As Philippe de Montebello, then director of New York's Metropolitan Museum of Art, put it in 2003, when the museum staged a major retrospective of his work, «Guston's particular genius was in mediating
seemingly diverse traditions, and, with fluent brushstrokes that speak to the artist's hand and brilliant colour, creating works that vigorously defied conventions.»
Not exact matches
Canvases as
seemingly varied as his still life Cascos / Helmets (2009), the North African landscape seen in Casbah de Tiout (2008), and the minutely detailed Marruecos triptico / Morocco Triptych (2009) are all imbued with the memories of a lifetime spent across three continents, immersed in
diverse cultures, histories, religions, and
traditions and finally emphasized through Morocco's vivid hues.
Known and described as a provocative and subversive artist, Delvoye's work celebrates paradox, building on the Belgian Surrealist
tradition of combining
seemingly unrelated elements and engaging
diverse provocative conceptual themes.