Sentences with phrase «seen in an article under»

This all can be seen in an article under the sub-heading «Look, there goes a runaway installation...» (Scroll down for quick viewing.)

Not exact matches

Junk - bond ETFs rallied on Wednesday, as markets breathed relief that the «fiscal cliff» is no longer a concern and as a result, bond yields are under 6 percent for the first time ever, and junk ETF share prices hit levels not seen in years in some cases, according to an article on ETF Trends.

Since the EU General Data Protection Regulation was adopted in April 2016, TrustArc General Counsel and Chief Data Governance Officer Hilary Wandall CIPP / E, CIPP / US, CIPM, FIP and her company have been waiting to see what certification might look like under Articles 42 and 43 of the rules.

He said: «What we are seeing in Iraq violates brutally people's right to freedom of religion and belief, as set out under Article 18 of the Universal Declaration of Human Rights.

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Some Tea Party republicans used the closing of the WWII memorial as a political talking point and eventually got the Parks Service to open it under» 1st Amendment Grounds» which, as you see in the article, is the explanation as to why the rally is also happening.

However, it is unlikely that the status quo will change in any dramatic way: the US will probably continue to react with tit - for tat responses or simply ignore such moves as it did under the previous Obama administration (see my article in RUSI Newsbrief).

Having read Millibore's article, it is hard to see him getting elected by Labour members under this agenda, which can be summed up as Re - Heated Blairism [«more choice in public services»] etc..

In fifth place this week is an article which pointed towards comments made by Alex Salmond about banning «all Donald Trumps» from Scotland and the passing of a law which could see football fans questioned and arrested just for the clothes they are wearing, as evidence that Scotland is drifting towards authoritarianism under the SNP.

This article appeared in print under the headline «Rattlesnakes seen planning attack by clearing strike path»

This article appeared in print under the headline «Europa report: first plume seen firing from Jovian moon»

This article appeared in print under the headline «This new see - through frog has visible beating heart»

Unless you've been living under a rock, you've seen Crossfit blowing up on social media and in magazine articles - everywhere!

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Filed Under: Articles and Opinions, Movies, Tony Black Tagged With: a bridge too far, Alfie, Austin Powers: Goldmember, batman begins, Children of Men, Dirty Rotten Scoundrels, Educating Rita, Escape to Victory, Get Carter, going in style, Hannah and her Sisters, Harry Brown, inception, Interstellar, Jaws: The Revenge, Kingsman: The Secret Service, Michael Caine, Mr Morgans Last Love, Now You See Me 2, Sleuth, The Eagle Has Landed, The Ipcress File, The Italian Job, The Muppet Christmas Carol, the prestige, youth, Zulu

A bundle worth # 27 with speaking and writing mats and a transition pack from primary school to secondary school offered (# 5 worth)- A starter activity for each lesson on the first slide + learning objective + challenge activities throughout the power - point - Vocabulary games and worksheets with challenge activities - Speaking and writing activities to be able to talk about yourself (age, name, family)- Learn this alphabet (link to songs on the power - point)- Countries + game on flags - Talk about your nationality (gender and adjective agreement)- Definite and indefinite articles (le / la / les - un / une / des)- Say where you live and where you used to live (survey activity with editable worksheet)- Work on formulating simple questions in French - Avoir with a dice game and grammar activities to practise this irregular verb - Numbers up to 31 + months + seasons + birthday + date - Talk about your favorite object - Colours + adjective agreement - A worksheet to accompany each power - point - A revision worksheet to practise the vocabulary and grammar points seen in the unit - Writing end of unit test + a vocabulary test - Mon autoportrait (description of your hair and eyes)- An adjective agreement game to do in class with all the students (see explanation under the slide)- Grammar explanation on adjective agreement - A lesson on the verb «être» with various activities to practise the irregular endings (also some activities with être and adjective agreement)- A written activity on yourself and your family with a nice worksheet.

