Sentences with phrase «seeing this film as»

This book is the perfect follow up after seeing the film as each page or double spread has an image taken from the film and stickers to add in acting as a great reminder of the film.

I went to see this film as a CPM student.

Some might see the film as lionizing Gore, but it's a fascinating primer on how to engage and train citizen activists, from the grass roots to the corridors of power.

The soundtrack and songs were really tonally perfect, though I didn't see the film as a love story so much as an off - balance depiction of an already degraded and misunderstood group of people.

Doubtless this has to do with the simple fact that I was taken to see the film as a terribly impressionable eight - year - old by my mother, who, to make matters that much weirder, was at the time a Catholic schoolteacher.

And she sees her film as a love story, too, of a sort too rarely seen onscreen: a man and woman who trust each other as colleagues.

The Playlist finds the film «repetitive, bruising and grim, set in a scuzzy part of the world, full of even scuzzier people,» and the AV Club is even less of a fan, seeing the film as «a step backwards» for the director.

Make sure you watch the first two movies prior to seeing this film as this isn't the movie to jump into the series.

But he saw film as an expression of the insanity and the grandness of humanity.

Promising that the film will be as hyperreal and hallucinatory as his earlier work, Odoul sees the film as «following a subjective point of view and a trajectory, crossing a landscape rather than giving us a broad canvas or attempting to depict the battlefield.»

(p. 37) Yet, whereas Daire sees Mauprat as a dynamic, complex, and ostensibly queer studio film (the gender play he notes in the biography), Keller sees the film as a «costume drama [that] lacks almost entirely the vigour described by Epstein about the effects of cinema on an audience.»

I'm very happy to see this film as an Oscar contender for best Foreign Language Film.

Many critics also saw the film as liberating.

Unfortunately, he saw this film as his last opportunity, so he took it, and the results were extremely bad.

You can see the film as an uplifting story about a wife and mother overcoming the drudgery of domesticity and finding new meaning in her life.

But it's hard not to see the film as implicitly valorizing his poetic male solemnity as somehow more dignified than Laura's childlike, excitable over-activity.

With the 75th Anniversary of the release of the classic film «The Wizard of Oz» approaching, Media Mikes is teaming up with Warner Brothers to send you to see the film as it's never been seen before.

This will all depend on how much stock — if any — one wants to put into seeing the film as a confessional from its creator.

I don't know that I've ever seen a film as obsessed with what is not on the screen: every shot seemingly involves someone looking at or talking to someone or something off - camera, or heading out into space we can't see.

, attempting a Quebecois accent — a little like Keanu Reeves trying not to do a baked accent) are so gay that it's almost possible to see the film as a comment that the real audience for movies like this are pre-sexual little boys and homosexual big boys.

With this flipped perspective in mind, does Refn see the film as a departure from his previous work?

I see the film as a brave, heartfelt and largely successful stab at adapting the «unadaptable».

I can't see how anyone can't see this film as a cheap rip - off of «My Best Friend's Wedding»... only with a dude.

WB sees this film as a major priority — so much so that it was at one point being considered by Peter Jackson.

I saw this film as a teenager, fell in love with its energy, and can still watch it over and over again.

I will be honest, for a Duplass brothers film, I was not necessarily as excited to see this film as much as I was with their previous work.

But for now, Refn is busy with «Only God Forgives» and editing as he shoots means he's working fast, and as he recently teased, we could be seeing the film as early as the Venice Film Festival this fall.

Grindhouse (Robert Rodriguez & Quentin Tarantino, 2007) I had to wait until the timing was right — and it took 9 years — to cross town to The Astor to see the films as Tarantino and Rodriguez intended them.

In an interview with THR for The Shape of Water — a romantic fairy tale about a woman (Sally Hawkins) and amphibious humanoid (Doug Jones) set in 1960s Baltimore — del Toro revealed that the film's inspiration was drawn from the happier ending he imagined for The Creature from the Black Lagoon since he first saw the film as a 7 - year - old.

While some may see the film as lengthy and lacking focus, the only aspect of the film that did actually bother me is the poor work done in aging the main characters.

Many have seen the film as too polite or beige, adjectives that unfairly negate the smooth skill with which director Walter Salles (Motorcycle Diaries) translates the revered material to the screen.

Having now seen the film as directors Mike Gabriel and Eric Goldberg originally intended, it's unthinkable that the film ever existed without the emotionally climactic number — a thought apparently shared by the powers that be as expressed in the DVD documentary featurette about the history of the song; it's amusing to see how what was initially a tossed - off suggestion (by composer Alan Menken) snowballed into the costly (both financially and artistically) decision to lose the key romantic moment of the film.

Morgen sees the film as a «love story between a woman and her vocation.

«I see the film as an exploration of life and death,» Bar - Lev explains.

Now with two years of teaching under her belt, Groves said she sees this film as evidence of how hard teachers work combined with the highs and lows of being a teacher.

Not only do educators utilize film for the study of adaptation, many also see film as a useful medium for teaching the skills of literary analysis (Teasley & Wilder, 1997).

David Hinkley at NY Daily News sees the film as angry, but ultimately focused on educating the public:

Not exact matches

This time, it's the regimen of Robert Patrick, star of the CBS series Scorpion, the new film, The Last Rampage, and a guy (if you're my age) you probably first saw twenty - five years ago as the shape - shifting T - 1000 in Terminator 2: Judgment Day.

And many, many sequels aren't executed with the thought or care of their far - superior original films, especially in series that have stretched over many years — as one sees in the chasm of quality between «The Terminator» (1984) and «Terminator Genisys» (2015).

Whether Styles has the chops to make it as a film actor is yet to be seen, but given the confidence Nolan has in the singer - turned - actor, Dunkirk is as good a first chance to prove himself worthy as Styles could have hoped for.

It was fun to see a modern - day interpretation of a silent film, but it didn't bring much more to the table than that gimmick, and it doesn't hold a special place as a memorable and impactful movie the way its fellow nominees «The Tree of Life,» «Midnight in Paris,» and «Moneyball» do.

«I think my movie, personally, is one of the most important films that have ever been made in America... I don't know if anyone is going to see it, but I feel the film is going to take care of itself in time and be around as long as there are films.»

And, so as not to miss the bandwagon, suddenly every business is in the video business as well and there's a video crew (generally composed of otherwise unemployed film school grads) trying to spin the day's every activity into something golden that they think the world wants to see.

As has become standard for bankable intellectual property (see the Harry Potter and Twilight franchises), the book is being split into two films, the first of which, An Unexpected Journey, will arrive in time for Christmas.

EASTWOOD: I had seen... No I hadn't, I saw it at a theater down on Western Ave. that did foreign films and they were doing Yojimbo, a Kurosawa film with Toshiro Mifune as the lead and I thought well this picture's great but nobody had the nerve enough to make it as a Western.

Cross over appeal: The biggest mistake some analysts may have made was seeing the film's audience as exclusively young, African - American and male.

Meanwhile, Vox recently floated the idea of Fox going all - in on Deadpool by launching a film series, similar to Disney's The Avengers series, that would see his character team up with others from the X-Men comics to form a group known in comic books as the Uncanny X-Force.

However, Deadpool «s record - breaking weekend is another reminder that some R - rated films can still succeed at the box office, particularly when fans see the rating itself as validation that the film is true to its source material.

It's closer to an immersive film than a fully interactive simulation, but as Fortune reported when we first checked in on StriVR in 2015, research shows that seeing real humans in action helps the brain refine its timing and stay focused.

A chance to see the film a few weeks before its wide release and the ability to boast about being in the same room as their favourite celebrity.