Sentences with phrase «seen screen versions»

Synopsis: This 1959 version of Lew Wallace's best - selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards.

Not exact matches

The reason we don't see our own typos is because what we see on the screen is competing with the version that exists in our heads.

Riders could use with a large touch screen that displayed the car's route, as well as a rendered version of the environment the car saw through its cameras and laser guidance systems.

A printable version would be really nice =\ Or something I can see on my screen all at once without having to be scrolling, looking for ingredients, etc... It looks cool, but I basically have to go through and write down the ingredients and directions for myself.

You can see the embedded Sway below, or the full screen version at this link.

The input to the network consisted of a blurry version of the colored game screen, including the game score — the same as seen by a human player — as well as the screens associated with the last three moves.

Still, there are several appearances in pop culture today that pay homage to vintage characterizations of Batman, shunning the more muscular version we currently see on the big screen.

Barbara, once you select the print button and see the printable version on your screen, I think you can just select the text; then copy and paste it into your favorite word processing program.

You also saw the outdoor version of it in action on my colorful screened - in porch makeover.

And to see your screened porch, I can see you definitely know how to do both version well.

Most free sites don't even offer a mobile version of their site and you end up having to spend time squinting and streching out screens in order to see a members photo on a smartphone.

First seen in the money sites do cost screen the version of this license, you may choose any number all dating cost of matches on.

Seen on the big screen in its new digitally cleaned up version with its Carl Davis score, Abel Gance's 1927 masterpiece Napoleon is a truly startling experience.

He did a run of films in which he was more and more subdued or withdrawn: Onegin, directed by his sister; the lover in a listless version of Graham Greene's The End of the Affair; implausible with Jennifer Lopez in Maid in Manhattan (why be on screen with J. Lo if you're not very pleased to see her?)

Seen on a 72 cm CRT screen at home, though, it's like having the negative held up to your eyes - a lot of care and attention has gone into this transfer, and the fact that it looks so cinematic and so natural (despite Fincher's characteristically unnatural visual style) is reason enough to come back to this movie in its newly - mastered version.

If so, it's one of several that can be reserved early for this fourth, spectacularly lousy screen version of Jack Finney's 1954 novella «The Body Snatchers,» which some bright light envisioned as the ideal starring vehicle for the Cold Mountain herself, Nicole Kidman, and for Daniel Craig, last seen as the most poker - faced James Bond on record.

Families looked up at the screen and saw a version of themselves reflected back.

It remains to be seen how The Hobbit's more lightweight story and tone will translate to the big screen, but casting Martin Freeman (the original UK version of The Office) as a young Bilbo Baggins is certainly a great start.

For about 90 minutes we get to congregate and share in our excitement of seeing women kick butt on screen, some generically located, exaggerated and, more often than not, cliché version of ourselves, the original Liam Neesons in Taken.

You see, it was announced last year that he is currently working on a big screen remake of MacGyver with New Line, and he thinks this may be detrimental to that project (probably similar to how Guy Ritchie's Sherlock Holmes put the brakes on a Will Ferrell / Sacha Baron Cohen comedy version of the detective).

While this shouldn't technically count, I am putting it here since it's a remastered version and I never saw it on the big screen.

One of the many events that took place during the 2014 Cannes Film Festival was a special tribute screening of a 4K restored version of Tobe Hooper's horror classic The Texas Chain Saw Massacre.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

But that's not the worst part of this ill - timed feature; it follows on the heels of a documentary that is more concerned with getting its facts straight, Alex Gibney's Casino Jack and the United States of Money, which virtually renders this mostly fabricated version obsolete for nearly everyone who isn't interested in seeing another fine Kevin Spacey performance on the screen.

Well, according to El Mayimbe of Heroic Hollywood, we may in fact get a chance to see the extended version on the big screen, as he claims that Warner Bros. is giving serious consideration to a theatrical release for the three hour cut.

From what we have seen in the trailers, it appears that the big screen version of the villain also has ties to the arms dealer.

They'll be showing six different Ghibli movies (the best of the best) in total, in both subtitled and dubbed versions, on screens all across the country (so you don't have to drive 6 hours away just to see them - or maybe you will anyway).

