Sentences with phrase «seen this on a film theater»

Two species: the ones who've seen this on a film theater & the ones who Netflix'd it.

Not exact matches

EASTWOOD: I had seen... No I hadn't, I saw it at a theater down on Western Ave. that did foreign films and they were doing Yojimbo, a Kurosawa film with Toshiro Mifune as the lead and I thought well this picture's great but nobody had the nerve enough to make it as a Western.
Just don't have the time to go see most films in the theater - it's pretty much On - Demand here.
The Jackie Robinson movie» 42,» which is out in theaters and receiving raving reviews, is a must see film and especially today on...
The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.
Imagine you're on a first date and the guy meets you at the movie theater to see a new blockbuster action film featuring Vin Diesel.
Seeing the 9 out of 10 on this status should be enough to get you in the theater and watch this great film.
In fact, anytime I see a film with people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold on to the arms of my theater seat for dear life, just as I did as a child watching that old John Ford flick.
When Dustin informed me of Pajiba's films of the 1980s retrospective, I was a little ambivalent to write on one of the first films I remember seeing theaters, Tim Burton's Batman (1989; I think the honor for the first film I saw in a theater was Who Framed Roger Rabbit).
Most critics found the film funny and entertaining when it screened at Toronto last fall, and audiences will finally get to see it on June 7 (and in even more theaters on June 21).
The only draw of the film was the dancing talent that was shown, which, as I feel that anyone else in that theater can support me on, would be better seen at a REAL dance studio today.
On a basic level, for those of us with less free time (or spending money) than we'd like, and with a seemingly endless array of films always being released, there's always an element of benefit - cost ratio involved in our assessment of the films we drop our cash on and park our asses in a dark theater for two hours to seOn a basic level, for those of us with less free time (or spending money) than we'd like, and with a seemingly endless array of films always being released, there's always an element of benefit - cost ratio involved in our assessment of the films we drop our cash on and park our asses in a dark theater for two hours to seon and park our asses in a dark theater for two hours to see.
This is a decently made film, but not one that especially needs to be seen on a theater screen.
Despite these shortcomings, this film is still an interesting, smart journey into «how the sausage is made» in Washington these days and worth seeing in theaters or renting depending on your mood.
See for yourself what the fuss is all about when the film plays in theaters on July 25th and arrives on home video soon after.
We'll have more information on the re-release dates and theaters where you can see all three classic Halloween films as soon as it is announced.
Some of these movies include «Popstar: Never Stop Never Stopping,» a comedy film starring Andy Samberg, which is now in theaters and the longevity of which at the box office remains to be seen; «Central Intelligence,» another comedy which stars Kevin Hart and Dwayne Johnson and which will be released on June 17; and «The Shallows,» a movie about a woman trying to escape a shark which stars Blake Lively.
Rather than looking at the films from an objective point of view, they largely settle on things like, «The audience thought they were paying to see TV in the theater
There were no screams in the theater when I saw this film, but a lot of groans on the way out.
Grease: 40th Anniversary Edition Rated PG for adult situations / language Rotten Tomatoes Score: 75 % Available on Disc and Streaming Since this film came out when I was six, I was unable to see it in theaters and had to rely on VHS, TV, and eventually DVD for my limited exposure to it.
The color palette and mis - en - scene composition are fittingly vibrant and epic for a blockbuster film of this scope, and many of the ambitious action sequences are well - executed and impressive, which helps to justify seeing the film on a theater screen.
I would advocate trying to see the film in the 70 mm roadshow presentation (a list of theaters offering such a presentation is here) on the general principle that it's good to see things in 70 mm.
One of our favorite horror films we saw in 2015, you should check out The Invitation in theaters or on - demand this weekend.
You probably haven't seen the little - known 1976 film on which this is loosely based and odds are that you didn't catch this remake in theaters.
Steven Soderbergh) Cast: Matt Damon, Michael Douglas, Rob Lowe, Cheyenne Jackson, Scott Bakula Given that he kicked off his career with a Palme d'Or for «Sex, Lies, and Videotape,» it's fitting that even if Steven Soderbergh «s «final» film — the Liberace biopic «Behind the Candelabra» — skips theaters in most of the world, it will still get to see the inside of a theater on the Croisette.
I'm disappointed by some of Shyamalan's choices in this film, but Split is still worth seeing in the theater for James McAvoy's brilliance in taking on multiple characters (plus thrillers are always more fun with a big audience anyway).
