Sentences with phrase «seen film art»

I had never walked past a frame shop and seen film art on display.

Not exact matches

Top sights include the iconic Griffith Observatory (seen in countless films), the art - filled Getty Center, Universal Studios, the Hollywood Walk of Fame, and Rodeo Drive.

See long term that film festivals will be nothing but a celebration of the art and craft but in today's world I'm still tying my reality together with shoelaces and this just simply has to stop.

Look at me, I watch low budget crap indie films because I see art that other people can't see, hon hon hon!»

For some, it's hard to see past Parker's past, even though his film may be one of the most important works of art released this year.

After seeing the film «Julia & Julia» with my parents last year, my mother bought «Mastering the Art of French Cooking» by Julia Child and immediately got to work on boeuf bourguignon.

«It was heartbreaking to see working - class people lose essential things,» said McPartlan, a Wantagh High School art teacher, who teared up as she watched the film.

This nail art reminds me of the specific artwork that we see in that film.

Before seeing his pieces come to life on the runway, here's an art film showcasing his inspiration.

I love good music & enjoy going to see live bands & going to festivals I also enjoy art & urban exploring just to learn the history of a place but that comes about from watching to meany booth brothers documentaries of the unknown I also enjoy horror films And Dumfries is in Scotland

Im english and move to berlin as of the 2/2/15... im looking to meet a likeminded art and literature film and music lover to help me engage in german culture and see another part of the world iv always wanted to go... please be intouch if you could be that person....

A visit to the cinema is a classic date idea, but to step it up a notch, suggest seeing a film at the Art House in Crouch End.

Of the myriad joys to be had watching a film made by the clay - animation geniuses at Aardman Animations, one of the most satisfying is seeing the physical evidence of art that, in an era of virtual this and computer - generated that, is still adamantly handmade.

Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by - product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From?

By the end of the 60's the Chinese audience did not like to see too many cuts within the fights of a martial art film.

I've seen hundreds of martial arts action films and I have no problem saying that Unleashed is easily one of the best English

That being said, it is a film worth seeing, if only for the appreciation of art for art's sake.

From the looks of it, not even the DVD producers have seen the film; the cover art places Michael Kelly's assistive supporting character on the front in a place and style clearly meant for Koteas» more prominent slimeball.

► Throughout the film, we see martial arts fights with acrobatics, punches and kicks, but no blood; a variety of weapons is used that includes daggers, metal darts, flaming arrows, spears, moon - knives (swords), wooden staves, axes, hooks, sledgehammers and a mace.

New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

Recognition for Best Cinematography and Best Art Direction went to «The Last Family,» a particular favorite of the jury and one that had them specifically staying for the Q&A to see from director Jan P. Matuszyński how he pulled off making the film.

When I came to movies as an adult critic, I tried to write religious film criticism, in the sense that I saw art in religious terms.

Though immigration is an issue front and center not only in Europe, but also on these shores, the company sees the feature first and foremost as an art film as opposed to a political one.

I love art house films but this is one of the worst films I've ever seen!

This is an impressive first film, and it will be interesting to see if Legrand's path takes him towards more cut - and - dried horror, or the chin - strokey, cynical social realist art movie at which directors like Michael Haneke excel.

Audiences who go to see The American expecting a conventional Hollywood spy thriller will no doubt be disappointed to find out they've stumbled into an art - house film — and an unrelentingly grim one at that — but those seeking relief from the inanity and bombast of the summer movie season will be pleasantly surprised.

** / **** Image B + Sound B Commentary B + starring Art Carney, Ellen Burstyn, Geraldine Fitzgerald, Larry Hagman screenplay by Paul Mazursky and Josh Greenfeld directed by Paul Mazursky by Alex Jackson I complain a lot about film criticism being reduced to archaeology, but I don't think I've ever seen anything quite as impenetrable along these lines as Paul Mazursky's 1974 sleeper Harry and Tonto.

It's the latest directorial offering by maverick's maverick, Leos Carax, whose previous film Holy Motors saw the actor Denis Lavant eating flowers, doing motion - capture martial arts, being serenaded by Kylie Minogue and marrying an orangutan.