A bundle worth # 45 with a transition pack from primary school to secondary school offered (# 4 worth)- A starter activity for each lesson on the first slide + learning objective + challenge activities throughout the power - point - Vocabulary games and worksheets with challenge activities - Speaking and writing activities to be able to talk about yourself (age, name, family)- Learn this alphabet (link to songs on the power - point)- Countries + game on flags - Talk about your nationality (gender and adjective agreement)- Definite and indefinite articles (le / la / les - un / une / des)- Say where you live and where you used to live (survey activity with editable worksheet)- Work on formulating simple questions in French - Avoir with a dice game and grammar activities to practise this irregular verb - Numbers up to 31 + months + seasons + birthday + date - Talk about your favorite object - Colours + adjective agreement - A worksheet to accompany each power - point - A revision worksheet to practise the vocabulary and grammar points seen in the unit - Writing end of unit test + a vocabulary test - Mon autoportrait (description of your hair and eyes)- An adjective agreement game to do in class with all the students (see explanation under the slide)- Grammar explanation on adjective agreement - A lesson on the verb «être» with various activities to practise the irregular endings (also some activities with être and adjective agreement)- A written activity on yourself and your family with a nice worksheet.

The plaintiffs in Schwartz v. Lopez (see Legal Clips for background on suit) alleged that SB 302 violates the requirement for a uniform school system under Article 11, Section 2; and diverts public school funds contrary to Article 11, Section 2 and Section 6.

Well, those of us who would actually like to see a longer day at some point had to be worried — but not surprised — to read this comment from CPS CEO J. C. Brizard tucked into a Sun - Times article yesterday about the «new era» in Chicago Public Schools under Mayor Emanuel:

To learn more, read the Vanguard article referenced above, see my other blog posts in the Risk topic (click the Risk link under the VIEW POSTS BY TOPIC section in the right column of the blog), and start reading some of the recommended books on investing.

... Yours Truly, Dan Loeb «Since you ascended to your current role of Chief Value Destroyer, the shares have dropped over 45 per cent», is one Dan Loeb line detailed in this FT article, which is an entertaining look at some of the more pointed comments Dan Loeb has made in his publicly communicated letters to CEO's of companies he sees as under managed.

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Darren Davis - Kandler, the owner of Bentley (seen in some of the photos in this article) says: «They are loyal, loving Velcro - like dogs who love cuddling all day if possible and enjoy sleeping under the blankets.

With 2015 behind us, and the new year already under way, it is time for the traditional year - in - review articles, and I don't see any reason for us to avoid the trend.

See all previous Xaor's Corner articles: here The artificial intelligence in FIFA 12 has come under a lot of fire (not least from myself) for a...

2014 Gallery featured in Andrew Russeth's article, «A Look Around the Untitled Art Fair,» in Artnews, featuring works by Josh Slater, Goldschmied & Chiari, and Peter Rostovsky, http://www.artnews.com/2014/12/08/a-look-around-the-untitled-art-fair-in-miami-beach/ Peter Rostovsky featured in Ben Davis's article «Hidden Gems of Miami's Satellite Art Fairs «ArtnetNews, Dec 5, 2014, http://news.artnet.com/art-world/hidden-gems-of-miamis-satellite-art-fairs-189968 Gallery featured in Paddy Johnson's article «Untitled Continues to Make Gains in Miami,» ArtFCity Dec. 4, 2014http: / / artfcity.com/2014/12/04/untitled-continues-to-make-gains-in-miami/ Goldschmied & Chiari in ICI Annual Benefit & Auction https://artsy.net/feature/ici-benefit-auction-2014 Goldschmied & Chiari in The Kitchen fall 2014 benefit art auction https://paddle8.com/work/goldschmied-chiari/41755-untitled-portrait Goldschmied & Chiari solo exhibition «La democrazia e» illusione,» at the Museo d'arte Contemporanea, Villa Croce, Genoa, Italy, November 14, 2014 - January 25, 2015 Scott Alario in SLIDELUCK NYC XVIII at Photoville, curated by Gideon Jacobs and Matthew Leifheit, under the Brooklyn Bridge, Fri, Sept 26, 7 pm http://slideluck.com/nyc-xviii/ Gallery to exhibit in «Untitled» art fair, Miami Beach, Dec 1 - 7, 2014, http://www.art-untitled.com/index.php/exhibitors/ Gallery group exhibition «Site / Displace,» in ArtFCity's «This Week's Must - See Art Events: Death to Normcore, by Whitney Kimball, Corrina Kirsch, and Andrew Wagner, July 21, 2014 http://artfcity.com/2014/07/21/this-weeks-must-see-art-events-6/

