Sentences with phrase «seen as an allegory»

Not exact matches

So the late Paul de Man saw the metaphor as a prime cause of delusion and preferred allegory to metaphor as the safer and more rational way to correct the false heuristics of the latter.

Evolution could be seen as God's method of creation, and the Genesis account of creation taken as an allegory, they said.

I don't have a problem with you reading Genesis as an allegory, but I hope you can see that there is resonant meaning here beyond your limited understanding.

Cahill seems interested in melancholic allegories, and whether or not defying logic, we can't wait to see his latest compelling tale, while the luminous Marling is always a fascinating onscreen presence (though she doesn't share a writing credit here, as was the case with her last film with Cahill).

Seen by many as an allegory for WWII — with the demonic overlord as Hitler — and interpreted by others, with its «slant - eyed» and yellow - skinned Orcs, as a virulently racist tract, The Lord of the Rings is indisputably a benchmark in modern fiction, gaining its popularity from the paperback release in the 1960s.

It is every miserablist working - class, undereducated, easily - roused neighborhood - as - allegory you've ever seen on film, from Dead End to Out of the Furnace.

The play stars Beatrice and Virgil, a donkey and a howler monkey, and Henry comes to see their story as an allegory for the Holocaust.

After that I was able to see the entire book as an allegory.

As a parable or allegory, The Road offers rich veins of interpretation, precisely because it lacks a clear message, leaving it up to the reader to interpret it as they see fiAs a parable or allegory, The Road offers rich veins of interpretation, precisely because it lacks a clear message, leaving it up to the reader to interpret it as they see fias they see fit.

I also see Christian romance novels as an allegory of our relationship with Christ.

The title of the work, as the exhibition itself, can be read as an allegory: When a «face» looks into «water face», referring to the watery - fluids found in another person's eye, one sees not only the other's face, but his own face as is reflected in the other's eye.

The exhibit explored issues imbued in the controversial trend of «saggin» — the style which sees young men wearing pants well below their waist — as an allegory to talk about Black male mobility and agency.

The artist has created an installation based on childhood recollections of playing on the monkey bars and trips to the zoo that he sees as appropriate allegories for our contemporary political nadir.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

As Richard Dorment says in his review: «The phenomenon started in 1840 when John Ruskin, who was raised in the evangelical church, told readers of Modern Painters that Turner's pictures should be read as moral allegories — to which Turner replied that the critic «sees more in my pictures than I ever painted.&raquAs Richard Dorment says in his review: «The phenomenon started in 1840 when John Ruskin, who was raised in the evangelical church, told readers of Modern Painters that Turner's pictures should be read as moral allegories — to which Turner replied that the critic «sees more in my pictures than I ever painted.&raquas moral allegories — to which Turner replied that the critic «sees more in my pictures than I ever painted.»

In his first solo museum exhibition, Fahamu Pecou uses the trend of «saggin» (the style which sees young men wearing pants well below their waist) as an allegory to talk about Black male mobility and agency.

The artist sees herself as a weaver of words and visual and spatial languages, a craft rich in historical allegory and symbolism.

Several artists, however, used the mayor's charismatic flair as a motif in their works and humorously portrayed the losers of the last election campaign, as can be seen in the photographs of the artist duo Jay Chung & Q Takeki Maeda at Atelierhaus Monbijou, or the homage - like portrait to Berlin's mayor, Allegory of Government, in an empty room at KW - Institute for Contemporary Art Berlin by Clegg & Guttmann.

We can see this in works as different as Jennifer Pastor's «Four Seasons» (1994 - 96) and Douglas Blau's «Sacred Allegory» (1996), a wall full of photographs of people working on experiments, from Hollywood mad scientists to real researchers to wine tasters and artists» self - portraits in their studios.

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985