Sentences with phrase «seen some cover artists»

I've seen some cover artists charge much cheaper than they could and some charge much more than they should.

Not exact matches

And even when bland was forced on him, as seen in a series of cover portraits of white - mustachioed businessman, Timmermann produced work on par with any cover artist of his day.

We've so enjoyed having Jessica Roux as our cover artist this year and have made a few more treats with her art - including our wall calendar for 2017 and the notecards you see above.

Kat Von D is a tattoo - artist - turned - beauty - mogul, and she's shown on her Instagram how the Lock - It line can cover up tattoos effortlessly — so I was hardly surprised to see this product eliminate all signs of hyperpigmentation and totally transform my skin into a blank canvas.

The collection veered away from Slimane territory as it progressed through decades of rocker style, ending in a series of bondage - inspired and sheer - fronted dresses that covered, at times, only the nipples — the kind of clothes one could expect to see on today's more daring female musical artists: Rihanna, Nicki Minaj, Miley Cyrus.

Guitarist Waddy Wachtel performs Hendrix - like takes on songs he was known to have covered, but without the music — without seeing him compose, get inspiration from, or perform any of it — it feels like everyone's freaking out about this great cover artist who makes impressionistic soundscapes but doesn't know how to write a tune.

Yesterday we brought you a look at Adi Granov's cover for Star Wars: Darth Vader # 2 [see here], and now we have a look at artist John Cassaday's cover to Star Wars # 2, which features the Dark Lord of the Sith along with Han Solo, Chewbacca and a legion of Imperial Stormtroopers... • The Rebel -LSB-...]

It's interesting to compare the rear cover to the 2004 DVDs and see what artists Disney thought most worthy of mentioning from this group (Stevie Wonder and 98 ° are apparently bigger draws than Raven these days).

This resource focusses on covering the Assessment Objectives and helps students see how their work can evolve by making links between their observations, the artwork of recognised artists and media experimentation.

And since both fans and Kris wanted to see more Retrieval Artist books, Kris sold the out - of - print Retrieval Artist books to WMG Publishing Inc. and the books all came out with new covers that branded them to science fiction and as a series.

I created a single mock - up concept of a cover, and was about to send it off to a handful of cover artists on Fiverr to see what came back when my wife intervened.

Join me on Patreon to see the proposed concepts by my cover artist!

Longshot had only been seen in his mini-series by Ann Nocenti (coincidentally, editor of Uncanny X-Men) and Art Adams (who is the cover artist of the second part of this two - parter), released in 1985.

But my daughter Betsy is an artist who did lovely work on my covers and illustrations for Rosette, and I saw potential for her to work on cover art, illustration, and design for others.

I posted a blurry photo on Instagram, but here you can see breaks about how my cover artist takes my submission details and finds elements to tease out what the final concept should trend to.

Title: The Avengers Vault Author: Peter A. David Cover Artist: n / a Publisher: Thunder Bay Press This spring sees the release of one of the biggest and most anticipated movies of the year, Avengers: Age of Ultron.

I have seen too many covers that have been hired out where the cover designer or artist accepted a project in a genre they didn't normally work with.

As for cover artists, if you're lucky you'll get assigned a good one, but what I've been seeing from major houses these days — okay, let me put it this way, in romance at least, I've seen A LOT of the no royalty art you can buy for $ 25 or so on the covers of the recent ones.

The thought of looking up cover artists for my self pub stuff made me run for the remote so I could catch L&O: SVU in time to see Stabler throw his fist through a wall.

I'll admit that when I first saw this book, I wondered if the artist and author had taken a risk with this cover.

If you're fortunate enough to find a cover artist you'd like to work with, talk to that person, explain your goals, ask them their rates, and see if you can work something out.

Which brings me to my next tip — if you see a cover you like on Amazon, check the book's copyright page which usually credits the cover artist.

I see a flatter business model — where specialisms are outsourced to smaller companies that can offer specific services (see above — the big company with the best editors doesn't necessarily have the best cover artists), and nothing is more than one step from the author 3.

We've purchased stock photo art (see picture == >) and I'm waiting with bated breath to see what CAE (Cover Artist Extraordinaire) comes up with for the cover — exciting sCover Artist Extraordinaire) comes up with for the cover — exciting scover — exciting stuff!

CBR has the debut of Mack's cover to «Hellboy & the B.P.R.D. 1953: Beyond the Fences» # 1, the series that will see writer Chris Roberson and artist Paolo Rivera join the Mignolaverse.

Always make sure your cover artist gives you an example of your cover as small and gray, because that's how many readers will see it on e-ink devices.

