Sentences with phrase «seen in the video struggling»

Not exact matches

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I've always struggled with the «set» hit, as you can see in the video.

Watch the full match video and see whether mighty Lin Dan will struggle in his first round match.

Goals from Carlos Pena, Josh Windass and Alfredo Morelos saw Rangers register their first league win at the Ibrox and while Kranjcar did struggle to get into the flow of the game, he did come up with the timely moments of magic like the one in the video below.

Astorino's campaign, struggling to gain any semblance of traction in public polls, has resorted to what amounts to throwing spaghetti against a wall to see what sticks, releasing mostly online - only videos critical of Cuomo's handling of the economy and suggesting — without any context — that he could be in jail one day.

Car used to start fine 49 out of 50 times but without obvious reason it sometimes struggled to start (as seen in video).

Which is why it is puzzling that Amazon would more closely align its tablets — which at least saw moderate success when the first Kindle Fire tablet launched in November 2011 — with a struggling phone and burgeoning streaming video box, rather than the e-reader franchise that started the company on its hardware path.

While boardgames have seen a 100 % increase in pledges during 2016, collecting six times as much as video games in the same year, video games have struggled to obtain large - scale funding on the platform, as a recent analysis shows (see Kickstarter in 2017 — In depth look at the Games categoryin pledges during 2016, collecting six times as much as video games in the same year, video games have struggled to obtain large - scale funding on the platform, as a recent analysis shows (see Kickstarter in 2017 — In depth look at the Games categoryin the same year, video games have struggled to obtain large - scale funding on the platform, as a recent analysis shows (see Kickstarter in 2017 — In depth look at the Games categoryin 2017 — In depth look at the Games categoryIn depth look at the Games category).

In the video, he chose to discuss works by Joseph Mallord William Turner, saying: «I like art where you can see the struggle in making the work.&raquIn the video, he chose to discuss works by Joseph Mallord William Turner, saying: «I like art where you can see the struggle in making the work.&raquin making the work.»

In the form of a video confessional amassed over 12 years, the film records Hershman Leeeson's struggle, transformation, and transcendence as her personal story unfolds before the camera and sees the mirroring effects of when the personal becomes political, becomes cultural.

Titled «Ain't I a Woman,» after Sojourner Truth's famous speech that demanded African - American women be included in the struggle for women's rights, these pieces link painted portraits with videos in which we see Thomas's muses posing for photographs.

Perhaps the strongest trait of this work is how much viewers struggle with Fujiwara's use of strategic visuals: the manicured athleisure campaign Joanne stars in, the perfectly styled bedhead hair in Joanne's intimate, confessional smartphone videos — we're clever enough to see through these marketing strategies, right?

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

Photographer, sculptor, and video artist Willie Doherty is a witness to political struggle, having seen firsthand Bloody Sunday, a massacre of protesting Northern Irish civil rights agitators by the British Army in 1972.

You simply must see this video of Switzerland's finance minister collapsing in a fit of giggles as he struggles through a bunch of bureaucratic language about the importation of cured meats.

I think a lot of people struggle with YouTube because they don't understand how to create videos that people want to see - or they don't know how to get their videos noticed in the first place (or both).