Sentences with phrase «seen in solo exhibitions»

Recently his artwork has been seen in solo exhibitions in the suburbs of Boston and Seattle, as well as in a two - person show with Tim Lowly in Louisville, KY..

An established portrait artist, his work has been seen in solo exhibitions in London and Madrid and included in the Royal Academy of Arts Summer Exhibition, the Royal Society of Portrait Painters Exhibitions and previously in BP Portrait Award exhibitions in 1995, 1998, 2005, 2007, 2010, 2014 and 2015.

Rebecca Warren — For her exuberant sculptural installations as seen in her solo exhibitions at Matthew Marks Gallery, New York, and Galerie Daniel Buchholz, Cologne, and for her contribution to the Tate Triennial 2006.

The Hollywood Suites has been seen in solo exhibitions on the West Coast and in Europe and included in group exhibitions such as The Altered Photograph at P.S. 1 in New York in 1979.

Roels» work has been seen in solo exhibitions at Gallery Fifty One, Antwerp, at numerous international art fairs, and in group exhibitions including Photo Frictions at the Cultuurcentrum Mechelen, Belgium, which is on view through April 15.

Golub's work was seen in solo exhibitions throughout the world, among them World Wide (1991), a Grand Lobby project at the Brooklyn Museum of Art.

Yang's work has been seen in solo exhibitions organized by the Bergen Kunsthall, Bergen, Norway (2013); the Haus der Kunst, Munich, Germany (2012); the Kunsthaus Bregenz in Bregenz, Austria (2011); the Walker Art Center, Minneapolis (2009); and in the Korean Pavilion of the 53rd Venice Biennale in Italy (2009).

His works were recently seen in solo exhibitions in the Renaissance Society and at the Art Institute in Chicago.

She is an internationally acclaimed visual artist whose widely exhibited work has been seen in solo exhibitions at the Musée d'art Moderne de la Ville de Paris and the Metropolitan Museum of Art, New York; group exhibitions at the Whitney Museum of American Art, New York; the Smithsonian American Art Museum, Washington, DC; and the Centre Georges Pompidou, Paris; and in major arts festivals, including Documenta VI.

(The original incarnation, Untitled (Looking Up), 2012, was first seen in a solo exhibition at Stephen Friedman Gallery in London and stood just over thirty - three inches tall.

In the winter of 2012 — 13, his watercolors were seen in a solo exhibition, Timothy J. Clark, at the Laguna Art Museum in Laguna Beach, California.

A fine collection of sculptures and paintings can be seen in his solo exhibition «Sticks & Drones» at London based gallery Paradise Row.

The paintings in the Firestone Loft show were first seen in a solo exhibition at the Max Hutchinson Gallery in New York.

Hackett's work has been seen in the solo exhibition Interspecies Transmission at G Fine Art in Washington, D.C., in the group show Freaks Of Nature at the Bronx River Art Center in Bronx, NY, and the 2009 Sondheim Prize Artscape Prize Finalists exhibition at The Baltimore Museum of Art.

Not exact matches

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

A collection of never - before - seen older works and new pieces, this presentation marks Jake and Dinos Chapman's first major solo exhibition in North America.

I am reposting it now in 2016 seeing the painting is finally completed and showing in my solo exhibition at Castang Art Project.

Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international galleries based in Hong Kong and China, where «the Orient,» as a subject, seems to be enforced on artists debuting a solo exhibition at these spaces.

Few people saw that coming in New York in 1965, when she had her first solo exhibition, featuring her versions of a Frank Stella concentric painting, a Jasper Johns flag, and dozens of Andy Warhol silk - screened flowers.

Nikki Maloof at Jack Hanley Gallery, Independent The Brooklyn - based artist Nikki Maloof is building out her menagerie - like solo exhibition at Jack Hanley at the end of last year with an actual porch, plus her usual fare of animals, most fittingly seen in paintings of moth screens.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

His work can be seen today in solo exhibitions and the collections of major museums such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid.

Kerry James Marshall: Look See, an exhibition of new paintings by the artist, marked his first gallery solo show at David Zwirner in London that same year.

And since his death in 2007, according to the «selected» list of solo exhibitions at the Christensen website, his work has been seen in four gallery exhibitions at Spanierman, which represented the estate, five at Lew Allen, in Santa Fe, and one at Elaine Baker, in Boca Raton.

To see «Ghost: Rhythms,» Chicago - based artist McArthur Binion's first solo exhibition at Kavi Gupta, was to be let in on a secret.

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

With a vast and varied portfolio that has seen him represent Canada at the Venice Biennale in 2007 and present a solo exhibition at Musée d'Art Moderne de la Ville de Paris (which runs until 1 February), Altmejd's latest exhibition at Modern Art, his fourth show with the London - based gallery, is dedicated to what he calls portraits.

