Sentences with phrase «seen small paintings»

The museum is showing a group of rarely seen small paintings, which he uses as preliminary studies for his widely known larger works.

I remember seeing some small paintings at your last show at DODGE that had wood triangular spikes sticking out of them.

I'll never forget walking back and seeing these smaller paintings.

-LSB-...] a year ago I saw small paintings by Rae and Perfect in a group show at the Lion and Lamb Summer Saloon, and when, around that time, I also heard that the Nottingham show was being planned I thought that -LSB-...]

Walking into that exhibition for the first time and seeing his small paintings scattered across the walls gave me an honest - to - goodness jolt, the kind I've never experienced before or since.

Seeing your small paint project was such a positive reminder that paint can go a long way to transform!

Not exact matches

The Olympics turned all of Athens into an Olympians Reunion Center, like one of those paintings you see in diners in which Elvis, Brando, James Dean, Marilyn Monroe and a hundred other icons are all packed into the same small frame.

I like it when the paint is thick enough for each dot to turn into a visible fingerprint with an interesting structure and when I can easily see how the flowers made by my younger child are smaller than the ones made by my oldest because of the different sizes of fingers.

See the oldest known cave painting in the world at El Castillo and experience the wonders of El Castillo, Las Monedas, La Peña Cave, El Pindal and Tito Bustillo in small groups by torchlight.

As I stand among the sawed - off stumps and charred remains of a small grove here, officials have just painted more of the ancient tree trunks with red X marks to signify eventual destruction.

The only thing I can see is that when you try to seal two paints with two different sheens you are going to get the end result of whatever sealer you use.I would try painting the fat part first, seal that with a flat poly acrylic sealer and then paint your glossy parts.The thing is any poly / sealer even flat will deepen the color and add a slight sheen I would try a small part of your technique on a test board first.

On the counter top in my kitchen I put some lilac on this lovely Shabby cupcake stand that I use a lot in my home for all kind of things... beside holding cupcakes and mini tarts:) On the left you can see one of the French made pots with some small lemon trees I planted last year and on the right the painted jars I've made to reorganize my kitchen.

The drawer you see is on a small chest I painted using the harlequin pattern.

Drill small holes along the length of the paint stick 1/2 ″ apart, using a jig saw cut the edge of the board to meet the holes.

I checked with the landlord prior to signing the lease to see if painting was ok, and in my opinion, the cost of paint and the work involved is a small price to pay to feel at home.

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Many of the paintings seen earlier crop up again in new contexts, which is part and parcel of the section's theme: that what we think we see depends in no small measure on our frame of reference.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

You see, the shiny wheels cost a small fortune, the protective undertrays are of purely cosmetic nature, and the very first close - range mulberry bush is bound to leave nasty scratch marks on the glossy paint.

Cons: Build quality is poor (body panels are a bit off - the hood fit is particularly poor, white body paint doesn't match bumper color, a few interior rattles even with just 3000 miles), dealer service is the worse I've experienced anywhere (Major World Dodge in NYC), side mirrors are too small and have blind spots no matter how they are adjusted (definitely get the tech package with blind spot detection), hard to see the front of the car over the scoop (Dodge does not offer front parking sensors).

Only very light blemishes can be seen upon close inspection, and worthy of mention are small touched in loading marks to the rear bumper and a very light paint rub to the nearside rear corner.

Delphi has outfitted the small SUV with radar, cameras, car - to - car communication technology, and lidar laser mapping sensors that will paint a 3 - D picture for the car — all technology that we have seen autonomous cars employ.

Very rare small block v8 5 speed super super clean all original e34 original paint as well priced to see - INSTALLED FEATURES: Front air conditioning, Front air conditioning zones: dual, Front airbags: dual, Antenna type: power, Cassette, Radio: AM / FM, ABS: 4 - wheel, Power brakes, Steering wheel trim: leather, Cruise control, Multi-function remote: keyless entry, Power steering, Steering wheel: telescopic, Paint: metallic, Gauge: tachometer, Trip computer, Front fog lights, Side mirror adjustments: power, Side mirrors: heated, Moonroof / Sunroof: power glass, Driver seat power adjustments, Front seat type: bucket, Passenger seat power adjustments, Upholstery: leather, Anti-theft system: alarm, Power door locks, Tire type, Wheel diameter: 15 inch, Wheels: alloy, Front wipers: intermittent, Power windows, Tinted glass, Window defogger: rear

Sahota effectively employs dramatic irony, where the reader is privy to both the whole canvas and smaller details of the characters» lives, which are eloquently painted, and can therefore see train wrecks coming before they actually do.

