Sentences with phrase «seen on film taking»

At the time, the senior Astorino was the Chief of Detectives for the Mt. Vernon Police Department and he and three detectives were seen on film taking $ 10,000 dollars during an FBI sting.

Not exact matches

They later went on a date to see the film «Taking Lives» in 2004 and the rest is history.

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

Filming will take place in London and begins this fall, so we can probably expect to see it on TV in early 2017.

To feel the full historical weight of Russian attitudes toward the Roman Catholic Church one should see the 1938 film Aleksandr Nevski» the Stalinist take on medieval Russia's triumph over the Teutonic Knights.

She's starred in horror films (Saw V, The Unborn, Venom), taken on raunchy roles and dressed in a way some have labelled inappropriate.

Rather than write this type of review, I wanted to offer my personal take on the film as a parent of a child with concussions and as concussion educator, and why I think parents should see Head Games.

For many years after his injury, his father took him to see a film once a week, based on the conviction that he enjoyed it, she says.

If you follow along on Instagram, you may have seen that I took a quick work trip to California for a few days this week to film a commercial for work.

The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.

In tackling Louie's story (which sees him transition from Olympian to soldier to castaway to POW to war hero), she takes on a production of monumental scale, filmed in multiple countries and in vast expanses of the open, pitiless Pacific, but her willingness to go big is less impressive than her unwillingness to go gentle.

While those who enjoyed the Brooks book will likely be chagrined at seeing little of what they enjoyed show up on the big screen, taking World War Z on its own terms as a Hollywood blockbuster, there's still enough entertainment value to be had for those who are OK with the fact that the film doesn't represent the book.

It's best to go into this film without any expectations, without any idea what you're about to see, and let it take you on a ride.

But these are esoteric points of interest that will intrigue mostly those who've seen too many films in their life and actively seek out strange and opaque takes on familiar subject matter.

When we go into a film of this sort, we expect to see White People Behaving Badly, but to view an African - American who shows such antagonism toward his own people, it becomes a more startling sight — and it must be tougher for an actor to take on such a part.

This is the first film I have ever seen that takes on sexual coercion in a head on fashion.

Also, for an alternate, and better take on this film, please see the review written on here by LittleMissBloodAndGuts.

The film opens with the faux - educational film «How to Take a Bath,» in which a creepy old man instructs viewers on the finer points of bathing while we see people putting his theories into practice.

When you see «based on a true story» title cards in films, audiences usually suspect dramatic liberties to be taken.

To clue everyone in on some of the movies we've taken an interest in, here's our pick of the Top 10 films we're excited for, ones we're keeping an eye on and will be seeing at the earliest opportunity.

Although it's refreshing to see a major studio take a gamble on a modestly budgeted film targeted towards adults (even if it stars one of the most bankable actors in the world), when that movie is as passively mediocre as «Focus,» you can understand why other studios have been afraid to pull the trigger.

Tracking for the Marvel film, which will see Chris Evans» Captain America and Robert Downey Jr's Iron Man emerge on different sides of a high - stakes battle, suggests it will take between $ 175m (# 122m) and $ 200m on debut.

Unless you're one of those people that is taken completely by surprise when you see a flock of birds in a film and they end up pooping on someone, usually as the punctuation to a scene to embarrass or get revenge, this is scraping mighty low in the gag department to turn this into a comedy.

99 Homes is a film written and directed by Ramin Bahrani (Goodbye Solo, Man Push Cart) that comments on the events following the collapse that occurred after the housing crisis took place in the United States that saw many families evicted from their homes.

The perpetually versatile Moore, soon to be seen as the title character's frightening momma in Kimberley Pierce's new take on «Carrie», is said to be merely «in talks» at this stage (but she's not known to be too picky; one of her last films was that awful «6 Souls» movie).

I marvel at his Thomas Hardy adaptations — the devastating Jude and the redemptive The Claim (his take on The Mayor of Casterbridge)-- and I hadn't thought, before I actually saw him do it, that anyone but Charlie Kaufman would have a shot at turning Tristram Shandy into a viable film.

A UK poster has arrived online for the upcoming drama Denial along with a featurette which sees director Mick Jackson, stars Rachel Weisz and Timothy Spall, and author of Denial: Holocaust History on Trial, Deborah Lipstadt discussing the film; take a look below... Based on the acclaimed book Denial: Holocaust History on Trial, Denial recounts Deborah E. -LSB-...]