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

It was also the exhibition that confirmed Richter's status as one of the leading artists in the world, and was described by Storr in his introduction as «long overdue» in the United States.2 In 2003 Richter embarked on a small but substantially sized series of paintings entitled Silicate [CR: 885/1 -4] inspired by an article in the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopin the world, and was described by Storr in his introduction as «long overdue» in the United States.2 In 2003 Richter embarked on a small but substantially sized series of paintings entitled Silicate [CR: 885/1 -4] inspired by an article in the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopin his introduction as «long overdue» in the United States.2 In 2003 Richter embarked on a small but substantially sized series of paintings entitled Silicate [CR: 885/1 -4] inspired by an article in the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopin the United States.2 In 2003 Richter embarked on a small but substantially sized series of paintings entitled Silicate [CR: 885/1 -4] inspired by an article in the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopIn 2003 Richter embarked on a small but substantially sized series of paintings entitled Silicate [CR: 885/1 -4] inspired by an article in the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopin the Frankfurter Allgemeine Zeitung from 12 March 2003 about the shimmering qualities of certain insects» bodies.3 The resulting four large paintings are perhaps the most overtly biological of the abstract works in Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscopin Richter's oeuvre, suggestive of cell formations and genetic sequences seen under the microscope.

The article notes this is seen by the White House as a way to sustain energy science and technology development even as the automatic spending cuts kick in under what's being called sequestration — a euphemism for forced cuts in all programs because of political deadlock over changes in taxes and entitlements.

(For a much more rigorous analysis of the role of the climate change policy opposition in US climate policy formation see Brown 2002, chap 2 and Brown 2012, chap 2 and numerous articles on this website under the category of «disinformation campaign.»)

* Covers the period when Parties included in Annex I submitted annual submissions on a voluntary basis earlier than required under Article 7, paragraph 3, of the Kyoto Protocol (see decision 22 / CMP.1, paragraph 5).

Criteria for cases of failure to submit information relating to GHG estimates of LULUCF activities under the Kyoto Protocol The SBSTA, at its twenty - third session, developed criteria for cases of failure to submit information relating to estimates of greenhouse gas emissions by sources and removals by sinks from activities under Article 3, paragraphs 3 and 4, of the Kyoto Protocol, similar to those described in paragraph 3 of decision 15 / CMP.1, and recommended a decision on this matter for adoption by COP / MOP at its first session (see FCCC / SBSTA / 2005 / L. 18 / Add.1).

The first link in my article takes readers to a prior one where I show how the very same Sheldon Rampton appeared before a US House hearing and regurgitated an accusation phrase against skeptic scientists that was made famous by anti-skeptic book author Ross Gelbspan and the enviro - advocacy group Ozone Action in 1996 - 7 — these people have every appearance of being the epicenter of the accusation that skeptic scientists operate under a coal / oil industry directive to fabricate false assessments in exchange for mega-millions...... an accusation that has no evidence to support it that I can find, and its central piece of evidence is a 1991 coal industry memo that no one is allowed to see in its complete context.

(For more comment, see also contributions from climate scientists including Betts in the comments under the article at http://www.theguardian.com/environment/2015/may/15/are-climate-scientists-cowed-by-sceptics)

Did you not see the recent article in Science about what will happen to food security in the tropics under warmer - than - present conditions (here)?

I'll just say that I've seen denialists pointing at some of this articles in The Guardian as a proof that climate science is under question (because EVEN The Guardian has now concerns) and I think people who don't pay much attention to it have actually been misled by the headlines and the comments from skeptics.

Well, it looks like the press release was carefully worded, and referring back to Anthony Watts article on his blog which is criticized at the beginning of the RC article, i see no wrong claim there... Hiss main argument is written in bold: «The IPCC is under scrutiny for various data inaccuracies, including its claim — based on a flawed World Wildlife Fund study — that up to 40 % of the Amazonian forests could react drastically and be replaced by savannas from even a slight reduction in rainfall.»

Similarly, Guidelines on the assessment of horizontal merger under the Council Regulation on the control of concentrations between undertakings [2004] OJ C31 / 3, para 79 has a rule against aggregating across markets; and see the discussion in OFT, Article 101 (3)-- A Discussion of Narrow versus Broad Definition of Benefits: discussion note for an OFT breakfast roundtable (London, Office of Fair Trading, May 12, 2010), available at http://www.oft.gov.uk/news-and-updates/events/roundtable-article101 (3) / paras. 2.4, 4.1 and A10).

