Sentences with phrase «seen filming a scene»

Not exact matches

There's a scene in the film Up in the Air where George Clooney's character, Ryan while firing J.K. Simmons's character, Bob realizes he isn't buying the platitudes spouted upon him, and helps him see inspiration in his unexpected transition...

We won't spoil much about the character if you haven't seen the film, but the droid, masterfully played by Marvel veteran Paul Bettany, steals just about every scene in which he appears.

Jay Leno hops into the backseat of the Porsche Panamera, the king of the high speed camera cars, and sees firsthand how film director Jeff Zwart is able to shoot a car chase scene.

We should not, perhaps, pay to see the performance of an actress who must get herself drunk in order to act out a sex scene with a married co-star, any more than the film industry should allow animals to be harmed in the making of a film.

The penultimate scene conveyed to me a sense of cosmic joy I have not seen in any other film.

«Most sex scenes you see in films or on TV are gratuitous.

He remarked that whenever he sees heart - rending scenes of famine victims he wonders, «How come the film crew didn't just give the kid a sandwich?

If you think you've seen the film already, think again; you haven't really seen it at all unless you've seen this one hilarious scene.

As viewers who went to see the film this weekend noticed, one scene looked extremely familiar to fans of Krasinski's original breakout role of Jim Halpert on The Office.

If these were scenes in a (non-Mel Gibson) film they would be too graphic for children younger than 14 to see, but parents blissfully show them off to their toddlers.

So if we can increase the percentage of women working behind the scenes on films, not only will women's voices be heard more, but we'll see a result on - screen in an increase in the percentage of female characters.

Unfortunately, Jacob is not humanised in the film in the same manner that Gavin is (although we do see him timidly petting a dolphin in one scene, encouraged by Jason to «not be afraid»).

Making the propaganda video provided his final disillusionment when he saw how many times they recorded each scene in the five - minute film.

He showed them a sad film — a scene from Franco Zeffirelli's 1979 film The Champ, in which a son cries over the body of his dying father, a boxer — and collected their tears in vials (see video).

Years later, Anders confessed that he had expected a more dramatic scene, thanks mostly to the spectacular moonscapes depicted in the film 2001: A Space Odyssey, which he'd seen before the flight.

PG - 13 films account for nearly two - thirds of the smoking scenes adolescents see on the big screen, according to the two - year study, which surveyed roughly 5,000 children ages 10 to 14 about the movies they'd seen and whether they'd ever tried a cigarette.

«But they see something like Ethan Hawke blowing smoke into a glass» — a scene from the 1997 film Gattaca — «and say, «I'd like to try that.»

However, this was definitely the most violent and realistic war film I've ever seen and I had to look away a lot during the battle scenes.

I saw the film and can't shake that unfortunate dance scene with Ralph Fiennes out of my mind — yikes!

The gentleman who performed said seance was cleaning up but upon seeing this aftermath I could not help but picture the party scene in the film.

What we see in this small scene shows that these two films are connected.

I think that it's been certainly proven that this was not the case after seeing The Spirit, Robert Rodriguez clearly directed that film (with the obvious exception of Taratino's scene).

It's possible to admire each scene and still see this film, in its entirety, as in need of some serious sharpening.

Quote honestly, this is a film that has gotten much better with age in my opinion, due to the fact that you can see how far we've come as a society since these events and how differently the drug scene has altered through the years.

One moment will have smart phone animations barraging the screen, the next scene will have some random act of bullying, and then the movie remembers it's supposed to be a horror film and for two seconds, you see the girls being filmed by someone.

There are few scenes in films that I regret seeing, two of which are unfortunately in Susan Seidelman's maudlin «The Boynton Beach Bereavement Club.»

The series certainly hasn't featured nearly as much spilled blood as it does here, and though it's true that the films have continued to get progressively darker and more adult as they've gone along, it's admittedly still a little shocking to see such creepy imagery on display — particularly a scene involving a disgusting fetus with Voldemort's likeness.