Recently she has participated in group exhibitions at the Sirius Arts Centre in Cork, Format Festival in Derby, Belfast Photo Festival and The Photographers» Gallery in London, and has held solo exhibitions at Belfast Exposed and at Seen Fifteen in London.

When Nadia Belerique opened her solo exhibition, «The Weather Channel», at Oakville Galleries in early April, snow could still be seen falling through the gallery's windows.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 200In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 200in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The Cobra Museum starts a series of public events in the framework of Michael Tedja's solo exhibition SNAKE see review Wat heeft Mancoba met Tedja te maken < (in Dutch only)

After seeing Ms. Tompkins's work in a show that Mr. Leon had organized at the Richmond Art Center, Mr. Rinder, then a curator at the Berkeley Art Museum and Pacific Film Archive, organized her first solo exhibition in 1997.

The recent exhibition at Raven Row was the artist's first solo exhibition in the U.K. and a rare opportunity to see this substantial body of work.

This is the first in a series of projects that will see her work simultaneously at Modern Art Oxford with another solo exhibition, Invisible Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major exhibition bringing together around 100 works by over 30 artists and collectives exploring the pivotal 1980s decade for British culture and politics.

Until recently, Hulačová has shown almost exclusively in her native Prague, but this year sees her work traveling beyond the Czech Republic to a solo booth at LISTE, a solo exhibition at CEAAC in Strasbourg, and group exhibitions in Berlin and Gdansk.

She was acclaimed worldwide, as we can see in her participation in international exhibitions that year, most notably the Venice Biennial, along with solo shows at the Stable Gallery in New York nearly every year.

His work has been seen in numerous solo and group exhibitions including Mendes Wood DM, Sao Paulo; Luhring Augustine, New York; David Zwirner, New York; Lisson Gallery, London; Pinacoteca do Estado de Sao Paulo and the Musée d'Art Moderne de la Ville de Paris.

Since participating in Dokumenta X in Kassel in 1997, solo shows of Kentridge's work have been hosted by the Museum of Modern Art in New York and MCA San Diego, and during 1998 and 1999 a survey exhibition of his work was seen in Brussels, Munich, Barcelona, London, Marseille and Graz.

And I realized pretty quickly that in my new role as a director - slash - fundraiser - slash - janitor of Participant, when curating solo exhibitions, most people don't even really see the curator, if you're doing a good job.

Her elusive figure lurks everywhere and nowhere in «To Name It is to See It,» a solo exhibition by Huong Ngo upstairs at the DePaul Art Museum.

See Amy's work on view in her solo exhibition «A Wonderful Dream», on view at Monique Meloche Gallery, Chicago thru August 27, 2016.

Almost all of Bernhardt's two - dozen solo shows, some of which saw her covering walls with advertisements from Spanish bodegas or collaborating with Jdia, oftentimes — as in her current exhibition — activating the space by covering the floors (in this case, with burlap coffee sacks), have been downtown, in small group shows, and around the globe.

Her new show at Eleven Rivington is an excellent opportunity to see her work in New York, where she also has a solo presentation at the Jewish Museum upcoming, before she decamps to Basel's Museum Tinguely for «Belle Haleine — The Scent of Art,» an exhibition inspired by the iconic perfume bottle created by Rrose Sélavy (né Duchamp).

In 1960, Leo Castelli gave Bontecou her first solo exhibition, and in 1961, the Whitney Museum of American Art in New York purchased Untitled (1961), a large - scale relief fabricated from canvas, rope, and wire, in which the central hole grimaces with «teeth» gleaned from the blade of a band saIn 1960, Leo Castelli gave Bontecou her first solo exhibition, and in 1961, the Whitney Museum of American Art in New York purchased Untitled (1961), a large - scale relief fabricated from canvas, rope, and wire, in which the central hole grimaces with «teeth» gleaned from the blade of a band sain 1961, the Whitney Museum of American Art in New York purchased Untitled (1961), a large - scale relief fabricated from canvas, rope, and wire, in which the central hole grimaces with «teeth» gleaned from the blade of a band sain New York purchased Untitled (1961), a large - scale relief fabricated from canvas, rope, and wire, in which the central hole grimaces with «teeth» gleaned from the blade of a band sain which the central hole grimaces with «teeth» gleaned from the blade of a band saw.

After a group exhibition in Monaco in 2014, the following year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «between space and light»).

Having had two solo shows at Hauser & Wirth, and solo exhibitions at the Milwaukee Art Museum, Kemper Museum of Contemporary Art (Kansas City), McNay Art Museum (San Antonio), and the Garage Museum of Contemporary Art (Moscow) just since 2015, we can't really say that this is a rare opportunity to see the artist's work, but we are excited to see Johnson work in a new medium and context.

His solo exhibitions include Something Rather Than Nothing at Sardine in Brooklyn, New York, PG - 13 at Schroeder Romero in New York, and See Me, Feel Me at 31 Grand in Brooklyn, New York.