Sentences with phrase «seeking more exhibition»

Not exact matches

He has made artworks in all five continents — continually seeking out parts of the world that are still wilderness — and has had more than 250 solo exhibitions to date.

Sarah Nesbitt was chosen from more than 100 applicants for Target Gallery's 2017 Open Exhibition competition, which seeks to spotlight the work of one up - and - coming artist each year.

In the National Portrait Gallery's current exhibition: Hide / Seek: Difference and Desire in American Portraiture, a small portion of an artist's... Read More

By way of the guided tour through the exhibition, the ZKM seeks to facilitate the users» personal contact with the artist and thereby experience more about her work.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

The Fitzwilliam Museum's exhibition «A World of Private Mystery: John Craxton RA (1922 — 2009)» now seeks to reassert the relevance of a painter who was persistently punished for his assertion that life was more important than art.

Amid the many visual arts exhibitions and events this year commemorating the fiftieth anniversary of Singapore's independence, an upcoming exhibition at Sundaram Tagore Gallery at Gillman Barracks seeks to explore the more abstract notion of artistic and creative autonomy in the city - state at this momentous juncture in its history.

Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions.

The exhibition seeks to rectify these reductive understandings of the movement in the United States by exposing a layered and multi-tentacled avant - garde movement, spanning three decades and many more countries than just Denmark, Belgium, and the Netherlands.

These are perhaps more accurately described as departures rather than returns, acknowledging Szeemann's impact but seeking to complicate his dominance of exhibition histories since the 1960s.

The exhibition will run concurrently with Max Stocklosa's permanent installation, «More World Material: Coyote», seeking to reveal the «layers of disproportionality and invisibility that are made more complex through the use of technology&raqMore World Material: Coyote», seeking to reveal the «layers of disproportionality and invisibility that are made more complex through the use of technology&raqmore complex through the use of technology».

The stark juxtaposition of the Fishman — which reflects on more modern modes of seeking out altered states — beside a grinning Gonzaga is a fine example of a trick this exhibition manages again and again: drawing together artists that are separated by centuries but contemplating the nature of transcendence in related ways.»

Timed to coincide with the tenth anniversary of Hurricane Katrina, the exhibition seeks to situate the significance of the past... Read More

This open - submission exhibition features more than a dozen artists, each seeking to represent and celebrate the magnificence of Yosemite National Park during its 125th anniversary.

As such, the exhibition reads more like a checklist of trademark features collectors were likely to seek out than an effective social message.

The events Through an inclusive and varied program of events including both kid — and adult - friendly talks, screenings, workshops, parties, performances and more, TYPOLOGY seeks to enrich the exhibition experience and encourage active audience participation in our projects and programming.

LIA (Interdisciplinary Laboratory for the Arts), seeks to satisfy the need of an independent exhibition space for... + more

This exhibition, which sought to define textiles as more than a type of cloth or woven fabric, was presented by an ASU club called the Fiber Arts Network.

For more than thirty - five years, since his first solo exhibition at the Whitechapel Gallery, Antony Gormley has sought to explore the relationship of the human body to space and to reinvigorate and test the potential of sculpture.

This exhibition of more than 120 works seeks to emphasise the fundamental importance of land to his artistic practice: he was one of the first to take sculpture out of the gallery and place it directly in the landscape.

Taste comes in to play in the bulk of the exhibition, which explores the acquisition of these works in Venice, their circulation in culture of grotesqueries (fascinating to see an engraving by Raimondi, more famous for his copies after Michelangelo, adorning two sleeping nudes with tiny beasties), as well an gradual influence on later Venetian painters who also sought out extreme, fantastical effects.

If the earlier exhibition allowed him to challenge the individuality of the artwork — and the medium specificity of photography and painting — by setting his pictures in dialogue with those of acclaimed modern masters, the more recent show, by contrast, seeks to address the same challenge through a retrospective of his own work.

For a few more days, you can also seek out the yellow Persian bottle at the David Zwirner Gallery, where there is a beautiful Giorgio Morandi exhibition featuring works primarily from the 1940s and 50s.

Featuring over 120 paintings spanning three major artistic movements, the exhibition illustrates the diversity and singularity of abstract art in Italy, seeking to afford more focused attention to a group of artists who revolutionized the historical sweep of painting in the context of interwar and postwar Europe and the United States.

Whilst the work's title alludes to a 1949 exhibition at the Detroit Institute of Arts which celebrated innovation in design and mass production, Darbyshire's interior presents a more dystopian view of consumer culture, seeking to question and critique notions of modern taste.

This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed «dead» at the advent of photography.

Gallery 1313 seeks artists, curators, collectives and other creative professionals to hold events at the gallery, such as artist talks, critical panel discussions, poetry readings, acoustic music nights and more, to compliment our regular exhibitions and create a forum for discussion, exchange and engagement.

Through this partnership, Condo seeks to offer a more generous environment for the global presentation of experimental exhibitions.

The exhibition seeks to reveal more about each artist through the conversation that silently takes place between their respective works.

A surface critique might argue for some more bolder, declarative evolutionary changes from one exhibition to the next, but as pointed out in the title, these works aren't for a viewer's cynical, novelty - seeking lizard brain.

The first major exhibition to explore in depth the contributions of female Pop artists, Seductive Subversion: Women Pop Artists, 1958 — 1968, seeks to expand the definition of classic Pop art and re-evaluate the role of the women who worked alongside the movement's more famous male practitioners.