Sentences with phrase «seen ghost stories»

In a time when a good horror is no longer a rarity (2018 has already seen Ghost Stories and Unsane wow crowds), when a scary film gets people as excited as A Quiet Place does, you know you are onto a good thing.

Index (42 minutes) 00:01 Why you should see A Ghost Story & Lady Macbeth 04:00 Kathryn Bigelow stumbles with Detroit (what we hope she does next) 16:40 Atomic Blonde is a blast, a true feat of direction and Charlize Theron - ness 29:40 Girls Trip is crazy well - acted fun 37:00 Landline is a let - down 38:30 Recommendations from 1963 for the helluva it

Not exact matches

The story and characters are very intriguing and the ghost mechanic keeps you on your toes (make sure you're not seen!)

Before I Wake is a beautiful, meditative ghost story with one of the more rewarding horror payoffs I've seen in years.

«Saw» co-creator James Wan has lately been proving himself to be more than a one - trick pony, winning over horror fans with the atmospheric ghost stories «Insidious» and «The Conjuring.»

What I will say is that as I was watching Ghost Story, there's this part where Krige, as the ghost Eva, promises her lover that she «will show [him] things [he's] never seen» in a supernaturally menacing sort of way that will be echoed exactly by Clive Barker's Cenobites in the novella The Hellbound Heart from Ghost Story, there's this part where Krige, as the ghost Eva, promises her lover that she «will show [him] things [he's] never seen» in a supernaturally menacing sort of way that will be echoed exactly by Clive Barker's Cenobites in the novella The Hellbound Heart from ghost Eva, promises her lover that she «will show [him] things [he's] never seen» in a supernaturally menacing sort of way that will be echoed exactly by Clive Barker's Cenobites in the novella The Hellbound Heart from 1986.

A supernatural depiction of love and loss that delves deep into the science fiction realm of a grander understanding, A Ghost Story was unlike any film seen this year or any other.

It's a story of arson, drug addiction, seeing ghosts, and the suggestion of incest, and that's just the first act of Bruce Wagner's screenplay.

Freeman last showed up in Ghost Stories and will next be seen in Netflix's zombie pic Cargo, due on 18 May.

I remain thankful for A Ghost Story, which David Lowery made on a lark and somehow delivered one of the most profound meditations on the passage of time you will ever see.

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Following its world premiere at the 2017 Cannes Film Festival, The Florida Project went on to secure distribution with A24 - the indie studio powerhouse that has already seen the release of It Comes at Night and A Ghost Story earlier this year.

The performances both individually and separately are but one of many things that elevated this horror film above the other common ghost stories we've seen in the past.

Jessabelle is one of the most underrated, or at least little - seen horror movies to have been released in the past few months, and now that it's snuck out on DVD in the UK, we phoned director Kevin Greutert (Saw VI, VII) and asked him to talk us through the story of his dark Southern gothic ghost -LRB-...)

Even if Ghost Stories terrifies you to pieces, the final few moments will likely have you desperately rewatching the film to see if you can spot things that you didn't before.

Ghost Stories however is one of the best anthology horrors, if not the best, I have seen.

«The story sees Johnny Blaze, aka Ghost Rider (Cage), hiding out in remote Eastern Europe and struggling to repress his curse.

Teresa Palmer is the best thing about this ghost story of a woman who can only be seen when the lights are off, but it's half - baked and no exaggeration to say that you saw everything worthwhile in the trailers.

You can still watch the first three teaser trailers for Ghost Stories here, to see even more footage from this.

Release date: February 2 Cast: Helen Mirren, Jason Clarke, Sarah Snook Director: Michael & Peter Spierig (Daywalkers) Why it's great: Yes you've certainly seen this sort of «skeptic in a haunted house» premise before, but when the house is this creepy — and the cast is this impressive — there's nothing wrong with curling up with a very familiar ghost story even if you mostly know where it's headed.

Ladies and gentlemen, the stylings of Tracy Letts... * Timothée Chalamet's spastic lunges, Call Me by Your Name; extra spin after reading Oliver's «I'll see you at midnight» note... * Arthritic fingers keying a linotype, The Post... * A Ghost Story: play of afternoon sun / shadow in lower corner of frame as M (Rooney Mara) picks at, then wolfs down chocolate pie.

Loaded with atmosphere and nostalgia,» The Lady in White» is part «Wonder Years,» part ghost story and part murder mystery, as a 9 - year - old boy (Lukas Haas) investigate the murder of a young girl whose ghost he's seen in his school in this story that takes place in 1962.

February 2012 saw the theatrical release of Hammer's first ever feature ghost story The Woman In Black, directed by James Watkins, adapted by Jane Goldman from the book by Susan Hill, and starring Daniel Radcliffe.

The Road (May 11; Freestyle Releasing) The first act of Yam Laranas» The Road features some of the scariest imagery I've seen in a ghost story in quite some time.

It's an old - fashioned ghost story that is clearly made by people who saw Hammer Films enough to reference them without ripping them off.

Kurosawa has always been a master of foreboding creepiness (see Pulse and Cure), so a ghost story ought to be right up his alley.

Based on the Young Adult book series, this story follows Mattie Hathaway, a sixteen - year - old girl in foster care, who gains the ability to see ghosts at an early age after a tragic event.

We'll see if writers Jacob Estes and Akiva Goldsmith and director F. Javier Gutierrez have found some interesting new wrinkles to the classic ghost story when Rings hits theaters this Friday.

Of course, it would have been nice to see the Spirit Awards find more room for notable Oscar snubs, including «The Florida Project» and «A Ghost Story,» and perhaps the next stage for this awards show as it rights the ship will involve more pressure to allow those more radically unconventional titles to dominate various categories.

