Sentences with phrase «seen as a masterpiece»

A great, weird film that I think will be seen as a masterpiece in years to come.

Only «Eternal Sunshine» of her nominated perfs this decade will be seen as a masterpiece.

Not exact matches

Seeing oneself as a barbarian or decadent results in the determination to go back to the original masterpieces that lay buried under dust or rust, to remove what marred their radiance, and to live up to them.

I was there to see the Mezquita, an architectural masterpiece from the Middle Ages, but, as usual when traveling, I became obsessed with what the locals eat.

Most of us are not nearly as crafty as PunkyMoms.com founder Winter Wilsey, but when you see her masterpiece, you'll sure wish you were.

Let people be who they are and see them in their masterpiece, then watch as this new perspective unfolds to bring magic into your life.

It's so funny to see the different personalities that come through as we create our masterpieces.

I become quite obsessive when I get into something,» she adds — a pronouncement that I will come to see over the next few weeks, during a giddy foray into Beckham World as we hang out in London, Los Angeles, and New York, is a masterpiece of understatement.

I think a good way to justify something like this is to see the creation as an art piece, and well, these Balenciaga boots are arguably a masterpiece.

What one may see mundane i view as a masterpiece.

Well after the amazing black and white as well as the amazing possibilities of what pokemon could look like on 3ds after seeing pokedex 3d i was hoping for a masterpiece from the 1st 3ds game, though I guess that was too much to expect from a spin - off not to say rumble blast is bad in fact its easy to say this is amongst the best spin - offs.

«Schindler's List» is a must - see masterpiece, a great achievement in filmmaking as well as an overwhelming look at how good, bad or ugly human nature can get.

Critic Consensus: A must - see film for movie lovers, this Martin Scorsese masterpiece is as hard - hitting as it is compelling, with Robert De Niro at his best.

To see this seamless «reconstruction» - consisting of some 15 entirely new sequences as well as augmentations to 23 others - is to behold a masterpiece revealed.

As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himselAs an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himselas told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himselas well as portraying Wiseau himselas portraying Wiseau himself.

this movie should be watch as (Annie Hall 2), Allen ended the earlier by describing relationships «They're totally irrational and crazy and absurd», and after many years he completed his idea and made it crystal clear, and now I can see the whole artistic work of Woody Allen as a masterpiece.

Today, after seeing the film again for the first time in years, I feel that Saving Private Ryan is, if not an absolute masterpiece, an extremely powerful and moving work that stands as one of the greatest war films of this or any era.

As I am a late bloomer among personal discoveries, I just recently saw Patricio Guzman's masterpiece The Battle of Chile (1975 - 79), which had quite an impact.

As one who has seen both versions of Dying, I can report that in neither edit is Schrader's latest a masterpiece, while in both it is an efficient and mostly effective B - grade thriller rooted in a distinctly Schraderian sense of guilt and moral anguish, and featuring a very fine performance by Cage.

Queen of Sheba Meets the Atom Man (Ron Rice, 1963) A rarely seen masterpiece of heroic (and totally silly) camp, starring Taylor Mead as the Atom Man, with cameos by Jack Smith, Julian Beck and Judith Malina.

As you can see in this short special feature from Criterion's release of The Great Dictator (out next week on Blu - ray and DVD), which compares Charles Chaplin's 1940 masterpiece with his brother Syd Chaplin's 1921 silent comedy King, Queen, Jo...

There's still not enough of the Jackson that his collaborators saw and loved — he's still a little distant, even in the behind - the - scenes footage — but Bad 25 does make the case for the album as more than a cultural phenomenon but a pop masterpiece, as underrated as any album that sold 30 million copies could ever be.

However, considering the fact that those two films are near masterpieces, giving Manchester By The Sea that qualification means that it ranks among the best of the century so far, and quite easily stands as the best film I've seen this year with only a month left to go for the unlucky contenders looking to unseat it.

And since Krzysztof Kieslowski himself saw his three masterpieces Blue, White, and Red as a three - part story, we feel the cheat is justified.

Voyage To Italy — I've been hearing for years about this as Roberto Rossellini's masterpiece, and having finally seen it, it did not disappoint.

Richard Corliss looks at Bergman's career through the glass of all his women; and William Wolf sees Fanny and Alexander, Bergman's latest, as a reflection of so many masterpieces.

I can't see how anyone could be dissatisfied with this movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they still felt like a surprise to me I don't see the point in any other superhero franchise making any more movies as bb tdk and tdkr will never be surpassed

I personally can not see any Special Edition in the future for this movie, so I suppose that fans of The Rescuers must be content with this wanting DVD until such a time that Disney wants to re-release this masterpiece as such.