Alamo Drafthouse and Focus Features are teaming up as part of Maverick Cinema to present «Meet Me in Montauk», an event taking place on the beach, with mattresses for a «bed - in» experience, paying homage to one of the film's iconic scenes (seen above).

Naomie Harris said she doesn't smoke or drink, so for the film's latter scene when Chi» ron comes to visit her and she's trying to light the cigarette, she didn't know that director Barry Jenkins had pulled Trevante Rhodes aside and told him to take the cigarette out of her hand, so what we see on screen in that moment was improvised on the spot to come to her rescue.

See Also: There's not a lot comparable to «The Lobster» in Farrell's (or anyone's) filmography, but to see him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos» film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at aSee Also: There's not a lot comparable to «The Lobster» in Farrell's (or anyone's) filmography, but to see him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos» film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at asee him ugly up to more grotesque effect, you could always check out «Horrible Bosses» which is fun enough until it loses steam, while the black comic vein of Lanthimos» film is maybe closest to a more surreal take on Farrell's collaborations with Martin McDonagh («In Bruges» and «Seven Psychopaths») inasmuch as it's close to anything at all.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

That film saw the Banner and Hulk identities positioned against one another, something that is sure to be complicated when they take on the Mad Titan.

Both of the men are seen conversing on camera, and there comes a great scene at the very end in which the directors take turns filming a statue and explaining their technique.

This isn't the first time that the actor has gone against the grain in recent years, but it's refreshing to see someone of his quality take on a role that's seemingly beneath him, because it's the difference between an enjoyable film and another direct - to - video dud.

Even today, «Cruel Intentions» uses drama and manipulation to take you back to a simpler time: the»90s, where now - famous actors were on their rise to fame, and an iconic teen story that endures as a must - see film for a generation first got its start.

«The Lobster» (2015) It's a little unfair to put a film on this list that most will not yet have seen, but frankly there are not going to be many opportunities to talk up Yorgos Lanthimos «brilliant «The Lobster» that we don't take.

Directed by David Yates, the film's sees Scamander and Albus Dumbledore (played by Jude Law) take on the powerful dark wizard Gellert Grindelwald (Johnny Depp).

On top of some of the most exquisite character design, facial expressions and body language you'll see in an animated film, several jaw - dropping flight and fight sequences and John Powell's majestic score are the grace notes that take it from great to wondrous.

And its also nice to see a director turn away from the modern - MTV look that so many of todays films have and take on a more Hitchcockian approach.

You've seen your favorite horror films countless times, maybe even on the big screen, but one fan has now taken it...

You've seen your favorite horror films countless times, maybe even on the big screen, but one fan has now taken it upon himself to bring movie screenings to a whole new level.

Secondly, the film takes its distance with Hollywood, because Melville's film can be seen as a reflection on heroism.

Among the number of reviews I've seen of this film highlighting it's take on «white trash», I'm not sure this would be the kind of music they would really listen to.

Starring Serkis in the role of Baloo, alongside Rohan Chand as Mowgli, Christian Bale as Bagheera, Benedict Cumberbatch as Shere Khan, and Cate Blanchett as Kaa, the film looks to be a darker take on Rudyard Kipling's book than we've ever seen on screen before.

Upon entering I thought that I could very well be walking into yet another costume drama that takes no time whatsoever to work on an able story (i.e. Valmont), but instead I was treated to a beautifully layered film that is probably the second best I've seen so far this year.

It's just a matter of time, however, before the propulsive atmosphere takes a palpable hit, as Koepp, on several occasions, literally rewinds the clock to explore the circumstances that brought each of the characters to this point (eg we see exactly why Bobby desperately needs that package), with this device, intriguing as it may be, wreaking havoc on the film's momentum and highlighting the less - than - substantial nature of the storyline.

As much flack as Bay regularly takes and as downright bad at the Transformers films got, it's nice to see him get back on track with the kind of material that is right in his wheelhouse.

On Wednesday night at Cannes, I took the night off from seeing foreign - language films to settle onto the sand for a beachfront screening of Black Panther.

To be in on the jokes, it would be better to have seen the film «John Wick,» but it is not necessary as they take the time to make it it's own thing.