Today's article is part 1 of a two - part post on whether or not artists should be
seeking gallery representation.
In the spring of 1963 Lamis traveled to New York to
seek gallery representation.
Not exact matches
many artist spend as much time
seeking representation by a
gallery as I do representing myself.
But one art world metric of success that's under - discussed (and nearly - universally
sought) is
gallery representation.
In 1963, he co-founded the Spiral Group (along with Romare Bearden, Norman Lewis, Hale Woodruff, and others), which
sought to contribute to the Civil Rights movement through the visual arts in part by increasing
gallery and museum
representation for black artists.
In his first solo exhibition with the
gallery, Palacios
seeks to bear
representation to the state of affairs of the modern world — what he refers to as an «ugly society», a term he borrows from Noam Chomsky's documentary «Requiem for an American Dream».
I am at the point in my practice now where I feel ready to
seek commercial
gallery representation but have no idea where / how to even begin the process.