As a small - time hybrid, but mainly self - published author, it feels good to see a more realistic picture of the industry than painted through outliers and mega-bestsellers.

It's always fascinating to see how critical it is for a commodity to reach its market, how easily a valuable resource can be quickly controlled by a small group in order to make money off that resource: Diamonds, gold, novels, paintings, screenplays.

The majority have seen it through reproductions and are familiar with the painting, which portrays an old - fashioned, stiff and sour couple, standing in front of a small white house.

The Cavalier King Charles Spaniel of today is descended from the small Toy Spaniels seen in so many of the sixteenth, seventeenth, and eighteenth century paintings by Titian, Van Dyck, Lely, Stubbs, Gainsborough, Reynolds, and Romney.

This spaniel takes its name from King Charles II of Britain, who was often depicted in paintings and tapestries in the company of a small spaniel and was reportedly «seldom seen without his little dogs.»

We see many large and small (er) Buddha statues, some of which are wrapped in plactic: the temple is getting a paint job.

Eureka has been declared one of «The 100 Best Small Art Towns in America» and Eureka's Old Town was pronounced as one of the nation's best preserved original Victorian historic districts, where ornate Colonial Revival, Eastlake, Greek Revival, Italianate, Queen Anne and stick - style painted ladies can be seen in every direction.

So now I'm going to have to paint a small series and see what happens

I saw a huge painting in an art gallery around here that was going for $ 29,000 and I immediately wondered if that artist was ever going to see a profit for that painting because most people don't have the room for that size painting and unless one is very wealthy they're not going to pay that much money for a painting even though very beautiful, tucked away in some small art gallery at a seaside resort!

In the comments there a great discussion started about the differences between small paintings from life and large studio works like what we see in Constable and Corot.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

«Peter Allen Hoffmann (b. 1979) used to paint — with a tender touch — small landscapes that were seen to have a lot in common with the work of Milton Avery, Arthur Dove and Marsden Hartley, and to evince an environmentalist's concern for nature.»

A painting I have never been able to see or find an image of since remains in my memory: a large work though made of relatively small shaped fragmented parts arranged in the shape like a giant abstracted question mark.

Enwezor describes Paul Klee's wonderful small painting entitled «The Angel of History» or «Angelus Novus,» painted in 1920, of an angel with his open mouth, spread wings, fragile, tiptoeing feet, and haunting eyes looking at the viewer that Benjamin himself saw as a symbol for a state of despair, the horror of history, and the bleak future of civilization.

-- ArtForum «The comprehensive book is special because it includes many color reproductions of paintings otherwise seen only in black - and - white (and small) in the artist's catalogue raisonné from 2001.»

For this exhibition the pieces were chosen not only because of their life and vibrancy, but because of their small size; I feel that there is an immediate transaction that takes you into them and because they are small, the relationship of the paintings to the body is different — one has to get up close to see them, find the complexity, detail and subtlety that lies in wait for the patient observer.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

Intimate, direct, and fresh, Katz's small paintings reveal his close connection with his subjects and a side of the eminent artist's work that is rarely seen.

Smaller, juicier paintings such as «Goldenrods» and «Field of Wildflowers» see Katz using motifs from nature to experiment with the «all - over» approach to composition, whereby no one part of the composition is allowed to prevail over the others.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

In these smaller works, where she focuses on a mark that one would see in her bigger paintings, she limits the surface on which she has to work on expanding her vocabulary by narrowing down on each mark.

It was there that I saw many small paintings from the 16th and 17th century.

She has a big show at CRG too that I couldn't see, but I enjoyed these lyrical and lovely smaller paintings

Works central to this exhibition include the theatrical setting A Fashionable Marriage, through which visitors can walk; 40 small paintings comprising Inside the Invisible, seen for the first time in the UK; and The Feast Wagons, an installation of handcarts.

The painting is peppered with subtle allusions: a book on Chardin sat on the bottom shelf of the wheeled cabinet hints at the French master's domestic scenes, while Piero della Francesca's Baptism of Christ is seen reflected in the small mirror.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.