We've
seen hundreds of films about the Second World War, usually focussing on those on the front line, or the millions of minorities who lost their lives under the Nazi regime, yet films focussing on the ordinary German civilians seem to be few and far between.
The other thing to keep mind here is that most of
us see hundreds of films a year, so even very earnest and enjoyable works like Wilderpeople tend to fall later down the list.
Not exact matches
The 14 - year - old has raised over $ 20,000 in hopes
of sending
hundreds of young girls to
see the upcoming sci - fi
film A Wrinkle in Time because «representation matters,» she says.
Also here is Guinevere's dress from Camelot, a
film which I never thought I'd want to
see again till now I've
seen a close - up
of the most interesting wedding dress ever, made by
hundreds of skilled cutters, embroiderers and seamstresses and sewn in with thousands
of tiny, translucent shells and pumpkin seeds.
The unexpected answer to that is nothing you could either know or guess, even if you've
seen hundreds off science - fiction
films, because it's something you've never heard
of before: the Shimmer, to be precise.
I've
seen hundreds of martial arts action
films and I have no problem saying that Unleashed is easily one
of the best English
With a little over three weeks to go until Christopher Nolan's Dunkirk arrives in cinemas, a new poster has arrived online for the hotly - anticipated World War II epic featuring Fionn Whitehead; take a look below...
SEE ALSO: Dunkirk will be Christopher Nolan's shortest
film since Following «Dunkirk opens as
hundreds of thousands
of British and -LSB-...]
Rated PG - 13, the
film relies on the fact that the bulk
of its audience will be teenagers who haven't previously
seen hundreds of (better - executed) stories just like this one, and those are the people for whom this movie will work.
I've watched
hundreds of films throughout my short 29 - year history and I've
seen some difficult cinema.
From his attention - grabbing debut with «Reservoir Dogs» (1992), a deviously clever heist
film where the heist is never
seen and the drama is all in the conversation and the ingenious structure, to his acclaimed «Inglourious Basterds» (2009), his thrilling rewrite
of World War II history as a magnificent movie fantasy, Tarantino has gone his own way, snatching up ideas strewn through decades
of film history and
hundreds of genre movies like a magpie, rethinking them completely, and weaving them into entirely new stories that unfold at a leisurely pace so he can enjoy every word and gesture along the journey.
Told thru fresh, candid interviews with its key staff, and illustrated with
hundreds of outrageous images from the mag itself (along with never -
seen interview footage from the magazine's prime), the
film gives fans
of the Lampoon a unique inside look at what made the magazine tick, who were its key players, and why it was so outrageously successful: a magazine that dared to think what no one was thinking, but wished they had.
The story
of the central relationship in the
film is nothing we haven't
seen a
hundred times so it isn't particularly compelling or exciting.
I have
seen hundreds of rip - offs, remakes or related zombie
films and yet I have never
seen a more boring and poorly made
film as «Night
of the Living Dead: Resurrection».
Featuring never - before -
seen Coltrane family home movies, footage
of John Coltrane and band in the studio — discovered in a California garage during production
of this
film — along with
hundreds of never - before -
seen photographs and rare television appearances from around the world, Coltrane's story is told by the musicians that worked with him including Sonny Rollins, McCoy Tyner, Benny Golson, Jimmy Heath, Reggie Workman, musicians that have been inspired by his fearless artistry and creative vision like Common, John Densmore, Wynton Marsalis, Carlos Santana, Wayne Shorter, Kamasi Washington, along with Coltrane's children and biographers, in addition to well - known admirers such as President Bill Clinton and philosopher Dr. Cornel West.
Brizé has made the sort
of film that wins plaudits for preferring the «modest detail» to the «grand gesture,» to borrow from one trade paper review — a formula, replete with its quiet reverence
of that «modest detail» that I've
seen repeated at least several
hundred thousand times since I first started making a practice
of reading
film criticism.
Chad Hartigan, who premiered his third
film Morris from America at this year's festival, described a larger epidemic
of movies becoming two things: «One is the
hundred - million - dollar movies you
see in the theater, and the other is everything else you watch on iTunes or Netflix.»
But once I had the chance to
see it with
hundreds of people all screaming and going wild, I came to the realization that this is just not a good
film to watch without a crazy crowd.
We
see hundreds of small cameras in «The Truman Show,» a
film about the unknowing star
of a reality television show, then Truman succinctly cuts through the immorality
of it with, «You've never had a camera in my head.»
And as you find your place amongst the crowd
of a few
hundred brethren, sweaty fanboys, and watch this
film which you've waited so long to
see, you realize something... It sucks.
Going against the grain
of its very premise, it also posits that anyone with a costume can be a superhero, as we
see dozens, if not
hundreds,
of the foolhardy come out
of the woodworks in order to be the next Kick - Ass, despite the fact that Kick - Ass himself seems to have learned few skills beyond that which we
saw him perform in the first
film.
Much
of the
film's joy comes from
seeing it in a packed theater — all the better to laugh and squeal alongside
hundreds of other straight women and gay men reveling in the spectacle
of it all.
If you've never
seen any
of these or the
hundreds of other modernist movies like them made all over the world, it's just possible — though not necessarily likely — that you will find Venice / Venice funny and unusual, and thereby help Jaglom make yet another
film almost exactly like it.
Even if you missed these, you've probably
seen it portrayed in some
of the
hundreds of movies
filmed there, from classics such as Breakfast at Tiffany's and Barefoot in the Park to more recent
films such as the Spiderman movies.
Global corporations will present themselves behind multimillion - dollar stands, gaming websites will ship in
hundreds of reporters and
film crews and fans will queue for hours to
see beloved titles.