Sentences with phrase «seen in film today»

Aronofsky again showcases a unique point of view and perspective that is rarely seen in film today and «Swan» while not a masterpiece is still a fascinating film to watch.

Not exact matches

Your grandfather might have been content to simply head to the local drive - in and see whatever was playing, but moviegoers today have to pick and choose which films they'll see.

See long term that film festivals will be nothing but a celebration of the art and craft but in today's world I'm still tying my reality together with shoelaces and this just simply has to stop.

«In other words, the content in a film rated PG today is comparable to what you might have seen in a PG - 13 movie a decade ago, and today's PG - 13 is more like yesterday's R. And the line keeps moving.&raquIn other words, the content in a film rated PG today is comparable to what you might have seen in a PG - 13 movie a decade ago, and today's PG - 13 is more like yesterday's R. And the line keeps moving.&raquin a film rated PG today is comparable to what you might have seen in a PG - 13 movie a decade ago, and today's PG - 13 is more like yesterday's R. And the line keeps moving.&raquin a PG - 13 movie a decade ago, and today's PG - 13 is more like yesterday's R. And the line keeps moving.»

The Jackie Robinson movie» 42,» which is out in theaters and receiving raving reviews, is a must see film and especially today on...

The next phase of the Swing The Vote campaign, announced today, sees BBC Free Speech presenter Rick Edwards direct a people - powered short film that will put issues that matter to Britain's youth in front of politicians.

Based on Gregory Miller's book Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935 film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the film itself is as exciting and entertaining as ever.

From literally watching open heart surgery, to seeing children with bleeding eyes, to see cheating wives and husbands, to even relating to today's sexual abuse scandals in many more ways than one, this is a film that will probably scar some viewers in many more ways than one.

The only draw of the film was the dancing talent that was shown, which, as I feel that anyone else in that theater can support me on, would be better seen at a REAL dance studio today.

When Spielberg recently told the Hollywood Reporter, «I realized this was the only year to make this film,» he was speaking to what he saw as the immediate need for a project that in effect commandeers yesterday to comment on today.

If I didn't think so before I saw this film, Unchained convinced me that Tarantino is arguably the best director in movies today.

Today, after seeing the film again for the first time in years, I feel that Saving Private Ryan is, if not an absolute masterpiece, an extremely powerful and moving work that stands as one of the greatest war films of this or any era.

In a sense it can be seen as a companion piece to Steven Spielberg's Lincoln, and it certainly places Tarantino among the most impressive film - makers at work today.

Including those films today would have raised an eyebrow or two since the IPA has previously been accused of nominating films the group had not yet seen (The Wolf of Wall Street in 2013 was one).

The film is holding its NYC premiere today and I caught up with Doug this past weekend at New York Comic Con to discuss his ongoing collaboration with Del Toro and, seeing as it's the Halloween season, the enduring appeal of the Disney classic Hocus Pocus in which Jones was the benevolent zombie, Billy Butcherson.

DEADLINE: So many of the films that we're seeing today seem to have been prescient in tapping into the current state of the world, even though they were conceived or shot more than a year ago.

In the torture porn splatter fest that is today's modern film, it is refreshing to see something so retro.

I had very little interest in seeing this film before today.

Both of these movies are fascinating in their own right, but in no way resemble the superhero films we are used to seeing today.

John Frankenheimer's The Manchurian Candidate is somewhat unique, in that it is timeless in its qualities as a film, however the subject matter regarding Communism and, in a smaller way, McCarthyism, is not as important to today's audiences as it was to those who first saw it back in 1962.

Park took to Twitter today to unveil the Comic - Con International exclusive concept art poster for the film, which sees Paul Rudd's Ant - Man take up the Giant Man mantle yet again, with Evangeline Lilly's the Wasp officially joining him in battle.

We've previously only seen the first trailer for the film, but thanks to a presentation by the animation studio today, we now have a better idea of the cast, their characters, and just how they'll look in the finished film.

After reporting that the third and final season had finished filming back in mid-July, it's felt like a long time since we've seen anything new but today it's finally here, and it's set for a 9th November date on HBO in the USA.

Which is why, with the film finally hitting U.S. screens on Friday, I'm glad to see Ruffalo and Moore getting their fair share of publicity, including this rather sweet joint profile in USA Today.

While anthology films are rarely made and rarely seen as commercial enterprises, New York Stories grossed a respectable $ 10.8 million in theaters, which inflation adjusts to $ 21.5 M today, a sum that would be appreciated by Allen and both generations of Coppola, if not Scorsese who has been enjoying the biggest returns of his career in recent years.

Attention, all debutantes, disco lovers, and urban haute bourgeoisie: the first film in well over a decade from Whit Stillman — whose comedies of manners Metropolitan and The Last Days of Disco are available from the Criterion Collection, and who discusses his top ten Criterion titles here — has been picked up for distribution and may see release this year, it was announced today.