The New York Times has a audio commentary slideshow with Aaron McBride, the visual effects art director for Iron Man, describing how the suit up machine was created for the film, featuring concept art like the photo seen above.

We all bring our own personal experiences into every film we see, or any work of art we explore really, and I have to say there's something about what Mills has been doing with his two most recent pictures that strikes me on a profound level that no one else has really been able to tap into.

As the American Film Market goes on, we see a lot of synopsis and sales art releases for upcoming films.

If you enjoy art house films and those off of the beaten path, I probably don't have to tell you to run (or fly, if you have wings) to go see Birdman, as it is one of the best films of the year.

Trailers are an under - appreciated art form insofar that many times they're seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect.

Park took to Twitter today to unveil the Comic - Con International exclusive concept art poster for the film, which sees Paul Rudd's Ant - Man take up the Giant Man mantle yet again, with Evangeline Lilly's the Wasp officially joining him in battle.

And while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.

Three reasons explain why Tokyo Story is generally regarded as Ozu's finest work are: it's by far the film of his that's been most widely seen in the West; its first distribution in the U.S. coincided with the landmark publication in 1972 of Paul Schrader's Transcendental Style in Film, which considered Ozu alongside other such luminaries as Carl Theodor Dreyer and Robert Bresson as an exemplar of spiritual filmmaking; and it's seen as the most complete summation of its director's art.

«The Art of Oz The Great and Powerful» focuses mostly on the production of the film and features some never - before - seen film stills, a little bit of concept art, all tied up with some nice interviews with the cast and crArt of Oz The Great and Powerful» focuses mostly on the production of the film and features some never - before - seen film stills, a little bit of concept art, all tied up with some nice interviews with the cast and crart, all tied up with some nice interviews with the cast and crew.

Earlier this week, I visited the Los Angeles County Museum of Art to see a screening of The Shape of Water, the newest fantasy film from director Guillermo del Toro.

We may see Earl listening to Martin Scorsese's audio commentary on The Red Shoes, but we never buy him as an art film lover or as someone with anything in common with Greg.

In its laid - back, gently probing first half, the usual celebrated art film director (Jeong Jae - yeong) meets an aspiring artist (Kim Min - hee — again, see # 6; she stars in that, too) and utterly fails to seduce her, in part because he's trying so damn hard.

Of the small sampling of Hong Kong films I've seen, the ones I've liked best are not usually the pop action blockbusters but some of the so - called art movies, which in some cases have been box - office failures (largely because there is no art - movie market in Hong Kong): Yim Ho's Homecoming (1984), Wong Kar - wai's Days of Being Wild (1990), Stanley Kwan's Center Stage (1991), and Yim Ho and Tsui Hark's King of Chess (1991).

With a cast demonstrating martial arts skills with a speed and dexterity that has rarely before been seen, The Raid is an awe - inspiring film that grabs you from the first minute and doesn't let go until the end credits, leaving you battered and bruised mentally and emotionally.

The show picks up three decades after the fateful events of the Under - 18 All - Valley Karate Tournament that provided the setting for the rousing climax of the ’84 film, and in a new video, the series creators reveal some never - before - seen Karate Kid footage that they'll use to recontextualize that famous martial arts match for the new show.

But while I would only recommend it to art - house enthusiasts due to its slow pace, it is refreshing to see a film that deals with body image from an older woman's point of view.

Film is an art that allows the viewer to bring themselves in conversation with it, and therefore what each person sees in a film will be different from what anyone else sees.

A meticulous restoration using state - of - the - art technology ensures that every frame of The Marseille Trilogy beams with a radiance that could only have been matched by seeing the films during their initial run.

I fell in love with Clarkson after I saw her bravura performance in «High Art,» a great film unjustly overlooked at Oscar time.

I expect many more posters for this film, as West has a history of getting a lot of key - art for his films (see also, House of the Devil and The Innkeepers in the Rowthree poster archives.)

But that's what happened judging by this concept art for Shane Black's threequel, with the crash of Air Force One near Miami pictured here on a dark and stormy night, whereas the finished film sees the same sequence take place in the middle of the day.