Sentences with phrase «seen gallery artists»

Not exact matches

Most artists display their work in museums and traditional art galleries, but to see Jason deCaires Taylor's exhibits, you have to have a boat and a sense of adventure.

The Sierra Chef Challenge will be one must - see during a day of food and drink that includes entertainment from local bands Sierra Gypsies and Taking Root, a marketplace of local vendors, artisans and artists, as well as a live art experience after - show at Benko Art Gallery.

I still value exhibiting in other galleries, and although the art market has changed dramatically over the years with many artists selling their work directly online, people still go to galleries because they can see and experience the work for themselves.

In New York, a number of seemingly anonymous locations — the lawyer's office, the doctor's, the dentist's — have become places to see the kind of art that you might only hope to view in a gallery or a museum, thanks to medical professionals» practice of trading treatment with artists.

Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up artist Pam Peitzman, art director Steven G. Legler and special effects artist John Eggett; new «On Location at the Kimberly Crest House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never - before - seen stills.

We are used to seeing cell phones and billboards and galleries hosting up - and - coming artists.

You can also experience what makes the island an artists «haven, and visit artists, artisans and craftspeople in their studios year - round, or visit the galleries around the island to see more of their works.

Arts Festivals: Meet the artists and see their latest works in the galleries during Cannon Beach art festivals throughout the year.

Julie B. Montgomery has had her paintings featured on Mad Men, Glee and Scandal, and throughout the U.S. and Europe — come see her work and meet the artist at MichaelKate Interiors & Art Gallery in Santa Barbara's Funk Zone.

You can pick up a brochure at galleries around town or at the Visitor Information Center, 207 N. Spruce St. Page forward to see participating galleries, featured artists and events.

Just a few blocks south of downtown is the Midtown area of Cannon Beach where you will find surf shops, restaurants, a fabric store, coffee shops, the non-profit gallery operated by the Cannon Beach Arts Association and a glassblowing studio where you can often see the artists at work.

The rest of the day is free so we wandered off to see an exhibition of work by «The Canadian Seven», artists from early 20th century (brilliant) at Ontario Art Gallery, then had a drink at the Village Idiot pub (yes, that is its» name) over the road.

At «CAW in Action: The Sculptors Guild» the Santa Barbara Arts Collaborative and the Santa Barbara Sculptors Guild are co-hosting a gallery show and open house, inviting everyone to see the new Community Arts Workshop and some great art, and any artist with an idea to come see how they can use the space.

If you are a fan of the arts, Los Olivos has several places to see art, including a fine art gallery and plenty of boutique style shops with work from local artists, such as sculpture and woodwork.

Visit the galleries of the local outback artists and see the sweeping Mundi Mundi Plains from where it is often possible to see the curvature of the earth.

We are talking about someone who is an accomplished artist in oils and acrylics, pencil and charcoal, whose canvasses are all around the Manor, landscapes that rival what you see in museums and in art galleries.

; this makes a smaller * first * step in trying to get one's head wrapped around a business plan as an artist, especially for artists who may not necessarily see themselves being sponsored by another's gallery anytime soon, or ever.

Its appearance at Gagosian Gallery in 2010, two years after the artist's death, was the first time the work had been seen in public in over 40 years.

I've seen more and more artists recently who create their own followings, and then receive attention from galleries.

The Guardian reports today that «an intense» and never - before - seen self - portrait by Lucian Freud is set to be shown at London's National Portrait Gallery, the artist's estate having bequeathed it to the nation in place of inheritance tax.

I recently returned to the City of Roses after a stint in the Big Apple, and although I was technically there to see my client's film screen at the Museum of Modern Art, I also wanted to see how the galleries in one of the world's premiere art cities use (or don't use) social media to connect with their artists, customers, and communities.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

«The borders created by the artist's studio and art gallery completely dissolve, and in their place work is made on the road — available online to be seen by anyone, at any time, potentially forever.»

And artists need a place they can go to see what others are doing, experience the business aspects of the art world, and network with other artists, collectors, and gallery owners.

One recent weekday afternoon at David Zwirner gallery in Chelsea, the artist James Welling was in his element peering at a portrait of a photographer looking through a lens to a future that only the camera can see — a sort of... Read More

Ruth Asawa, though previously seen at [Peridot gallery] in group shows, is a San Francisco artist who is accorded her first New York one man show.

The other has been as a fine artist, which has seen his installation art, sculpture, painting and photography exhibited at galleries and museums around the world.

Artists need to get out there and see what is working in the galleries.

And, as Seattle rents continue to climb, he sees more artists moving to the Mt. Baker neighborhood, bringing more traffic to Guessese's gallery.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

It's a good sign when you walk into a gallery and you see an artist has a huge chunk of wall in a gallery — it's because they're selling well.

I would also check in with artists selling through the gallery to see what their experience is as sellers.

I saw a huge painting in an art gallery around here that was going for $ 29,000 and I immediately wondered if that artist was ever going to see a profit for that painting because most people don't have the room for that size painting and unless one is very wealthy they're not going to pay that much money for a painting even though very beautiful, tucked away in some small art gallery at a seaside resort!

I've spoken to dozens of artists and online gallery owners over the last year who have sold pieces in the $ 500, $ 1000 and $ 2000 range for an original, with the buyer never having seen it in real life before.

You see, by examining how the blue - chip galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps artists who are represented by smaller galleries (or themselves) could glean some wisdom - after all, the galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.

It may feel great to say your work is in a gallery, but I see too many artists whose work is just sitting on gallery walls, and sometimes in the gallery storage area.

We also have a very robust website, where galleries and collectors can see the artists» work, read about them, and then let us know what interests them.

2015 Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum of American Art, New York (May 1 — September 27) What is a Line?

I have a history of constructing vivid but sometimes revealed to be false memories of favorite paintings by artists I love: a painting will be a lodestar in my mind, and I will remember not just it, but the wall of the museum or gallery that it hung on, and perhaps at the core of my memory is my memory of myself at the instant of seeing it.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

He continues this in four never before seen vertical groupings of eight flags — M (2010)-- which the artist intends to display in the corners of the gallery.

In time I discovered that within these Soviet style warehouses there were artists making the kind of art you won't often see at the Whitney Biennial, and only rarely glimpse in the glitzy galleries with the outsized frosted glass doors.

Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international galleries based in Hong Kong and China, where «the Orient,» as a subject, seems to be enforced on artists debuting a solo exhibition at these spaces.

Please join 11R for a conversation between artists Douglas Melini and Brian Alfred with curator Daniel S. Palmer, on the occasion of Melini's current exhibition at the gallery, You Have To Peer Into The Sky To See The Stars.

As this is a non-commercial venue, an exhibition at the Butler Gallery provides the artist with a special opportunity to see through a particular proposal or thematic objective.

Two years ago, for example, at Lehmann Maupin, the gallery that represents her, Thomas showed «Tête de Femme», a body of work that saw the artist represent the female form through brightly coloured painting and mixed - media collage.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

Mr. Laib recently left Christie's for the David Zwirner gallery — bringing the Asawa estate with him — partly because he said that he saw greater possibilities for an artist in a gallery context.

THE SEEN Staff Last night, Spanish artist Jaume Plensa attended the opening for his solo exhibition, Private Dream at Richard Gray Gallery, presenting new sculptures.

Sean Kelly looks forward to seeing you at the gallery's booth, B17, during Art Basel Miami Beach 2015, where we will present works by the following artists: Los Carpinteros, Jose Dávila, Antony Gormley, Laurent Grasso, Candida Höfer, Callum Innes, Idris Khan, Robert Mapplethorpe, Hugo McCloud, Alec Soth, and James White.