Sentences with phrase «seen photographic images»

This is opposed to dealing with a broker who only has seen photographic images of the property.

Warhol was one of the first artists to see the photographic image as the subject of a work of art.

Not exact matches

What we see when we illuminate only a small area of the photographic plate is not a partial image but a whole image somewhat less sharply defined in detail, There is no one - to - one correspondence between object and image.

Valentine and Bruce argued that our brains do not store a photographic image of every face we see.

In order to produce the color image seen here, I worked with data coming from 2 different photographic plates taken in 1986 and 1989.

In order to produce the color image seen here, I worked with data coming from 8 different photographic plates taken between 1988 and 1997.

You won't see any selfies here, but only the highest quality images thanks to the talented photographic team.

There are certainly transitory, mild phobias in childhood, which can be triggered by something like seeing a graphic video or photographic image.

Although casual viewers may not notice it at first, nearly every figure in Drexler's paintings consists of a photographic reproduction glued on to the canvas and then overpainted so that what we see is not the reproduction but Drexler's version of the image.

Nevertheless, few people have seen as many photographs as he has, and few have delved into the culture, experience and expression of the photographic image with such meticulousness and insight as he has.

Her projects have explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of images and the complex nature of photographic representation.

In an age where, because of technological advance, the veracity of the photographic image has long been cast into doubt and reality and history are easily manipulated to appear «real», Douglas employs a large format and an almost hallucinatory sharpness, the result of digital rendering, to question authorship, reality and the truth and meaning behind what we see — truth within the medium of photography and within the political and sociological issues that underpin the scenes his photographs portray.

The sale marks the first time such an extensive grouping of Frank's work has appeared at auction and an unusual chance to see so many of these iconic images as photographic prints, as opposed to on the printed page.

Greenfield - Sanders» artistic process involves pushing and pulling a photographic image through different iterations, changing the color, scale and medium of the work to see how this process alters the end composition.

YinHua uses photography as medium to explore different ways of seeing, treating the photographic image as a fragment frozen and extracted from the flow of time, and the camera as a bridge between mental image and visual perception.

Viewing becomes a spatial, physical experience that compresses the geologic time implied by the surface details of the stones, a hint of some past process of erosion or eruption, the photographic moment at which each object was recorded and the transitory duration in which the images are presented and seen.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

But for those who make the effort to see the work itself the artist has a neat surprise: the handcuffs are real aluminium, protruding from the flat image in a way that slyly escapes photographic reproduction of the art work.

Aptly titled «Why Pictures Now,» after a 1981 photograph by the artist, the exhibition features Lawler's photographic investigations into how pictures function: Charming images of Jasper Johns paintings adorning the walls of collectors» homes, Richters being moved from one museum to another, or an in - museum shot of a Thomas Struth photograph of museum crowds surrounding ruins within a museum (you'll get it once you see it).

This multitudinous metaphor reaffirms that today every photographic image can not only be dispersed everywhere, and be seen by anyone.

When the paintings are viewed together in the gallery, optically dense geometric patterns are seen in relation to flat monochromatic surfaces, photographic images, or faint contours disappearing under layers of luminescent diamond dust.

This group exhibition showcases five international artists from different generations — Curtis Anderson, Louisa Clement, Owen Gump, Sigmar Polke and Anna Vogel — whose diverse photographic - artistic practices examine the possibilities of the image and see its contents as ephemeral traces of external reality.

His most widely seen piece «Rosebud» contrasts photographic images censored in a Tokyo library by having the genitalia sandpapered out, with his own film in which a camera lens slips in and out of water.

For our debut exhibition Lawrence Alkin Gallery is proud to introduce Kate Moss: Roll 1, a photographic solo exhibition of never - before - seen images of the icon on display at our Soho gallery, London.

In this photographic collage, we see repeated images that appear elsewhere in the exhibition, mixed with portraits of individuals from around the world.

Amplifying the voices in this exhibition is a 190 + page color catalogue with detailed images of these objects of resistance, which includes critical essays by Dr. Carolyn Mazloomi, Micol Hebron, Betti - Sue Hertz, Noel Anderson, and Jenny Ustick; as well as photographic documentation from the day as seen through the eyes of the artists and activists who were on the ground, around the country on January 21st, 2017.

She created a photographic essay of the migration from this region at the height of the Great Depression and in 1936 published these images in a volume entitled, You Have Seen Their Faces.

Group exhibitions include Beastly / Tierisch, Fotomuseum Winterthur, Zurich, Switzerland (2015); Now You See It: Photography and Concealment, Metropolitan Museum of Art, New York, USA; Plotting From Above: Mishka Henner and Montreal Aerial Survey, McCord Museum, Montreal, Canada; Drone: The Automated Image, Darling Foundry, Montreal, Canada; Views from Above, Centre Pompidou, Metz, France; A Different Kind of Order, International Centre of Photography, New York, USA (all 2013); Less Americains & Astronomical, Whitechapel Gallery, London, UK; Appropriation: Questioning the Image, Fotogalerie Wien, Vienna, Austria; No Man's Land, Oregon Center for Photographic Arts, USA (all 2012).

How do photographic images influence the way painters see the world?

Tim Portlock and Shuli Sadé have created digital and mixed media works that transform the visible through technology; the painters Michael Bartmann and Bruce Garrity have used color and form to create vibrant and engaging images; the photographer Ken Hohing is revisiting a photographic project from the 1980s documenting Camden to highlight how differently we see photography and its objects; and the designer and photographer Eric Porter inventoried striking visual images that the textures and colors of the city of Camden offer the attentive viewer.

When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three - dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.

Presenting a stark reminder of how the past repeats itself, Henderson says, «we can't see the future but with photographic images we can certainly see the past.