And yet, the anonymity of that title points to perhaps the most remarkable aspect about this film: its maker's sheer selflessness, her devotion to her craft and her subjects,
her seemingly complete lack of ego.
Given the
seemingly endless gridlock of motorbikes everywhere, the
complete lack of stoplights (or adherence to their rules) and the cultural assumption that crossing the street by foot is not something to done in any logical (or safe) manner, crossing the street in Vietnam can initially seem like an impossible task.