Lee's film is worth seeing for its bombastic excess and camo - clad dance scenes.

One of the funnies, most original sex scenes ever seen in a mainstream feature film.

I saw the 20th Anniversary DVD version which clearly added some CGI touch ups to E.T. and has the notorious scene where two guns are swapped for walkie - talkies: but it is hardly game breaker because the film is so great.

The songs are familiar but more importantly they're kind of perfect songs within the context of the scenes, God knows I was singing «Gloria» in my head for a few days after seeing the film.

It's no slight against Coralie Fargeat's vivid, vicious Revenge — a film that will set midnight movie devotees cheering for generations — that you've probably seen every scene in it before, in some form or another.

As directed by Anthony and Joe Russo, the action scenes are often incomprehensible, which means that far too much of the film is spent waiting for the action to die down so we can see who is left standing.

Some of the banter between Ruth and the jaded cop named Det. William Bendix (Gary Anthony Williams, TMNT: Out of the Shadows — yes, William Bendix, like the classic film actor) on the case offer some insights on where the film could have found its comedic spark, but even those scenes lose flavor when we see that cop break down in anguish because of his own personal relationship issues bubbling up to the surface.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

This is a calculatedly sudsy film, evidenced by the first scene on an Asgardian starship where Thanos crosses paths with Thor (Chris Hemsworth), Loki (Tom Hiddleston), the Incredible Hulk (Mark Ruffalo), and all - seeing, all - hearing gatekeeper Heimdall (Idris Elba).

Featuring interviews with the band and never - before seen footage, the film features behind - the - scenes views of historic moments from the perspective of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.

A 4:06 Gag Reel is mostly just breaks that happened during filming, but there are also a few moments from scenes that didn't make it into the final film, pointing out there are deleted scenes we didn't get a chance to see.

The only real thing I liked in this film was the scene with the three little pigs being bad mercenaries, but the funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty funny actually, but the rest of the film is just crap, and Is undoubtedly the worst film I've seen this year.

The film also stars Natalie Portman, Cate Blanchett and Isabel Lucas, but a number of additional actors have been seen on the beaches of California shooting scenes with Bale, including Wes Bentley, Imogen Poots, Freida Pinto, and Teresa Palmer.

If you've seen «The Room» (and, yes, you should), part of the payoff of Franco's film comes in the re-creations of scenes from the source.

The rumored $ 250 million production features even more scenes filmed in the IMAX format than 2008's The Dark Knight 82 and will once again see the return of Alfred (Michael Caine), Lucius Fox (Morgan Freeman), and Jim Gordon (Gary Oldman).

Wisely, the film never shows us what Renee sees, leading to some fun scenes where she assumes everyone else doesn't recognize the new her.

One striking scene in Kiki, which was filmed over three years before its premiere at the Sundance Film Festival in 2016, sees some of its subjects attend a conference on LGBTQ rights held by the Obama administration, honoring the former president's vocal support of trans rights.

The film's disappointments lie not so much in Almodovar's controlled, respectful direction as in the strange gaps and displacements of his screenplay, which never seems to supply the scenes we most want to see.

There's problems to be sure; irritating score, unnecessary club scene, and the fact that the seeing the first film isn't even necessary for viewing this sequel.

This fact will be met with appreciation by those who don't enjoy seeing gay sex scenes, of course, but it does seem silly to make a film about a gay historical figure, keep referring to his gayness, show him pining for his gay lovers, and then never actually let him be gay.

We've certainly seen better choreography in other boxing films before, but it's the scenes between the fights that keep you entertained and involved.

An early scene that sees Toni skipping rope and contemplating the world around her (her defining characteristic) is exemplary: all of a sudden, the soundtrack becomes possessed with what sounds like a piece of music originally recorded for a 1940s swamp - monster horror film.

In the end, what emerges is a funny, honest, and incisive portrait of a truly one - of - a-kind artist, and an exhilarating behind - the - scenes look at the last 50 years of the film industry through the eyes of someone who has truly seen it all.