In the end, what the film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your face.
: Even though it was available to see in theaters for a bit, the film is now only available on Netflix, where it was released on Feb. 2.
Snowpiercer director Bong Joon - Ho's next film — a monster story called Okja — is coming to Netflix on June 28, but in a rare move, the streaming service will actually be giving people a chance to see it in theaters.
Although the film underwhelmed critics (it currently has a 21 % rating on Rotten Tomatoes), it pleased audiences who flocked to theaters to see the defiant main character fight back against a psychotic aggressor.
Most comic fans — nay, most Americans with access to movie theaters — are either coming down from an Infinity War high or making plans to see the film before the moral embargo on spoilers is fully lifted.
With Liman's latest film, The Wall, about to arrive in theaters, I re-watched and ranked Liman's movies, which have a surprisingly consistent tendency to be both wildly entertaining and compellingly thoughtful.I should note that Getting In, Liman's first film, which IMDB lists as a video - only release, is genuinely tough to see these days and after a lengthy search, I wasn't able to find a decent copy on home video to screen for this piece.
It's easy to spot that the film was made on a paltry budget and a shame to see that it didn't even make $ 50,000 dollars in US theaters but what can you expect from notoriously choosy American audiences (who would rather spend their money on Lone Ranger or another junky Hobbit flick).
Mesadieu is stoked to see a film adaptation of the first black superhero in mainstream comics, but he has another reason to be excited: His «Black Panther» - inspired art exhibition will go on display Feb. 15 - 19 at the theater.
The guys talk over their favorites of Hoffman's many remarkable performances (see our full tribute to his 20 year career), his influence on the film and theater worlds, and how he will be remembered from here on out.
Paranormal Activity 3 is set to drop in theaters October 21st, but specially - selected theaters got to watch the film on October 19th thanks to Paramount's «Tweet to See It First» contest.
No timetable has been given for a «Zombieland 2» release, but seeing as how the pair are also hard at work on «Deadpool 2,» as well as Eisenberg's likely continued involvement within the DC Films universe, it might be a while longer before the film shambles into theaters.
At the Cinefamily Silent Theater in Los Angeles, the unprecedented success of the screening invited an impromptu Carax restrospective — seeing Motors on the big screen in the same week as something like his 1986 film, Mauvais Sang had to be one of the most exciting weeks I had in the theater this year.
Certainly, there is a huge demographic that will be highly likely to want to see the film in the theater, but I strongly recommend to save their movie bucks and go see it at a matinee price or on the «Discount Day» some theaters may offer.
Considering its length and the fact that it's very much a film that should be seen in a theater, Fincher's film plays extremely well on the much smaller screen in my living - room.
Spencer, who does not appear in the film, wrote a Jan. 31 post on Instagram saying she planned to buy out a theater in Mississippi «in an underserved community there to ensure that all our brown children can see themselves as a superhero.»
That same one can be forgiven if one had expected more from Trey Parker and Matt Stone, those deliciously subversive elves who nail popular culture in all its absurdist splendor on their television show, «South Park», and who had us all humming «Blame Canada» as we left the theater after seeing the film version, suggestively, but correctly subtitled: BIGGER LONGER & UNCUT.
Amplify has acquired the U.S. distribution rights for Craig and Nathan Zellner's Sundance standout «Kumiko, The Treasure Hunter,» the company announced on Tuesday, meaning that one of the most unique films of this year's festival will now see theaters.
Spotlight expands to Chicago theaters on November 13, but The A.V. Club and Open Road films have an opportunity for you to see it on November 10 for free.
If your local theater screens this film, certainly try to see this on the big screen.
Factor in concessions, transportation to and from the theater, and — for some moviegoers, anyway — inflated babysitting rates, and seeing films on the big screen becomes a pretty costly pastime.
If anything, I think I was probably too gentle on the film in theaters, a reflection of my ability to see the good in superhero movies that are even widely deemed disappointing (like last year's Fantastic Four).
The portrayal is so detailed and nuanced that walking out of the theater after seeing the film, the following question was on the top of my mind: Who does Lucy Punch know that is just like her character Amy Squirrel?
While I can't fully endorse seeing Lawrence of Arabia anywhere but in a movie theater (preferably on film), if you've never seen the epic, you can't spend 216 minutes of your life any better way.
However, in a year that's seen him send three films to theaters or film festivals, On The Beach At Night Alone is not only the best of the year and maybe his most personal film, it may also simply be the director's crowning achievement writ - large.
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