Sentences with phrase «seen in the films late»

Not exact matches

They later went on a date to see the film «Taking Lives» in 2004 and the rest is history.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

Later in the film, I was surprised when the gardener I had seen in the background on a riding mower got a chyron and an introduction of his own.

Disney's latest Narnia film is not just a cinematic triumph, says Martin Saunders, it will also help you see the kingdom of God in a new way.

Later i saw his film about the invasion of Iraq and was quite moved, as was the rest of the audience (one of the few films that got applause in the theatre).

He also said 2018 will see an effort to push the state legislature to extend film tax credits so the boom in film and TV production the county has seen of late will continue.

«I see that life comes once, and it's quite short,» he says in this latest film, speaking confidently for the first time since he was 7.

In later films, we see a fellow subject, Bruce, help him establish a life in London, where Neil begins a career in politicIn later films, we see a fellow subject, Bruce, help him establish a life in London, where Neil begins a career in politicin London, where Neil begins a career in politicin politics.

Years later, Anders confessed that he had expected a more dramatic scene, thanks mostly to the spectacular moonscapes depicted in the film 2001: A Space Odyssey, which he'd seen before the flight.

We've recently seen Kate Beckinsale impressing on the promo circuit for her latest film, «The Only Living Boy In New York.»

The 33 - year - old Mrs. Cruise was seen out and about with little 6 - year - old Suri in the streets of New York City last Wednesday after spending some time in Connecticut, where Katie filmed her latest project.

Scheduled for release later in 2013 he will be seen as Hilary Swank's father in the film YOU»RE NOT YOU.

It still falls back into those traps you see in so many bad animated films... unnecessary dance sequences, the pop culture references and catchphrases that are two years to late and using real world music in a fantasy world of birds.

The first couple of times we saw My Darling Clementine on the late show we watched the beginning, fell asleep in the middle, woke up at the end, and thought we had sat through one of the best films we had ever seen.

Sure the animation was a standard for Disney between the 1940's and 1970's, where you can see certain characters move in the same way as other characters from earlier or later films, but that was solely due to the limitations in the animation room at the time.

When, late in the film, you watch her apply her rouge too heavily, you see a woman longing to be storybook - pretty enough to transcend the ugliness around her.

I saw the film in IMAX, and a week later I'm still waiting for the safe return of my optic nerves, but it was the meagre emotional charge that shocked me most.

Most of his appearances of the»50s were in Italian or European productions that seldom saw the light of day in English - speaking countries, though he later showed up in a number of Hollywood - financed films which required Italian or Spanish location shoots.

You see it early in the film, and you see it late.

He was also recently seen in the Relativity film BEFORE I WAKE and in the independent films TOO LATE with John Hawkes, and CAR DOGS with Octavia Spencer.

Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.

Peaking early, Swift never quite matched his earlier accomplishments in later years, although glimmers of his low - key social commentary could be seen in such films as Candleshoe (1977) and the short - lived TV series Grindl (1963).

Written by Bird and Damon Lindelof (Lost), the film is as shrouded in mystery as any release this year, but Bird's track record at the box office and with critics (see sidebar) bodes well for his latest, as does the strong supporting cast of Hugh Laurie, Judy Greer, Kathryn Hahn, and Keegan - Michael Key.

Only the bravura of the cast, first and foremost Park and Lee (both veterans of Unbowed), generates sufficient interest to see the film through to its surprising conclusion, recounted in a respectful coda many years later.

When I first saw it at age 6 or 7, there was a point late in the film where I was terrified of what might come next... The film had such an impact on me, that I didn't watch it again for quite a while.

After seeing the film, I could hear the late Don LaFontaine's voice - over to an imaginary theatrical trailer in my head: A lowly grunt... chosen by a king for his humility... for a task of great importance... The king betrayed by his own... the grunt avenges the king....

(Among the homemade scripts visible early on is one for The Fighter, a movie that they purportedly don't see until rather later in the film.)

The opening of the new Potter film (for which you can see an exclusive new image below) will be just one of several scenes created to up the on - screen excitement in the latest movie.

Which basically meant that Sergio Leone's Dollars trilogy and Jacques Tati were some of the only European films I saw until I was in my late teens.

The interwoven cinematic creature universe is supposed to kick - off with The Mummy reboot but could we see Evans as Dracula (centuries later) teaming up or fighting other classic monsters in a future film?