Sure, his earlier films like Bad Taste, Meet the Feebles, or Dead Alive / Brain Dead will never reach a mainstream audience, but Frighteners was a fun little ghost story with a once - upon - a-star in it and it was released on laserdisc in an incredible version so I am sure it will see the light of day.

New products for 2017 include licenses from The Texas Chainsaw Massacre, World Wrestling Entertainment, AMC's Preacher, Creepshow, Game of Thrones, Halloween II, Bride of Chucky, Goosebumps, The Walking Dead, American Horror Story, SAW, The Twilight Zone, The Misfits, Iron Maiden, Five Finger Death Punch, Ghost BC, Mars Attacks, Shows of Brimstone, Ash vs Evil Dead, Gremlins, Star Trek, Pumpkinhead, Killjoy, Castle Freak, Rocky, and EC Comics!

Described as a «all - new cinematic story with new and returning characters» by Activision, the expansion sees female Ghost Sagira voiced by Firefly and Homeland's Morena Baccarin) separated from Osiris.

Nostalgia Watch 50 First Dates (2004) Clueless (1995) Mousehunt (1997) Paulie (1998) Get Rich or Die Tryin» (2005)(Oct. 15) Swingers (1996) Family Watch Elephant Kingdom (2016) Care Bears: Friends Forever (2004) Care Bears: Magical Adventures (1998) Oogieloves: The Big Balloon Adventure (2012) Spy Kids 2: The Island of Lost Dreams (2002) Spy Kids 3 - D: Game Over (2003) The Velveteen Rabbit (2009) Frog Kingdom (2013) Halloween Watch 6 Dead Souls (2010) Abduction of Jennifer Grayson (2017) The Amityville Horror (1979) Asylum of Darkness (2017) Blair Witch (2016)(Oct. 7) Blood Ransom (2014) Bubba the Redneck Werewolf (2014) Cabin Fear (2017) Cabin Fever (2002) Carrie (2002) Carrie 2: The Rage (1999) Covenant (2017) The Creature Below (2016) Curious George: A Halloween Boo Fest (2013) Deliver Us from Evil (2014) The Disembodied (2011) From Dusk till Dawn (1996) The Faculty (1998) Ghosts of Darkness (2017) Ghoulies (1984) Ghoulies II (1987) The Glass Coffin (2017) Halloween H20: 20 Years Later (1998) Hatchet (2006) High Tension (2003) Hostel (2005) Hostel 2 (2007) Hunting Grounds (2017) Little Shop of Horrors (1986) The Maddening (1995) New Year's Evil (1980) Ninja III: The Domination (1984) Pet Sematary (1989) Scream at the Devil (2016) Southwest of Salem (2016) Teenage Ghost Punk (2017) The Uninvited (2009) Wes Craven Presents: Dracula 2000 (2000) What Lies Beneath (2000) The Fog (2005)(Oct. 5) American Horror Story: complete Season 6 (Oct. 3) Before You See Mother!

It's a ghost story we've seen told many times before in far better films, so really, this film serves only one purpose, and that's to make money.

Each house is a story of failure - of bankruptcy and default, of debt and foreclosure - and he has taken it upon himself to document the last, lingering traces of those scattered lives in order to prove that the vanished families were once here, that the ghosts of people he will never see and never know are still present in the discarded...

With an art style similar to InuYasha, the story follows Sakura, a girl who can see ghosts after she was pulled into the other side as a child.

The story of that week could be from the point of view of a ghost who can only see, but not hear or feel or smell or taste.

For example, I could see reviews that state my zombie and ghost stories are weak but there could be repeated interest in a space set short that sets up and larger universe people want to read more about.

Come see us for a beautiful night hearing some amazing stories through the streets of the Ancient city on a ghost tour!

Described as a «all - new cinematic story with new and returning characters» by Activision, the expansion sees female Ghost Sagira voiced by Firefly and Homeland's Morena Baccarin) separated from Osiris.

Let's see what that gives Sniper Ghost Warrior 3, an intriguing teaser for a story, a sniper game that is open world rather than semi-on rails to grant a different experience than Sniper Elite's series.

It'll be quite interesting to see if this is a continuation of the Ghosts story line or if that will be ditched for another save the world scenario.

The story of Luigi's Mansion 2 see's the helpful ghosts of professor E. Gadd turned against him by the Dark Moon.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The raw and flawed, artless, aesthetic of Prouvost's visuals echo the motto of Prouvost & Sons Ltd., which is, «we promote imperfection» and bring to mind a statement by the critic and commentator, Pavel Buchler in his book «Ghost Stories» where he writes, «to produce a blurred photograph has come to be seen as the exclusive right of the professional, even a sure sign of the professional mandate, whereas the same blurred image taken by the lay photographer implies a «human error».»

Thus these shambling relics embody the stories of their own ghosts (see my London report of July / August 2006), though the simplicity of the idea of using photographic documents to this end does not have the resonance of his usual «narratives,» despite his intent to «create a sense of absence and space.»

When Stories launched last March, Facebook users saw a number of interface changes to promote it — from ghost versions of their friends who weren't uploading Facebook stories to Facebook adding a dedicated stories viewing tab on both mobile and desktop veStories launched last March, Facebook users saw a number of interface changes to promote it — from ghost versions of their friends who weren't uploading Facebook stories to Facebook adding a dedicated stories viewing tab on both mobile and desktop vestories to Facebook adding a dedicated stories viewing tab on both mobile and desktop vestories viewing tab on both mobile and desktop versions.