Sentences with phrase «seen earlier exhibitions»

Not exact matches

The simple yet startling beauty of this small piece reminded me of early photographs by Muybridge I saw recently at the Tate Britain exhibition dedicated to this monumental man of developmental photography.

We'd seen a billboard for the exhibit during a day trip back in early October (before the exhibition opened.)

The rest of the day is free so we wandered off to see an exhibition of work by «The Canadian Seven», artists from early 20th century (brilliant) at Ontario Art Gallery, then had a drink at the Village Idiot pub (yes, that is its» name) over the road.

The Tate Liverpool exhibition focused on the inspiration for the artist's style and featured drawings, collages and examples of the early commercial work of Magritte and rarely seen photographs and films.

In the wake of protests in Charlottesville, Va., and Boston earlier this month — and the Women's March in January — the size of which have not been seen since the Vietnam War era of the Seventies, the Whitney Museum's latest exhibition takes a creative approach to political and social activism, and how the past can inform the present.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

Here, in the artist's first retrospective exhibition in the United States, we see the emergence and the evolution of this dramatic process, beginning with his earliest, and initially figurative, works.

Beginning Thursday, January 5, visitors can see the exhibition for additional hours on Thursday evenings from 5 to 8 p.m. and one hour earlier on Saturdays and Sundays from 10 to 11 a.m..

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

The extensive exhibition will trace the origins of these highly operatic text - based paintings back to Hanson's earliest works, showing rarely seen examples from the»60s and»70s alongside his vibrantly colorful, buoyantly playful recent paintings.

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

Earlier this year, her work could be seen at the Museum of Contemporary Art in Detroit as a part of CCA Wattis Institute's traveling exhibition, When Attitudes Became Form Become Attitudes, and will be included in a forthcoming publication.

When Nadia Belerique opened her solo exhibition, «The Weather Channel», at Oakville Galleries in early April, snow could still be seen falling through the gallery's windows.

Julien's contextual depth and aesthetic vision can be seen again in his latest exhibition that refers to his earlier film, ««I dream a world» Looking for Langston» at Victoria Miro Gallery.

This exhibition will include little - seen and significant early artworks, her arresting sloths, a selection of curious personal and ritualistic artefacts and talismans, small sculptures accompanied by their bespoke furniture supports, as well as recent life - size free - standing technicolour figures, such as Blue and Green Scarf 2013 and Sun Worship 2013 (pictured above), which blur the lines between the archaic and futuristic.

This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.

When I saw your exhibition Radiohalo at Blain Southern, in London, earlier this year, I was taken by the strange beauty of your very large works, associating silver nitrate with photographic processes, and therefore illumination, yet the chemical substance is also a toxic one.

The exhibition surveys the scope of Jonas Mekas oeuvre from the 1950s to the present, and will include the celebrated earlier films Diaries, Notes & Sketches a.k.a. Walden 1964 - 1968, Lost, Lost, Lost 1949 - 1963, He Stands in a Desert Counting the Seconds of his Life 1969 - 1963 edited 1976, Reminiscences of a Journey to Lithuania 1971 - 1972, As I Was Moving Ahead I Saw Brief Glimpses of Beauty 2000, Biographical Quartet 1992 and one of the most recent films A Letter From Greenpoint 2004.

Following the acclaimed 2016 Jerwood Gallery exhibition of crowd - sourced works by John Bratby in 2016, Jean Cooke: Delight in the Thing Seen (24 May — 10 September) is a one - room display that explores the work of Bratby's first wife and subject of many of his early portraits, the artist Jean Cooke, RA.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Drawn to soft and pliable materials including fabric, hide, and rubber, Hlobo's early sculptures and ritualistic performances were equally informed by traditional Xhosa culture and gay pageantry; his most recent solo exhibition, «Sewing Saw,» attempted to deconstruct his attraction to malleable raw materials.

In conjunction with the May 2017 opening, MASS MoCA also installed a temporary exhibition of early Holzer works, including rarely seen sketchbooks, notebooks, hand - drawn posters, and paintings.

From a group of early, never - before seen notebook drawings by Carl Andre, dated 1959 - 1960, to Lawrence Weiner's All About Eve, 1992, this exhibition reflects the richness of thought and experimentation undertaken by more than thirty artists whose work reflects the fundamental tenets of Minimalism.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

This book documents Bridget Riley's current exhibition at New York's Dia Center for the Arts, Reconnaissance, which brings together seminal paintings from the early 1960s, landmark works esteemed via word - of - mouth but not often seen.

The exhibition includes iconic images from the early 1970s, important series and portfolios held in the Memphis Brooks collection as well as the rarely seen 21st Century Photographs.

