Sentences with phrase «seen in mirror shots»

Filmed almost entirely in first person, Maniac follows a deranged young man, Frank (Elijah Wood, Sin City, seen in mirror shots and in photographs), who hunts down beautiful women and takes their scalp back to his mannequin studio in a horrifically violent ritual.

Not exact matches

So what do I do when I turn on the TV to see news of another shooting, when I realize that neither political party comes close to representing the radical teachings of Jesus, when I get tired of receiving emails from «Save Darfur,» when I look in the mirror and see the worst sinner who has ever walked the earth, when I honestly have no idea how to resolve the question of how pacifism could ever be justified in light of Auschwitz and Buchenwald?

I know when you see your flaws every day in the mirror; you worry about how a man will react to your full body shot.

I'm always surprised to see people posting grainy photos, or shots with so much glare you can't make out the person's face, or pictures taken while staring at a reflection in the bathroom mirror.

VIOLENCE / GORE 6 - A man breaks through a hotel room door and holds a gun on a woman as they yell at each other, he holds the gun to his own head and under his chin, he slams her into a mirror, she kicks him in the crotch and runs away, he shoots at her and the bullet ricochets off a car and grazes her cheek (we see blood on her face).

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

You could see similar elements in Lodge Kerrigan's chilly «Claire Dolan» (with a dash of Polanski in there — an unsettling manicure scene followed by a startling shot involving a mirror on an armoire)-- and, sure enough, it turns out that the young, unknown Bahrani so admired Kerrigan's work that he sent him an early cut of the film and asked for Kerrigan's advice.

«I wanted to bring balance to these two families and I saw it more as a dark mirror of each other,» she says, crediting her actors for embodying these hardened and layered characters so deftly during a 26 - day shoot on location in Louisiana.

The result is a trim, scrubbed work, as strange and distilled as a mid-1930s Tod Browning chiller, where the smallest hint of sentimentality or whimsy (say, the girls dancing to a pop song) is literally short - circuited and the mirror the heroine stares into in the final, closure - denying shot might have been pieced together from the same glass shards seen in the unnerving opening credits.

It's hard to tell in these spy shots, but it looks like the R could have matte coloured mirrors as well, instead of the gloss black seen on the Mk6.

With the mirror in hand, Sam can peek under doors to see what's on the other side and then mark certain targets that he will automatically shoot once he opens the door.