Sentences with phrase «seen as minimalist»

Resembling antique stelae, decorative reliefs or even geological sediments, these works can also be seen as minimalist sculptures akin to John McCracken's monolithic slabs.

While he could never be seen as a minimalist, Rothko's insistence on his Nietzschean individuality did not make him impervious to other artists» work, or even immune to fashion.

Not exact matches

Only a modern minimalist over-reaction against the resurrection accounts could prevent us from seeing this: Simon Peter and the apostles experienced something that they could — and did — understand as the presence of Jesus.

To see whether a single reason really can form a good basis for making decision, Goldstein, working with Max Planck researchers Jean Czerlinski and Laura Martignon compared Minimalist and Take The Best with two conventional analytical tools that use all available information — multiple regression and a simplified regression known as Dawes's rule.

Jaimie and Robert described their wedding as «Minimalist Neon Jungle» and you can see why.

As you can see, they work really well with my minimalist Everlane pieces.

The huge popularity of «hook - up» apps like Tinder could also be seen as a growing disenchantment towards the «old model» dating sites — the key to Tinder's success lies with its easy set - up and minimalist, quick - fire service.

The first «Saw» movie had a minimalist sophistication — strangers, waking up together, presented with life - or - death choices as an unseen tormentor sat in judgement of whether they were fit to live.

Audi has seen fit to tease the interior, too — pretty much the same as the Prologue coupe's, with that strong, minimalist T - shaped layout flattering the car's width.

It's strange because I'm usually allergic to what I tend to see as overwriting — I like minimalist prose — but I feel that Helprin pulls it off.

«Well - written and humble throughout, the book humanizes a game that many developers and fans see as an unreachable pinnacle of minimalist design brilliance.»

Bit.Trip Flux, the last entry from Gaijin Games» beloved minimalist / rhythm series, hits WiiWare today, following CommanderVideo as he finally returns home and taking players back to the classic (but difficult) paddle - based gameplay we saw in Bit.Trip Beat.

Minimalism or minimalist art can be seen as extending the abstract idea that art should have its own reality and not be an imitation of some other thing.

Minimalist artists rejected the notion of the artwork as a unique creation reflecting the personal expression of a gifted individual, seeing this as a distraction from the art object itself.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

While its iterated cuts conjure a dynamism that has an undeniable debt to Italian Futurist painting, the elongated, serial composition and slick objecthood of Concetto spaziale, Attese can also be seen in relation to such Minimalist formats as the boxes and «stacks» created by Donald Judd, whose groundbreaking text «Specific Objects» had been published in 1965.

As one drives toward the artwork it will appear to be a large minimalist sculpture, as one gets closer it will look like a luxury boutique where a display of Fall 2005 high - heel Prada shoes and bags will be seen through the store front windowAs one drives toward the artwork it will appear to be a large minimalist sculpture, as one gets closer it will look like a luxury boutique where a display of Fall 2005 high - heel Prada shoes and bags will be seen through the store front windowas one gets closer it will look like a luxury boutique where a display of Fall 2005 high - heel Prada shoes and bags will be seen through the store front windows.

Following his Sky and Torn Sky / Cloud series from the early 1970s, Goode turned towards what can be seen as an existential inquiry into Minimalist painting, color, and the reification of the painting as an object.

The viewers journey through this exhibition could be described as a somewhat precarious encounter, met at first glance with a manufactured, collection of Minimalist assemblages, products of the juxtaposition of manufactured and found works, the works could be seen as a stripped back, clean homage to Arte Povera — that is until one has a very definite reaction to the work.

He cites the Minimalist conceptual artist Fred Sandback, whose yarn drawings in space Redl first saw in 1997, as an inspiration.

It consisted very largely of drawings from life by a selection of figurative painters of that time and was explicitly intended to reassert the importance of a figurative and humanist art in the face of what Kitaj saw as the increasing dominance of abstract, minimalist and conceptual art.

From a distance, Prada Marfa appeared to be a large minimalist sculpture, but as the viewer got closer and closer, he or she saw a luxury boutique with a display of Fall 2005 high - heel Prada shoes and bags.

However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.

Work by Douglas Witmer February 25 — April 2, 2011 As a departure from his larger minimalist paintings, Douglas Witmer has two series of intimate, seldom seen works.

Drawing from Abstract Expressionism, as we've seen earlier, it rejected certain aspects of Minimalist art, such as the static, self - referential and impersonal state of its artworks.

But Minimalists themselves — many of whom hated the term, in particular Donald Judd — were not dissuaded, instead seeing themselves as having started a different aesthetic conversation.

Using objects as integers can be seen as a classic Minimalist strategy, while its absurdity owes a debt to Dada and punk.

