For the first time ever, fans can enjoy the never - before -
seen in theaters Director's Cut plus a special featurette, Friday Straight Up, featuring interviews and stories from the cast.
Not exact matches
The film, which hits
theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall
in love, but then break up, and are suddenly reunited, ending up
in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to
see onscreen as more women carve out a place for themselves
in writer's rooms and
director's chairs.
Get ready to go deeper undercover with Ricardo Tubbs (Jamie Foxx) and Sonny Crockett (Colin Farrell)
in this Unrated
Director's Edition that includes footage not
seen in theaters!
The
director's long awaited «The Grandmasters» is finally headed to
theaters in China, which means that
in addition to the newly released trailer, we're likely going to
see a lot more promo material for the movie, with three new images leading the charge..
HollywoodNews.com:
In the category of «here's an interesting idea», Paramount and director Brad Bird announced today that Mission: Impossible: Ghost Protocol (see trailer) will be opening five days early in select IMAX theater
In the category of «here's an interesting idea», Paramount and
director Brad Bird announced today that Mission: Impossible: Ghost Protocol (
see trailer) will be opening five days early
in select IMAX theater
in select IMAX
theaters.
It is also worth mentioning that unlike some movies that are released
in IMAX that aren't worth paying the surcharge instead of
seeing it
in a regular non-IMAX
theater, Jurassic World is a film that really needs to be
seen in IMAX to get the full experience that
director Colin Trevorrow intended.
Oscar nominations: Best Actress, Best Supporting Actor, Best Supporting Actress, Best
Director, Best Original Screenplay, Best Cinematography, Best Film Editing, Best Sound Editing, Best Sound Mixing, Best Production Design, Best Original Score, Best Costume Design Where to
see it right now:
In theaters (watch the trailer)
Oscar nominations: Best Actress, Best Supporting Actress, Best
Director, Best Original Screenplay, Best Picture Where to
see it right now:
In theaters (watch the trailer)
Oscar nominations: Best Actor, Best Supporting Actress, Best
Director, Best Original Score, Best Costume Design, Best Picture Where to
see it right now:
In theaters (watch the trailer)
Watching Fences, the film, you can unmistakably
see how this was made by someone who was an actor first and a
director second — like the
theater, it prioritizes the actors above all else, and doesn't really afford much
in the way of cinematic virtues.
From people loving it (like this writer) to fans getting so upset that they started a petition to strike it from the official cannon, writer /
director Rian Johnson's vision of the Star Wars galaxy is certainly polarizing, but it has proven wildly successful and has many fans anxiously waiting to
see what's
in store when Episode IX hits
theaters Christmas 2019.
Easily one of the most unique and visually striking movies you'll
see in theaters this year is writer -
director Dash Shaw «s My Entire High School Sinking into the Sea, an animated comedy with a mouthful of a title that only just scratches the surface.
Alas, this bloody farce was directed by one Nash Edgerton — a stuntman and prolific music video
director, and the big brother of star Joel Edgerton, who can currently be
seen in the even - gnarlier spy drama Red Sparrow
in the
theater down the hall.
Naturally, the Blu - Ray features the
director's cut as a centerpiece, with about 24 minutes of additional material not
seen in the
theaters.
He said that the
director - approved version of the film (and the one he supervised) was the one we all knew from
seeing it screened
in theaters in 1987 — the 165 - minute version.
Snowpiercer
director Bong Joon - Ho's next film — a monster story called Okja — is coming to Netflix on June 28, but
in a rare move, the streaming service will actually be giving people a chance to
see it
in theaters.
Life of Riley, the final film from the
director (he passed away
in 2014, a few months after the film's debut), is his third adaptation of British playwright Alan Ayckbourn and, like his penultimate feature You Ain't
Seen Nothing Yet (2012), revolves around the
theater.
Arriving
in theaters everywhere today is the new buddy cop comedy from Will Ferrell and
director Adam McKay called The Other Guys, this time featuring a face we haven't
seen in the comedy world
in a while - Mark Wahlberg.
In our first Crew Call podcast of awards season, we sit down with Baby Driver director Edgar Wright and his supervising Sound Editor / Sound Designer Julian Slater to discuss how they made the director's passion project the visceral and aural experience of the summer — an original piece of IP that could be seen only in theaters and stood out among a sea of dusty franchise
In our first Crew Call podcast of awards season, we sit down with Baby Driver
director Edgar Wright and his supervising Sound Editor / Sound Designer Julian Slater to discuss how they made the
director's passion project the visceral and aural experience of the summer — an original piece of IP that could be
seen only
in theaters and stood out among a sea of dusty franchise
in theaters and stood out among a sea of dusty franchises.