As 2009 films go, there is a lot of love around these parts for Gaspar Noé «s sensational masterpiece Enter The Void: Three of the dozen or so contributors to Row Three chose it as their «best film of 2009» and it should bear mentioning that they were the only three that saw iAs 2009 films go, there is a lot of love around these parts for Gaspar Noé «s sensational masterpiece Enter The Void: Three of the dozen or so contributors to Row Three chose it as their «best film of 2009» and it should bear mentioning that they were the only three that saw ias their «best film of 2009» and it should bear mentioning that they were the only three that saw it!

Meanwhile, last night, I rewatched Elaine May's pitch - perfect 1971 comedy A New Leaf and wondered whether any comedy I'd seen in 2017 was quite as formally dexterous and thematically mischievous as May's masterpiece.

Even if the big - screen revival of the HBO series about a movie star (Adrian Grenier) and his posse does technically qualify as a film, it's still questionable whether writer - director Doug Ellin has ever seen any other movies, given the Mortal Instruments - level movie - within - the - sorta - movie that he presents not as a goof on Hollywood hubris but as an uncompromising masterpiece that eventually makes half a billion dollars at the box office.

In your review of «The Simpsons Movie,» you mention that it is already voted as the 166th best film of all time on the Internet Movie Database and ask, «Do you suppose somehow the ballot box got stuffed by «Simpsons» fans who didn't even need to see the movie to know it was a masterpiece?

«Would not be the least bit surprised to see it hailed as a masterpiece (and it might actually be one).»

Apparently you knew a masterpiece when you saw it, and you made sure we were able to see it as well.

I see The Blair Witch Project as a masterpiece in horror filmmaking and honestly one of my favorite horror films of all time, and although I was never expecting this belated sequel to live up to that, my expectations were still sort of high.

I was very happy to see Lang's masterpiece on the top, however as a film lover i found for myself some obvious omissions: Bicycle Thieves, Leopard, Nosferatu, Battleship Potemkin, Mirror, as well as more recent masterpieces like White Ribbon, Melancholia, Breaking the Waves etc..

How many of you want to see Naughty Dog's masterpiece, «The Last of Us» on PlayStation 4 as Game of the Year Edition?

Over the years, this film has gained a cult following for those nostalgic for the 70s, as well as Peckinpah fanatics, who probably see this as a curious sort of masterpiece.

There's no reason to see this other than as a curiosity, but if you do want to give Redbox a dollar for the pleasure, make sure you see Park Chan - Wook's original (conveniently available in the original Korean on Netflx) masterpiece before you do.

Judged on its own, without Criterion's stamp of approval, the cult that's gathered around Equinox since its 1967 bow as The Equinox would be seen as lowbrow Philistines, but slot this baby in as # 338 in a collection of films that, for the most part, wouldn't trip many controversy meters in regards to the «masterpiece» criteria and suddenly an entire school of film criticism — the school that actually has enough faith in film to describe sublimity outside of the irreproachable canon, and enough faith in itself to remark upon it when it's uncovered — is given a shot in the arm.

That complete disinterest in making a true horror film helps paradoxically make Messiah of Evil a horror masterpiece, accurately seen as a precursor to visually - stylish dream logic films such as Dario Argento's Suspiria.

I underestimated Spike Lee's 25th Hour badly upon its release a few years ago, misunderstanding it, fearing it, seeing it as a mediocre film when, in fact, subsequent viewings have revealed it as possibly Lee's tonal masterpiece.

This is a masterpiece that seems to have been forgotten by history or marginalized as a mere political statement and unfairly maligned by reactionaries who either haven't seen the film or didn't bother paying attention to it.

With The Conjuring, Wan made his masterpiece and even though The Conjuring 2 saw a bit of diminishing return, it was nonetheless an excellent follow - up that deepened the Warren family as well as offering some truly haunting moments and some instantly iconic horror iconography.

On seeing it again, I realise I undervalued it nonetheless, finding it, perhaps because of that context, just all a bit too English in comparison to Michael Haneke's masterpiece about late marriage, Amour (it's true, there are a few overwritten Alan Bennetty moments, such as Geoff boring on about fixing a broken ballcock).

Never released on VHS, rarely seen on TV or cable (and even then only in pan-and-scan versions) or revived in the dwindling repertory circuit, this film has not received its due as a masterpiece of American social drama in large part because it's been so damnably difficult to see.

A countercultural masterpiece about the act of seeing and the art of image making, Blow - Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park.

Indeed, movies and the wonder they inspire, «like seeing dreams in the middle of the day,» are central to the story, and Selznick expresses an obvious passion for cinema in ways both visual (successive pictures, set against black frames as if projected on a darkened screen, mimic slow zooms and dramatic cuts) and thematic (the convoluted plot involves director Georges Méliès, particularly his fanciful 1902 masterpiece, A Trip to the Moon.)

I've said it before, aside from editing your book cover is the best investment you can make as it represents everything on the inside of the book, so your cover needs to draw people in so they can see your «masterpiece» on the inside.

At the close of his masterpiece novel, All The Light We Can not See, Anthony Doerr's protagonist, Marie - Laure, arrives in the present as an old woman.