In the United States, Art as Object as seen in the Minimalist sculpture of Donald Judd and the paintings of Frank Stella are seen today as newer permutations.

Beacon is perhaps best known as the home of Dia: Beacon, a massive art complex situated in a former cracker factory where Minimalist work by all the heavy hitters — Sol Lewitt, Richard Serra, Fred Sandback and so forth — are on permanent display, but there is more to see.

Seeing minimalist literature and true - crime TV as inspiration, Ruble unfolds the possibilities of events that might have been or may soon come to be.

Donald Judd saw her work as being prototypical for Minimalist art, and it is very interesting to see where these different movements and artists would take from her, and claim her as being an important influence.

This period saw the continued development of large landscape structures, as well as «side - roads» into sculptural subjects and minimalist colour paintings, which openly acknowledged the influence of Nicolas de Stael.

Like the efforts of other Minimalists, including Dan Flavin, Frank Stella, Carl Andre and Robert Morris, his simple, factory - made forms were seen as «radically depersonalized» (in the words of one critic, Hilton Kramer), devoid of emotion and signaling a dead end for art.

As I see it he moved in a number of steps towards overcoming the grid and the monochrome — in short, overcoming the minimalist legacy.

As minimalist painter Frank Stella once said: «What you see is what you see» (source).

As one of the most important painters of the 1960s, Rothko's influence can be seen in much of the work that was made subsequently, such as that of painters Kenneth Noland, Morris Louis, and Jules Olitski; Minimalist sculptors Donald Judd and Dan Flavin; and even Light and Space artists James Turrell and Douglas WheeleAs one of the most important painters of the 1960s, Rothko's influence can be seen in much of the work that was made subsequently, such as that of painters Kenneth Noland, Morris Louis, and Jules Olitski; Minimalist sculptors Donald Judd and Dan Flavin; and even Light and Space artists James Turrell and Douglas Wheeleas that of painters Kenneth Noland, Morris Louis, and Jules Olitski; Minimalist sculptors Donald Judd and Dan Flavin; and even Light and Space artists James Turrell and Douglas Wheeler.

The Conceptual and Minimalist art of the 1960s could be seen as a reaction against painters like Rothko and Pollock.

The 20th century saw the explosion of traditional sculpture, wherein virtually any material — like John Chamberlain's car parts or Marcel Duchamp's readymades — could be used, as well as the rise of such diverse movements as kinetic sculpture, sound sculpture, environmental art, and Minimalist sculpture.

In the downstairs gallery, Henry presents a group of mostly nocturnal landscape paintings that take into account how artists as different from one another as Frederic Remington and Ed Ruscha have influenced how we see the West, while Minimalists such as Donald Judd and Dan Flavin have transformed how visitors and locals experience it thanks to Marfa's Chinati Foundation, a pilgrimage site for international art tourists.

Clearly he was looking at Malevich, Mondrian, and the minimalists and conceptualists he saw around him such as Jasper Johns, Brice Marden and Sol LeWitt.

The current fashion for seeing Matisse as a kind of proto - minimalist godfather of today's art, just because he resorted to cutouts when he was too ill to paint, is wilfully ignorant of the development of his work.

Agnes Martin was an American abstract painter, and often considered as a minimalist, she saw herself as an abstract expressionist.

But unlike the Minimalists, she never abandoned painting, rather seeing neon light as a model for new optical possibilities and an expanded notion of the medium.

In keeping with the Swiss talent for minimalist graphic design and poster art, Bill's works have been seen as precursors of minimalism in sculpture.

In One on One, the minimalist artist and public intellectual Rasheed Araeen — whose work can be seen at this year's Documenta 14 in Kassel and Athens as well as the Venice Biennale — reflects on the exhilarating experience of discovering an unknown work by British modernist Anthony Caro in the sculpture garden of the Museum of Modern Art in New York in 1985.

With minimalist art, well, «what you see is what you see,» as Frank Stella famously put it.

And while he saw this as an end - point in his process, many others used it as a starting point in their own respective careers, making the American minimalist artist and his sculptures an important reference point for many subsequent artists.

In fact one can easily imagine Sorigué's engineers drawing a comparison between the artist's heaped mounds of paint, and the great mountains of mined aggregate surrounding the minimalist Kiefer Pavilion; the installation of paintings could easily be seen as a direct response to — and dialogue with — the raw materials of this opencast mine, resulting in paintings seemingly built from the surrounding earth and grit; fitting considering the artist's use of materials.

Okumura collaborated with Sol Lewitt during her early years in New York, and her work can be seen as an intriguing parallel to that of American Minimalist Fred Sandback.

Later referred to in the New York Times as «paradigms of American plain statement,» these spare, reductive works were seen as bold departures from Abstract Expressionism and as «minimalist» painting.