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

The actor's other credits include Stoker, Beautiful Creatures and Blue Jasmine; he can be seen in The Yellow Birds and an untitled Warren Beatty - directed film later this year.

Krasinski is so naturally likable that when Peter explodes in a pivotal scene late in the film, it's discomforting to see his good natured persona turned dark.

Late addition on July 1: Colossal - By my own rules - films I've seen that were released theatrically in the U.S. this year - I managed somehow to forget Nacho Vigalondo's monster treat, which I saw last fall as the closing night presentation at Fantastic Fest.

Our in - depth Iron Man 3 spoiler podcast - featuring interviews with director Shane Black and co-writer Drew Pearce - will arrive next Friday, April 26, so that our American friends (who see the film a week later than us) have a chance to see it.

It's never too late to take a long gander at what we might see dominating the film awards landscape in 365 days, and with that in mind, I've been doing my usual mulling over the possibilities for a few weeks -LSB-...]

Language: Japanese Genre: Anime / Biography MPAA rating: PG - 13 Director: Hayao Miyazaki Actors: Hideaki Anno, Jun Kunimura, Mirai Shida Plot: Hayao Miyazaki's latest film focuses on the life of Jiro Horikoshi - the man responsible for the design of the Japanese Zero fighter that saw much use in WWII.

Later this year, she can be seen in films including Meadowlands and Love the Coopers.

I confessed as I entered the cinema that I didn't feel I really knew what a Paul Thomas Anderson film was and having seen his latest, I'm none the wiser but happy in my ignorance.

Check back in the coming days to see if I end up catching Richard Ayoade's latest, or some other film that was playing at the same time.

In hindsight, the 1984 hit Footloose — starring Kevin Bacon and directed by Herbert Ross — along with its contemporary Flashdance, can be seen as the link between the old Hollywood model of a let's - put - on - a-show musical, based on original songs brought to life in elaborate choreographed numbers, and the later Hollywood model of youth films, perfected in the»80s by John Hughes and terminally calcified over the decades to follow, in which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned iIn hindsight, the 1984 hit Footloose — starring Kevin Bacon and directed by Herbert Ross — along with its contemporary Flashdance, can be seen as the link between the old Hollywood model of a let's - put - on - a-show musical, based on original songs brought to life in elaborate choreographed numbers, and the later Hollywood model of youth films, perfected in the»80s by John Hughes and terminally calcified over the decades to follow, in which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned iin elaborate choreographed numbers, and the later Hollywood model of youth films, perfected in the»80s by John Hughes and terminally calcified over the decades to follow, in which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned iin the»80s by John Hughes and terminally calcified over the decades to follow, in which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned iin which a contemporary pop music soundtrack serves as both a structural backbone to the film itself and an ancillary product that can outgross and outlive the film that spawned it.

Alfredson's two major points - of - reference in Tinker, Tailor appear to be the later films of Jean - Pierre Melville (who seemed to be the dominant influence the first time I saw the film, projected) and the current work of David Fincher (whose influence seemed to dominate my second viewing, from DVD).

28 Days Later, Shaun of the Dead and the remake of Dawn of the Dead were the best zombie films we'd seen in years, and I think everyone else should leave it alone for now.

Holes are uncovered in the plot which make you question sequences and the ending is abrupt and kinda rushed, its mainly a vehicle for Goss much like «The Transporter» was a vehicle for Statham but this is abit too late and dated really, still its kinda cool to see a trio of cockneys in the main roles of a US film.

Just minutes later, Stark and Rogers are engaged in a stone - faced fistfight that hinges on a twist many will see coming in the film's opening minute.

It's his best and most transcendent film since his masterpiece The Royal Tenenbaums, and the first in which I've ever wanted to revisit the characters later in life to see what kind of people they've become.

Payne's films have always had humor, but I'm curious to see how much it will factor in to his latest picture.

She also recently appeared in the Mark Wahlberg disaster film «Deepwater Horizon» and will be seen in Alex Garland's «Annihilation,» which is due out later this year.

Ron Howard and Brian Grazer are producing the film, which revolves around a U.S. intelligence agent who, after witnessing the death of his KGB double agent lover, later sees her alive in Rome.

Later in the film, we're introduced to Saw Gerrera (Forest Whitaker), who's an ally but whose tactics are too extreme for the Rebel Alliance.