I had read an article on Ad Reinhardt in ARTnews in the early 1950s, and knew he was an important member of the New York School, but I was not prepared for the first exhibition of his work I saw at Betty Parsons» Gallery in 1956.

Sue Williamson's multimedia exhibition All Our Mothers, seen earlier this year at Goodman Gallery Johannesburg, travels to Cape Town this August.

Günther sees it as an «opportunity to reinvent our exhibition methods and to showcase our manuscripts and early books through the «contemporary lens»» — and of course a chance to broaden his audience.

However, we knew we wanted to see Karen Schiff at 112 2nd Ave.. We had met Ms. Schiff earlier this year at a TSA Gallery reception for an exhibition curated by Vincent Como.

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

One of the largest exhibitions MoMA has ever lavished on an artist, the Polke show — titled «Alibis» — will serve as a vital introduction to his work (which most Americans have only seen in dribs and drabs) and help viewers understand how his early importation of Pop techniques helped shape the work of Kippenberger, Oehlen, and the other standard - bearers of visionary postwar German painting.

The autumn edition of Art en Vieille - Ville in Geneva's historic Old Town sees a number of galleries and museums (such as Gagosian, Galerie Patrick Gutknecht and the Baur Foundation) run concurrent exhibitions until early next year (3 November — January 2017).

This exhibition provides a unique opportunity to see these early photographs that demonstrate Parr's wry humor and eye for well - composed, dynamic composition that he is today celebrated for.

From Wednesday night's opening exhibition on the work and collaborative legacy of early digital / conceptual artist Alison Knowles at The Graduate Center to Thursday night's absolute must - see double exhibition of Meleko Mokgosi [pictured] at both of Jack Shainman's Chelsea locations there's plenty to see and do.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

An understudied part of Judd's work, his paintings are infrequently seen outside of Judd Foundation spaces in Marfa where he permanently installed his paintings from the mid-1950s to the early 1960s in the Cobb House, Whyte Building, and Architecture Studio including an exhibition at the Kunsthalle Bielefeld (May 5 - July 21, 2002) that then traveled to The Menil Collection (January 31 - April 27, 2003).

Influenced by the Art Deco movement that began in Paris in the early 1920s and propelled to prominence in 1927 with the success of the International Exhibition of Modern Decorative and Industrial Arts, automakers embraced the sleek new streamlined forms and aircraft - inspired materials, creating memorable automobiles that still thrill all who see them.

This exhibition of paintings by nationally recognized Louisiana artist Wayne Gonzales spans from early portraits to never before seen work.

The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist's development over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s.

Still, by focusing on the 1970s, while placing it against an earlier context, the exhibition taught me to see the later works differently.

Note: The bus leaves promptly at 7 pm so please arrive early if you would like to see the exhibitions and events at the Whitechapel Gallery.

In Hong Kong during the fair, visitors will have an opportunity to see elements from another early work by Tehching Hsieh in a group exhibition at Para / Site Art Space, Taiping Tianguo, A History of Possible Encounters.

2010 Group exhibition - Alan Cristea Gallery, London, United Kingdom Das Geistige in der Kunst — Vom Blauen Reiter zum Abstrakten Expressionismus - Museum Wiesbaden, Wiesbaden From a collection of Abstract Works on Paper 1941 - 1971 - Cheim & Read, New York City, NY Inquiring Eyes: Greensboro Collects Art - Weatherspoon Art Museum, Greensboro, NC The Etching - Leslie Sacks Fine Art, Los Angeles, CA Abstraction Revisited - CAM - Chelsea Art Museum, New York City, NY A Selection of rarely seen, privately owned, early Abstract Expressionist works.

The painting which kicks off this exhibition is the large - scale Traveller III (pictured below; © The Estate of Philip Guston, courtesy Acquavella Galleries), a densely brooding mass of greys ignited by passages of red and a single lozenge of green nestling in a corner (already we see that colour scheme in place; Guston's early abstracts are also infused with reds and pinks).

Murillo's work was most recently seen earlier this year at a solo exhibition at the Haus der Kunst in Munich.

Jack Tilton Gallery, (booth A08) is the place to see Simone Leigh's intricate and wonderfully tactile sculptures from the «Jam Packed and Jelly Tight» exhibition held at the gallery earlier this year.

As a companion to this exhibition, autumn 2012 will also see another public exhibition devoted to her early paintings at The Jerwood Gallery, Hastings, from 6 October until 25 November 2012.

This exhibition of nearly 140 works — including the notorious rock paintings; the «Bloody Head» series, 1973 — 2011; and numerous rarely seen early drawings — and its accompanying catalogue will explore that beautiful paradox.