Titles, artists and cover thumbnails are all good but I'm disappointed to see no real synopsises for the stories.

I've seen a lot of indie writers who spent a lot of money on covers by very good artists but what they got was a very nice piece of art that works better as shelf camouflage than as a cover.

Batman and Robin # 1 Writer: Peter Tomasi Artists: Patrick Gleason and Mick Gray Cover Artists: Patrick Gleason and Mick Gray Publisher: DC It's the moment that some fans have been dying to see — Bruce and Damian tea...

Including never - before - seen photographs, the exhibition covers the 1970s to the present, showcasing the work of artists including Barbara Hammer, The Harrisons, Sara Shelton Mann, Eiko + Koma, Joan Jonas, Guillermo Gómez - Peña, Ann Hamilton, Marina Abramović, and more.

The company was started by our highly - collectible artist Ben Allen who saw a gap in the market to produce high quality wall coverings from a diverse selection of the most inspiring and talented artists from across the globe.

We have been covering REVOK in Juxtapoz for years, both in print and online, and have loved seeing the evolution of his work as the longtime Los Angeles - based artist moved to Detroit a few years back.

Hoyland (1934 — 2011) is one of Britain's most renowned abstract artists and this sensitively curated show covers works produced between 1964 and 1982, a key period in the artist's career that saw variation and experimentation in the creative process and visual impact of his work.

His work can be seen across a variety of different media applying his playful, tongue - in - cheek imagery with anti establishment values, he was also one of fifty artists commissioned to create a 50th anniversary Penguin book cover and is the only urban artist to date to be featured on the front cover of the fine art publication Art Review.

Some of the artists whose covers are yet to be seen are Maurizio Cattelan, Kerry James Marshall, Rirkrit Tiravanija, Will Cotton and Nina Chanel Abney, while the rest of the participants are kept as a secret.

Must see: The South African artist Conrad Botes has covered the walls of his booth with intricate chalk drawings made especially for the fair.

In Act Four «darkness» which the artist distinguishes from «black» begins to seep in, as seen in this exhibition with Kabakov's Dark and Light paintings, and by the finale of Act Five «darkness covers the entire surface of the painting».

Since then, the Wynwood Walls program has seen over 50 artists representing 16 countries and have covered over 80,000 square feet of walls.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Towncover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownCover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

When Time Magazine made its feature «How China Sees The World» the cover story of this week's issue, it chose controversial Chinese dissident artist Ai WeiWei to create the amazing image accompanying it.

We've seen plenty of facial manipulations over the years, from makeup artists transforming their faces into album covers to the tool that manipulates faces in YouTube videos to say whatever you want.

Best of all, from my point of view, his talent and production are so ingrained that he has no reason to disguise his influences, seen in recent work to include Grant Wood and the Dutch artist Meindert Hobbema, whose The Avenue at Middelharnis (1689) informed his recent New Yorker cover.

I have never seen a larger gathering of work by great contemporary artists, with many I have previously covered in this column, including Lori Ellison, Tom Evans, Gabriele Evertz, Bruce Gagnier, Dana Gordon, Ronnie Landfield, Loren Munk, Carolanna Parlato, Peter Reginato, Paul Resika, Lars Swan, Kim Uchiyama, Don Voisine, Louisa Waber, John Walker, and Thornton Willis.

See who is on the cover — The Bpigs bimonthly information guide hosts works by selected Berlin based artists.

I had never really admired a living artist as much as I did dead ones until I saw Mark's work on the cover of Juxtapoz magazine in 1998.

And reading from Here with me (2016), a video work that is shown on a large screen in the middle of the room, where the artist himself is seen trapped in a hostile place, only covered in a piece of fabric and kidnapped by a faceless villain, it's the love and the ties between friends that saves the day.

I'm pleased, for instance, to have seen the altered covers that the playright Joe Orton and his partner, the actor and artist Kenneth Halliwell, placed on books purloined from north London libraries before slipping them back into public circulation.

If you have been following July 2016 cover artist Nina Chanel Abney on Instagram over the past week or so, you can see she is working on a massive site - specific mural installation at Palais de Tokyo in Paris.

Jenny Saville's 1990s breakout work with obese female bodies on supersized canvases — as seen on the Manic Street Preachers» Holy Bible cover — were discovered by Charles Saatchi, who supported her for 18 months before exhibiting the results as part of Young British Artists III when she was 23.

I have my Artist Talk today out on the front stage of the museum which opens to the street anyone walking by could see my naked body covered in chocolate pudding / and black food coloring (The Oil Spill) or me covered in diet books.