All of
the seemingly simple forms on view belie complicated layers — both physical and philosophical — and further the artist's explorations of analog methods, coding, and symbols; his assault on materialism and the pervading class system; and his visceral love of materials process.
Looking closely to explore the intricate details of nature's
seemingly simplest forms, artist David Morrison's vivid colored - pencil on paper creations bring to hyper - realistic life the inherent beauty, delicacy, and texture in the organic objects most of us take for granted.
These seemingly simple forms resonated deeply within Noland's history, calling to mind badges on military uniforms from his army days, logos for cars and other consumer products ubiquitous in the post-war economy, and even the theories of Wilhelm Reich whose writings Noland encountered in the 50s.
Not exact matches
If you've ever had any health issue that required more than a
simple doctor visit, you will know that it precipitates a
seemingly never - ending series of
forms, bills, and letters.
Minimal, architectural
forms, and its emphasis on rich textures refining the silhouettes make the most
seemingly simple pieces unique and outstanding.
He treats even the
seemingly simplest of
forms, a mirror or a flag, in the same manner as an entire museum collection; clearly showing the relevance and import of his work outside such institutions.»
Since 1961, she has focused exclusively on
seemingly simple geometric
forms, such as lines, circles, curves, and squares, arrayed across a surface — whether a canvas, a wall, or paper — according to an internal logic.
The
simple,
seemingly organic
forms of Still's painting and its bold expansive fields of space and color made «the rest of us look academic» Jackson Pollock observed at the time.
Kaleid presents
seemingly complex geometric
forms that have been realised from
simple mathematical beginnings.
Collectively, the show serves as an exploration of line, of balance and of the stylistic and psychological complexity of
seemingly simple spatial
forms.
Through his research and his three - dimensional works — with
seemingly limitless permutations of
simple geometric
forms — Rashid explores the phenomenological relationship between work, viewer, and architecture.