Outside counsel must refrain from influencing possible witnesses (a principle seen as a professional duty under Article 12 (a) of the Free Movement of Lawyers Act) and are therefore in general not authorised to conduct formal interviews of witnesses.

In that case, it will be interesting to see how the referring court will apply the notion «real connecting link» under Article 31.

It seems that the CJEU would view third country law as an issue of fact to be proved (see in this regard the article by Judge Rodin in the current issue of the American Journal of Comparative Law), which would seem to rule out the possibility for it to order «measures of inquiry» (such as the commissioning of an expert's report concerning third country law) under Article 64 (2) of its Rules of Procedure in a reference for preliminary ruling for the interpretation of Uniarticle by Judge Rodin in the current issue of the American Journal of Comparative Law), which would seem to rule out the possibility for it to order «measures of inquiry» (such as the commissioning of an expert's report concerning third country law) under Article 64 (2) of its Rules of Procedure in a reference for preliminary ruling for the interpretation of UniArticle 64 (2) of its Rules of Procedure in a reference for preliminary ruling for the interpretation of Union law.

Similarly, the Court has held that a Member State fails to fulfil its obligations under Articles 28 EC and 30 EC when, without valid justification, it encourages economic operators wishing to market in its territory construction products lawfully manufactured and / or marketed in another Member State to obtain national marks of conformity (see, to that effect, Commission v Belgium, paragraph 69) or when it refuses to recognise the equivalence of approval certificates issued by another Member State (see, to that effect, Case C ‑ 432 / 03 Commission v Portugal [2005] ECR I ‑ 9665, paragraphs 41, 49 and 52).

This introduces a positive obligation to actively facilitate representation of under - represented groups, an obligation previously absent in EU law (see e.g. Article 21 Charter, and Employment Equality Directive).

Be that as it may, in so far as Eurozone Member States are no longer able to fulfil their obligations under the IMF Articles of Agreement without encroaching upon the Union's exclusive competence, it can be argued that they have a duty to take «all appropriate steps to eliminate the incompatibilities» between the Union Treaties and the Articles of Agreement (see Article 351 TFEU).

There he served on the law review as senior editor, and saw his article, «When Stress Becomes Distress: Mental Disabilities Under Workers» Compensation in Massachusetts,» published in the New England Law Review.

Given that the DIFC Courts» jurisdiction is expressed to be exclusive under Article 5 of Dubai Law No. 12 of 2004, it remains to be seen if other Courts in the region would stay any proceedings brought before it while awaiting the DIFC Courts» decision on the jurisdiction issue, or if the DIFC Courts would voluntarily stay their exclusive jurisdiction in favour of another Court.

The European Court and Actions for Annulment: Data Set on Actions under Article 230, 1954 - 2006 Alec Stone Sweet and Thomas L. Brunell Data set in excel format, see codebook.

Thus it will be seen by these quotations from the opinion that the court, after stating the question it was about to decide in a manner too plain to be misunderstood, proceeded to decide it, and announced, as the opinion of the tribunal, that in organizing the judicial department of the Government in a Territory of the United States, Congress does not act under, and is not restricted by, the third article in the Constitution, and is not bound, in a Territory, to ordain and establish courts in which the judges hold their offices during good behaviour, but may exercise the discretionary power which a State exercises in establishing its judicial department and regulating the jurisdiction of its courts, and may authorize the Territorial Government to establish, or may itself establish, courts in which the judges hold their offices for a term of years only, and may vest in them judicial power upon subjects confided to the judiciary of the United States.

Laurel S. Terry and José Carlos Llerena Robles, Attorney Regulation and FATF's Mutual Evaluations (New York, Dec. 9, 2017)(See also these 2010 and 2015 articles, our forthcoming article in 41 Fordham Int» l L. J., these 2014 & 2015 handouts, and the slides listed above under «FATF»)

Under Article 21 (1) TFEU, the right of every citizen of the Union to reside in the territory of the Member States is recognised subject to the limitations and conditions laid down in the Treaty and by the measures adopted for its implementation (see, to that effect, Trojani, paragraphs 31 and 32; Case C ‑ 200 / 02 Zhu and Chen [2004] ECR I ‑ 9925, paragraph 26; and Case C ‑ 291 / 05 Eind [2007] ECR I ‑ 10719, paragraph 28).