Any of these films would be worthy of an Oscar win, but I'm personally rooting for the race documentary «13th» (a must - see for anyone, the kind of film they should show in schools) and «O.J.: Made in America,» which is a marathon at nearly eight hours in length (it was shown in parts on ESPN earlier this year), but a completely fascinating look at race, media and society as it was in the 1990s and today, and just happens to be a tragic portrait of the worst fall from grace for a sports star in the history of our country.

Meanwhile, in an interesting turn of events, today also sees a deal through which Disney will produce and distribute a film based on Neil Gaiman «s novel The Graveyard Book.

In keeping with today's film roster, the final act of Hooper's Texas Chain Saw Massacre emphasizes poor Sally's torment at the hand of her captors.

Here's one for anybody who's spent the last year ducking any and all popular movie conversations, so as to hide the fact that they'd somehow failed to see Get Out (or who just, you know, want to see the Oscar - nominated film again): Director Jordan Peele announced today that, in honor of his horror hit's one - year...

It's great to see Nicholson and Keaton sparring again, 22 years after their last collaboration in «Reds» in 1981 and how often do you get a film that has veterans such as these two great actors sharing screen time with the successful names of today, like Keanu Reeves and Frances McDormand?

Oscar ® nominee ** Jeremy Renner and Academy Award ® winner *** Forest Whitaker co-star in this epic film with «a mind - blowing ending» (Brian Truitt, USA Today) that «you will want to see again and again» (Brian Formo, Collider).

Today, it's clear Shyamalan has been paying close attention to the last fifteen years of horror and suspense, because with The Visit he's given us one of the best found - footage horror films I've seen in years.

As you can see from the two images, courtesy of USA Today, Morgan Freeman also appears in the film, as does Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi, and Pilou Asbæk.

Although Black Star is not intended as a direct response to the current social climates in the UK and US, Clark says that a number of the films in the programme speak directly to what's happening today: «John Singleton's seminal Boyz n the Hood is a prime example: it's impossible to watch the film and not see very clear connections to contemporary issues of police brutality and gentrification.

The lack of a supporting category with the Gothams is always unfortunate as we see today with Rooney Mara (Carol) missing, as well as Cynthia Nixon in James White, despite her film getting Best Actor and Best Director nominations.

Its sparseness is daring today and it's funnier than some of the comedies I saw in 2013 but I prefer Payne's films when they're tragic and sad too.

To be fair though, there was a small handful of people laughing when I saw the film, but the comedy put forth here hearkens back to Three Stooges - style slapstick, not as humorous to today's audiences as it might have been in years past.

I can always see the action in your films, as opposed to a lot of today's filmmakers who use quick cuts, tight close - ups and constantly move the camera in ways that take away the impact.

In today's market of in - your - face, pop - culture - obsessed 3D mania disguised as children's entertainment, it's nice to see an animated family film that could be called delicatIn today's market of in - your - face, pop - culture - obsessed 3D mania disguised as children's entertainment, it's nice to see an animated family film that could be called delicatin - your - face, pop - culture - obsessed 3D mania disguised as children's entertainment, it's nice to see an animated family film that could be called delicate.

Saw it today, its a strong film, maybe not in my top 10, but strong, with great performances, more good work from Deakins, and has the kind of themes and overall feel you normally get in a Best Picture nominee.

Cartel Land is released in UK cinemas today and Dogwoof is offering digital SuperTickets to those who see the film in the first week of its run.

Finally for today, a brace of films I already saw in Venice made it to London in the last few days.

It is indeed a challenge to fit in 32 films, but I also must tip my hat to the likes of friend and colleague Dor Dotson, who just saw her 52nd film of the festival today, on the very final day.

You could plausibly go further and suggest that the way the film reinvents PT Barnum — by all accounts a nasty, racist piece of work who exploited his workers without any qualms — as a beaming champion of minorities and misfits, might chime with viewers who wish to see good in men, and find precious little of it around in today's #MeToo landscape.

By today's more sophisticated standards, it takes more than just vivid animation to thrill us, as we've seen some very realistic effects in most of today's blockbusters, many of them far more impressive than those rendered in this film.

Twenty years ago today saw the release of the absolutely hilarious film Species, a movie in which Natasha Henstridge plays an alien seductress who has sex with guys and then kills them.

They voted as they felt, and in today's unhappy distribution scene, the Oscar means your chances of seeing this film are much increased.

All in all, I saw a lot of daring films, many of which were hard to watch, but all were crafted among the best talent in cinema today.

Yesterday saw us bring you the films first teaser poster and today we're spoiling further with two new trailers for the crime - thriller set to be released in the US on the 19th July.