Sentences with phrase «seen out of the genre»

It's a gorgeous looking film far beyond anything we've seen out of the genre in a very long time, and with Guillermo del Toro behind it all, I'd say we should be rightfully excited for his epic haunted house of horrors.

Not exact matches

To me it was all just same - old, same - old in the pop genre in general and the kind of one - upmanship you see in every video out here, where the more explicit you can be, the better.

Break out your bellbottoms and take a trip back in time to the Filipino disco songs of the Manila Sound, a muscal genre that emerged in 1970s Filipino nightclubs and has seen a resurgence in...

The genre has seen a slew of solid flicks in the last few years — It Follows, The Babadook, and Coherence are some of my favorites out of the independent sector - and 2016 is no exception.

War, the Game is a title that all strategy lovers should try out at least once in order to see how smaller teams can innovate by taking the classic concepts of the genre and turning them into something new.

Families with canines are better off staying home and having an old - fashioned backyard frolic than trotting out to see Show Dogs, a panting, poorly trained entry in the live - action / talking animal genre that for once makes viewers long for the candy - colored, half - witted professionalism of third - tier Pixar - knockoff animation.

The lack of half - naked men aside, it's impossible not to see what a superior, rewarding effort Dragon's Crown turned out to be — it looks great, it feels great, it's smart and deep, and it utterly revitalizes a genre that went stale years ago.

At 93 minutes, the story doesn't stay longer than warranted, but still, the rest of the film clicks well enough that a bit more fleshing out would have turned a good action flick into a must - see for genre fans and even some non-fans alike.

As someone that grew up alongside Pokémon for the vast majority of my life, seeing the series branch out into other genres aside from its stable of «catch»em all» RPGs has always been one of my favorite ways to engage with the series as I've gotten older.

If it weren't for some unexpected choices of questionable genre fare like Now You See Me and 30 Minutes or Less, it'd be quite hard to figure out what would lead the actor who has starred in such impressive, intelligent projects as The Social Network, Night Moves, and The Squid and the Whale to sign up for something as juvenile and misguided as this.

For awhile after seeing «Lights Out» I wondered if my enjoyment of the film was for not entirely respectable reasons, if I enjoyed it for reasons closer to that of an MST3K film than that of a truly solid genre effort.

Language: English Genre: Animation / Family MPAA rating: PG Director: Pete Docter, Bob Peterson Actors: Edward Asner, John Ratzenberger, Paul Eiding Plot: A 78 - year - old man sets out to fulfill his dream of seeing the wilds of South America by tying thousands of balloons to his home and floating down.

While there are lots of strategy / RPG style games out there it's always welcome to see what a company can bring to the genre.

Fans of the genre have seen this story played out several times over the last few years («The Others,» «Dark Water»), and Sergio Sánchez» script doesn't take any steps in improving upon the classic formula.

Ex Machina is as stripped and basic as most Sci - Fi outings go, but it is one of the best examples of filmmaking the genre has ever seen.

It's also interesting how the heist itself is pared down to just several minutes, as if Glazer's figured out that we've seen every imaginable variation on the genre, including the last big job, the unholy alliance of the corporate and criminal worlds, and the intricacies of a tip - top robbery.

Definitely not something to rush out and see in theaters, but if you're a fan of the actors (or love even the slightest taste of crime drama genre) then give it a chance on home viewing.

From what I can see, though, Dear John the film seems to hit on all the emotional peaks and valleys it's supposed to, and if you're a fan of the sweet romantic drama with a melancholy ending genre, you should pull out some tissues and get ready to cry a bit.

Taking a page out of Hitchcock, he accomplishes this feat without resorting to the gratuitous gore we see splattered across the screen in most of the scary genre's recent offerings.

When a genre is firmly established, two things generally happen - you end up with your niche fans who almost exclusively live and breathe said games, and you start to push out a lot of regular folk who are sick of seeing the same thing over and over again.

It's these types of situations that the top - down shooter genre was made for, and it is incredibly satisfying to see it all play out.

Coogler and his collaborators, chief among them cinematographer Rachel Morrison, costume designer Ruth E. Carter, and production designer Hannah Beachler, behind and in front of the camera elevate Black Panther into serious commercial art, commercial art with provocative, confrontational political, cultural, and social themes rarely seen in or out of the genre — because Hollywood studios prefer playing it safe with potentially lucrative IP (intellectual property) in their possession — in turn delivering the first great film (genre qualifiers unnecessary) of the new year.

Oh yes new games come out that add something interesting to the formula, and games come out that remind us why the genre became so popular to begin with, but it's only in the last year or so we've seen an evolutionary shift in tower defense, and what's more is that this shift is so simple, it's amazing not many developers thought of it before.

Up until that point, women shooting hoops on the big screen was unheard of (it's been equally unexplored ever since) and it remains refreshing to see a sports movie playing out from a woman's point of view and especially one that refuses to indulge our more traditionalist view of the genre, focusing on the long game rather than the easy win.

After nearly 11 years of studio hesitation and apparently enough sexual favors for Wolverine, Deadpool finally has his own superhero movie (something that star Ryan Reynolds has fought long and hard (see, I can make sexual innuendos too and use parentheses inside of parentheses) for to see come to fruition), and with opening credits featuring billings such as «some really hot guy» and «an overpaid tool» the tone is set for an irreverent and refreshing outing from a genre slowly entering a phase of stagnation and repetitiveness.