Though you probably wouldn't suspect it (without
seeing the PSA encouraging kidney donation that preceded the film
in theaters), Zach Braff is the
director of Going
in Style.
Writer -
director Ayman Jamal initially conceived of animated feature Bilal: A New Breed of Hero, which opens
in 300
theaters on this continent this weekend, when he
saw his 7 year - old wearing a Superman costume.
WHY:
Director Tom Tykwer's latest film was unceremoniously released
in theaters earlier this year with little fanfare, and while it may have seemed like a strange decision at the time, it makes sense after
seeing it.
However,
in a year that's
seen him send three films to
theaters or film festivals, On The Beach At Night Alone is not only the best of the year and maybe his most personal film, it may also simply be the
director's crowning achievement writ - large.
Eli Roth,
director of the first two «Hostel» movies, finally
sees his «The Green Inferno» arrive
in theaters a year after its original distributor abruptly canceled the release.
According to IMDB, Curtis also will be
seen in theaters next year
in the political thriller «The Pages,» from writer -
director Joe Chappelle, a fellow «Halloween» franchise alumnus who helmed 1995's «Halloween: The Curse of Michael Myers.»
MUD (2013)
Director / Writer: Jeff Nichols Starring: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon, Sam Shepard, Sarah Paulson, Ray McKinnon, Michael Shannon There are always those movies you intend to
see in theaters, but somehow they get passed you.
In a year in which veteran directors whom I have consistently respected turned out work that I loathed (The Tree of Life and Hugo were two of 2011's worst movies) or that couldn't even get me to the theater (Almodóvar, Cronenberg, von Trier), I was very happy to see veterans like Herzog, Weir, and Breillat turn out work that kept them on their toe
In a year
in which veteran directors whom I have consistently respected turned out work that I loathed (The Tree of Life and Hugo were two of 2011's worst movies) or that couldn't even get me to the theater (Almodóvar, Cronenberg, von Trier), I was very happy to see veterans like Herzog, Weir, and Breillat turn out work that kept them on their toe
in which veteran
directors whom I have consistently respected turned out work that I loathed (The Tree of Life and Hugo were two of 2011's worst movies) or that couldn't even get me to the
theater (Almodóvar, Cronenberg, von Trier), I was very happy to
see veterans like Herzog, Weir, and Breillat turn out work that kept them on their toes.
Confessing to having
seen Glazer's film four times
in theaters, the future «Star Wars: Episode VIII»
director absolutely gushes over the film, calling it one of the few modern films that could qualify for the pantheon of all - time greats.
Fans who attend will not only
see the movie before it's
in theaters, but also get to watch a Q&A with
director Chris McKay and producer Dan Lin.
These are not exactly obscure works: The Intruder is the latest offering from French
director Claire Denis, whose earlier films (including Beau Travail and Friday Night) have been widely
seen at film festivals and
in art - house
theaters.
His follow - up effort, reteaming with Baumbach to adapt Roald Dahl
in Fantastic Mr. Fox, brought Anderson his best reviews to date, but even with a Thanksgiving Eve opening
in over 2,000
theaters, the public did not care to
see the
director's signature quirk and detail applied to stop motion - animated anthropomorphic animals.
«I
saw «The Empire Strikes Back»
in the
theater,» recalled Trevorrow, who himself became a blockbuster
director last summer with «Jurassic World.»
Those
directors will be pacing
in the lobby as you leave the
theater, and if you pay them a compliment, they will be the most grateful humans you've ever
seen.
Part of me wishes that «I Don't Feel At Home
in This World Anymore,» a shocking, comic noir thriller from writer -
director Macon Blair, were available
in theaters; now having
seen the film and responding vocally to its various jolts and jokes alone (so very alone)
in an empty room, I can only imagine how it would have played with a theatrical audience.
Jim DeVivo, education
director with the Playwrights Theatre,
in Madison, New Jersey, says he
sees some pretty personal plays through his
theater's education program.
It took everything I had not to squeal
in the
theater when I first
saw him
in action, so... I guess I'll shut up and let the
director do his job, he he.
Last year
director Darren Lynn Bousman (
Saw 2 - 4), writer Clint Sears, and producer Gordon Bijelonic debuted The Tension Experience, a nearly year - long project that combined an elaborate alternate reality game about a fictional cult
in Los Angeles with an immersive
theater production that ran during Halloween season.