the stark, flat sea.

I came to see the difference: while Rothko has his own silence, steeped in the transcendental sides of both emotional tragedy and spiritual ecstasy in the tradition of romanticism — I always felt as though I'm the monk standing in the great Caspar David Friedrich painting The Monk by The Sea.

Breathless reports of scientists on a ship off Russia reporting bubbling seas are a recurring phenomenon (e.g. this Independent story, 2008), but according to the unwritten laws of journalism, always presented as totally never - seen - this - before breaking news.

These extraordinary creatures of the deep sea have until now almost always been seen this way — brought to the surface involuntarily or floating there dead.

There will always be this battle between the saline waters from the south and the freshwaters from the north, so swings in the time evolution of the overall freshwater loading of the northern seas, as we see right now, should always be expected.

Also, if you look at Table T2 in this paper, you will see that ocean sea surface heat storage 0 - 700m from 1955 - 2003 (in W / m2) is always higher at northern latitudes than the corresponding southern latitudes in every case, even with the extensive Southern Ocean warming as noted by Gavin responding to # 18.

it's same as if Tony was showing a mouse eating a cup of grain from the bushel — as proof that: the WHOLE planet is cooler by 0,12 C, because of it — or looking at a bucket of water, and declaring that: the temp of all the seven seas are warmer by 0,03 C. I always had binoculars and a telescope, not big one, but understand what can be seen and what can not.

The only real cause for concern I see is if you happen to live on a flood plain, river delta, or coral atoll and you have interrupted the natural mechanisms by which nature has always kept those locations above sea level — if so look to it.

No one anywhere can see any rapid acceleration, except in those places which has always experienced it, but conversely many places have seen sea levels fall.

Fact # 1: Carbon Dioxide is a Heat - Trapping Gas Fact # 2: We Are Adding More Carbon Dioxide to the Atmosphere All the Time Fact # 3: Temperatures are Rising Fact # 4: Sea Level is Rising Fact # 5: Climate Change Can be Natural, but What's Happening Now Can't be Explained by Natural Forces Fact # 6: The Terms «Global Warming» and «Climate Change» Are Almost Interchangeable Fact # 7: We Can Already See The Effects of Climate Change Fact # 8: Large Regions of The World Are Seeing a Significant Increase In Extreme Weather Events, Including Torrential Rainstorms, Heat Waves And Droughts Fact # 9: Frost and Snowstorms Will Still Happen in a Warmer World Fact # 10: Global Warming is a Long - Term Trend; It Doesn't Mean Next Year Will Always Be Warmer Than This Year

For instance: I was looking at what the AMSU instruments (http://discover.itsc.uah.edu/amsutemps) at sea - level are showing and their equivalent temperature has always hovered about 294.75 K ± 0.25 K for global average, not 288 as Trenberth assumes as the mean global average temperature of the surface, so, just change it and see the effect.

I always thought i would tuck a message in a bottle I had in my sea themed bottle, and see who read it by giving me a code word, and i would give them a sea shell in trade.