I guess that Portugal is rapidly becoming the country du jour of cinema, with Tabu being the finest new fiction film I saw in 2012, while I finally got to see the 4 1/2 hour version of Raúl Ruiz's amazing Mysteries of Lisbon (on Blu - ray discs): it has still never had a theatrical screening in Montreal!

The fairy godmother will reportedly be seeing more screen time in this version than previously.

Sofia Coppola told a press conference in Cannes that she hadn't seen the 1971 big screen original feature The Beguiled, directed by Don Siegel and starring Clint Eastwood, ahead of pursuing her version.

This big - screen version of Jay and Seth vs the Apocalypse portrays actors in the way they appear most comical to great effect as we see their reaction to the end of the world.

Not incredible — certainly no 60 FPS, but instead it runs at a consistent 30 FPS, meaning that if anything, the framerate is better than what you might see from the Switch version running in Quality mode; there are less characters on screen in the 3DS version and it's a much lower resolution of course, but in terms of playability it's not bad at all.

«In my mind, you only get one shot at the iconic Hercules, so I really wanted to make sure that the version I had in my head was the version that the audiences would see on screen,» says Johnson.

Although the events of the finale became public when the last book was released four years ago, the delay in timing between the printed and screen versions of the saga has seen the audience bounding with enthusiasm to see if the celluloid interpretation of the finale matches the one in their dreams.

-- the small screen version of Fargo proved to be a treat, featuring great performances from the likes of Martin Freeman, Billy Bob Thornton and Allison Tolman and a solid storyline than has seen the show nominated for a Golden Globe.

On your computer, Second Screen also allows you to see an extended version of «360 Degrees of John Carter» (43:15), should you want to watch it in a 512 x 288 pixel Flash video on your computer, instead of in HD on your television.

Out 1: Spectre (Jacques Rivette — I did not get to see the original 12 - hour version, which did not play in Seattle but was screened in Vancouver in 2006 — sadly, at a time when I was in Paris).

He said that the director - approved version of the film (and the one he supervised) was the one we all knew from seeing it screened in theaters in 1987 — the 165 - minute version.

And he will soon be seen in a big - screen version of Broadway musical Into The Woods, which also stars Meryl Streep and Johnny Depp.

If the deal gets done, the 50 - year - old New York native would be the youngest actress to play Peter Parker's guardian on screen so far, which pairs well with the 19 - year - old Tom Holland as the youngest version of the web - slinging superhero to be seen in film also.

To check that you have the latest version of the game, simply launch it: you should see this at the bottom right corner of the screen:

Either way, I don't remember seeing much gaming footage that included load screens previously to these weeks, so I guess it is a release version, whether BitBlock got a copy or not.

Hmmm... The fact that in a few of the screen shoots we see the Nintendo logo is telling me we are in fact looking at the Wii U version early build.

... The woman you see on the screen, the character that I got to play, was part [Harding's] version of her mother; part Jeff Gillooly's version of Tonya's mother, his mother - in - law for a while; and part artistic license from Steven Rogers, because he didn't have the real woman; and then me coming in there and doing what I [do], putting my spin on it.»

Tying in with the film's release in the US, a number of the primary members of Thor: Ragnarok «s cast took part in the Late Late Show skit, which saw Corden hijacking a preview screening of the film to bring his «live» 4D version to one lucky movie audience.

Having only ever seen muddy, public - domain versions of the film, the 4K digital restoration on Criterion's Blu - ray completely rewrote my memories of it; the crystalline VistaVision images are a revelation I'd compare with seeing the 70 mm restorations of Lawrence of Arabia and Vertigo, even at the reduced size of a TV screen.

I'll say no more and won't need to if you've read Richard Matheson's classic 1954 novel or seen the two previous screen versions, 1964's The Last Man on Earth, with Vincent Price, and 1971's The Omega Man, with Charlton Heston.

We've seen Peter Pan many, many, many times now, so what's the point in doing a new big screen version if you're not going to be doing something different?

Last year, in the avidly faithful but ultimately rather flat - footed screen version of The Hunger Games, we saw Katniss (Jennifer Lawrence) triumph in a Survivor - meets - gladiator teen war to the death.

A movie shouldn't be available only in its non-theatrical incarnation; fans should be able to see the version they found on the big screen.