Sentences with phrase «seen in a commercial gallery»

«It was not the kind of show that you would normally see in a commercial gallery,» says Sir Nicholas Serota, the director of the Tate museums and galleries, who was then at London's nonprofit Whitechapel Gallery.

Not exact matches

This fall there are some really exciting shows at commercial galleries all across the country, especially in the case of artists previously featured in New American Paintings, and we're pleased to share with our readers the must - see gallery shows of the season.

There is, then, a strange pleasure in seeing the artist's survey, on view now at David Zwirner Gallery in New York, one of the largest commercial dealers in the world.

And were it not for the shock I got on discovering this, I would unhesitatingly nominate it the most boring show I've seen in a London commercial gallery this decade.

Until now, his efforts have mostly been seen in New York in solo shows at commercial galleries.

The convergence of a general mistrust of government in the wake of Watergate and the first sale of a contemporary artwork for more than $ 100,000 (at the 1973 auction of the Scull collection) saw artists seeking alternative modes of presenting and experimenting with the process of art's presentation outside the museum or the commercial gallery.

This spring saw a spate of smaller, younger London commercial galleries closing their doors — from Ibid (established in 2004), to Limoncello (set up, after a year long programme as the project space Associates, in 2007), and Vilma Gold (est. 2000).

The exhibition presents a selection of the artist's rarely seen artworks articulated around the original Il Muro (The Wall), shown for the first time in a commercial gallery.

Tabish's Top 5 Art Exhibitions to see in London this week A good line up this week from Tabish a new gallery, one we've never heard of and three well run commercial galleries great!

Paddy: This was the best show I've seen at Miguel Abreu in a while, and for a commercial gallery they're fairly consistent to begin with.

To be fair, I've seen some of the foundation's large - scale paintings installed in large, white - walled galleries; there, the monumental indifference seemed humorous, since they were able to mock the expansive, commercial gallery space; in this congested space, they lose that bite.

Here's what she said: «Getting started in the commercial gallery world is best facilitated by engagement with the arts community; participating in public events, residencies, group shows, etc. and building relationships with other artists is one of the better ways to get your work seen while making connections to other curators and gallerists.

GEORGE: We remember the days when the artist could go to commercial galleries to see the expensive art of foreign artists, the American art, but they could never say, «I'm an artist» in England.

The first Saatchi Gallery can now be seen to have been a pacemaker for the gigantism that led, among many other instances in London, to Tate Modern and, more recently, the 12,000 sq ft Gagosian Gallery in former garage premises in King's Cross, the biggest commercial gallery London has eveGallery can now be seen to have been a pacemaker for the gigantism that led, among many other instances in London, to Tate Modern and, more recently, the 12,000 sq ft Gagosian Gallery in former garage premises in King's Cross, the biggest commercial gallery London has eveGallery in former garage premises in King's Cross, the biggest commercial gallery London has evegallery London has ever seen.

Works that are immediately recognizable from major institutional presentations like the Whitney Biennial and Venice Biennale are presented alongside lesser - known works, which may have initially only been seen by a small audience in commercial galleries, alternative spaces, or in the artist's studio.