I feel like the genre is at a turning point where it's about to be reinvigorated, I've already seen a few of the films coming out next year (ones that simultaneously fit the definitions of the genre while taking it to new places) and I think 2013 will represent a turning point.

If you want to see more of Will Ferrell's take on the sports film genre, check out 2007's Blades of Glory and 2008's Semi-Pro — neither of which are on Hulu, sadly.

If there's one genre I don't miss, it's the type this film comes from, and like the psychos who inhabit the slasher world, just when you think you've finally seen the end of them, they jump out of the woodworks once again.

Fast action paced shooters have a defined genre, we see a lot of them out there and they are hugely popular.

Language: German Genre: Drama / Musical MPAA rating: NR Director: Josef von Sternberg Actors: Emil Jannings, Marlene Dietrich, Kurt Gerron Plot: A bachelor professor finds out some of his students are frequenting a speakeasy in order to see Lola Lola, a popular dancer at the Blue Angel establishment.

If you want to see recent movies that fit more accurately into the war genre designation you could check out Kimberly Peirce's «Stop - Loss» (2008) or Paul Haggis's «In the Valley of Elah» (2007).

Not as commendable were the slick but forgettable Leatherface, the first disappointment by French filmmaking duo Alexandre Bustillo and Julien Maury; the Spierig Brothers» Jigsaw, part 8 of the exhausted Saw series; the dull Amityville: The Awakening by Franck Khalfoun, usually a respectable genre director, who does still add his share of clever touches (and meta moments, like when a group of teenagers watch the original Amityville Horror in the «real» Amityville haunted house, into which one's family has just moved); Open Water 3: Cage Dive, whose shark - franchise designation was tacked on as an afterthought, not that it helped to draw in audiences (in an anemic year for great whites, 47 Meters Down takes the prize for the best shark film); Jeepers Creepers 3, a super-limited release — surely in part because of director Victor Salva's history as a convicted child molester — which just a tiny bit later would probably have been shelved permanently in light of the slew of reprehensible - male - behavior outings in recent months.

In this generation of consoles we haven't been seeing the same sort of love for the genre and you can see most of what people have wanted out of fighting games has been done.

Arguably the biggest breakout star of the bunch in 2017, Daniel Kaluuya rose to prominence thanks to his featured role in Jordan Peele's horror film, Get Out, which saw classic genre tropes removed and more relevant issues like racism infused into the unique plot line.

It has never been out of print since, and - widely misunderstood when first published - is now seen as a feminist, genre - subversive novel, a study of a materialist woman in a materialist man's world.

While the APA doesn't break out these figures by genre, it does see adult titles accounting for 90.4 percent of overall audiobook sales.

In the last column, I looked at the publisher listed for the Top20 books, just out of curiosity, to see what the «indie penetration» is in each genre.

Check out the Look Inside the Book to see the Table of Contents of genres and books.

A fraction of the people who see those social media posts are interested in your genre; a fraction of those in your genre will be motivated by your post to look at your book on Amazon, and a fraction of those that you've just spent money to attract will care enough to shell out their own cash.

When I tried writing a horror novel a year later, I only sold a few dozen copies out of the gate, and that was with an already established fan base in the low hundreds (they didn't follow me into a different genre, as it turns out); if that had been my first publication, I would have vanished from the sales charts, never to be seen again.

Also ensure that the publisher you are submitting to publishes your genre — check out their websites to see what sort of books they publish.

What stood out for us was the great diversity of writing genres and the fact that Assignment Mountain has extended its services far beyond the typical high school and college academic writing that we see form most writing services.

I've seen a lot of genre - specific Facebook groups, and some people are starting to put out genre - specific podcasts, as well.

It's not uncommon to see an indie authors do well and make tons of money despite having an unprofessional cover or website, and doing half of everything wrong (they're nearly always writing books in very popular genres and doing things better than their competition... and it's worth pointing out these books can often make MUCH more money than professionally published / traditionally published books, because they have control over their pricing, promotions and advertising.)

Title: Taimashin: The Red Spider Exorcist Author: Hideyuki Kikuchi (Yashakiden: The Demon Princess), with art by Shin Yong - Gwan Publisher: Digital Manga Publishing Volume: Volume 2 (ongoing; see my review of volume 1 here), $ 9.95 Vintage: 2007 by Media Factory, INC in Japan, May 2010 by DMP Genre: Horror, action, 16 +; still has some boobs trying to pop out now and then, but the sexuality has been significantly toned down compared to volume 1

But crowdfunding allows you to experiment outside of your genre for a project you want to see out in the world.

Since the conversation in the comment section leaves out Smashwords» catalog integration, perhaps it will be interesting to see how fiction of popular genres will play its role in attracting new subscribers.

Recently I've seen some articles circulating about «Book Cover Clichés» which put a handful of book cover designs from the same genre together to point out the similarities.

It's very easy to lump this game in with all of the rest of the myriad of Strat - RPGs being released around that time, but what made this one stand out to me was the fact that despite the epic story going on around the characters, it kept a very childlike and innocent tone that you don't see too much in newer titles of the same genre.

It's excellent to see something different being done with a genre that seems to have begun running out of ideas for gameplay mechanics.