Two species: the ones who've
seen this on a film theater & the ones who Netflix'd it.
Not exact matches
EASTWOOD: I had
seen... No I hadn't, I
saw it at a
theater down
on Western Ave. that did foreign
films and they were doing Yojimbo, a Kurosawa
film with Toshiro Mifune as the lead and I thought well this picture's great but nobody had the nerve enough to make it as a Western.
Just don't have the time to go
see most
films in the
theater - it's pretty much
On - Demand here.
The Jackie Robinson movie» 42,» which is out in
theaters and receiving raving reviews, is a must
see film and especially today
on...
The
film, which hits
theaters February 16, is a modern twist
on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin
on the coming of age story, the likes of which we're only beginning to
see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.
Imagine you're
on a first date and the guy meets you at the movie
theater to
see a new blockbuster action
film featuring Vin Diesel.
Seeing the 9 out of 10
on this status should be enough to get you in the
theater and watch this great
film.
In fact, anytime I
see a
film with people inside a building — whether it's a log carbin, a fortress, a castle, a school, etc. — being charged by terrifying outside forces, I hold
on to the arms of my
theater seat for dear life, just as I did as a child watching that old John Ford flick.
When Dustin informed me of Pajiba's
films of the 1980s retrospective, I was a little ambivalent to write
on one of the first
films I remember
seeing theaters, Tim Burton's Batman (1989; I think the honor for the first
film I
saw in a
theater was Who Framed Roger Rabbit).
Most critics found the
film funny and entertaining when it screened at Toronto last fall, and audiences will finally get to
see it
on June 7 (and in even more
theaters on June 21).
The only draw of the
film was the dancing talent that was shown, which, as I feel that anyone else in that
theater can support me
on, would be better
seen at a REAL dance studio today.
On a basic level, for those of us with less free time (or spending money) than we'd like, and with a seemingly endless array of films always being released, there's always an element of benefit - cost ratio involved in our assessment of the films we drop our cash on and park our asses in a dark theater for two hours to se
On a basic level, for those of us with less free time (or spending money) than we'd like, and with a seemingly endless array of
films always being released, there's always an element of benefit - cost ratio involved in our assessment of the
films we drop our cash
on and park our asses in a dark theater for two hours to se
on and park our asses in a dark
theater for two hours to
see.
This is a decently made
film, but not one that especially needs to be
seen on a
theater screen.
Despite these shortcomings, this
film is still an interesting, smart journey into «how the sausage is made» in Washington these days and worth
seeing in
theaters or renting depending
on your mood.
See for yourself what the fuss is all about when the
film plays in
theaters on July 25th and arrives
on home video soon after.
We'll have more information
on the re-release dates and
theaters where you can
see all three classic Halloween
films as soon as it is announced.
Some of these movies include «Popstar: Never Stop Never Stopping,» a comedy
film starring Andy Samberg, which is now in
theaters and the longevity of which at the box office remains to be
seen; «Central Intelligence,» another comedy which stars Kevin Hart and Dwayne Johnson and which will be released
on June 17; and «The Shallows,» a movie about a woman trying to escape a shark which stars Blake Lively.
Rather than looking at the
films from an objective point of view, they largely settle
on things like, «The audience thought they were paying to
see TV in the
theater!»
There were no screams in the
theater when I
saw this
film, but a lot of groans
on the way out.
Grease: 40th Anniversary Edition Rated PG for adult situations / language Rotten Tomatoes Score: 75 % Available
on Disc and Streaming Since this
film came out when I was six, I was unable to
see it in
theaters and had to rely
on VHS, TV, and eventually DVD for my limited exposure to it.
The color palette and mis - en - scene composition are fittingly vibrant and epic for a blockbuster
film of this scope, and many of the ambitious action sequences are well - executed and impressive, which helps to justify
seeing the
film on a
theater screen.
I would advocate trying to
see the
film in the 70 mm roadshow presentation (a list of
theaters offering such a presentation is here)
on the general principle that it's good to
see things in 70 mm.
One of our favorite horror
films we
saw in 2015, you should check out The Invitation in
theaters or
on - demand this weekend.
You probably haven't
seen the little - known 1976
film on which this is loosely based and odds are that you didn't catch this remake in
theaters.
Steven Soderbergh) Cast: Matt Damon, Michael Douglas, Rob Lowe, Cheyenne Jackson, Scott Bakula Given that he kicked off his career with a Palme d'Or for «Sex, Lies, and Videotape,» it's fitting that even if Steven Soderbergh «s «final»
film — the Liberace biopic «Behind the Candelabra» — skips
theaters in most of the world, it will still get to
see the inside of a
theater on the Croisette.
I'm disappointed by some of Shyamalan's choices in this
film, but Split is still worth
seeing in the
theater for James McAvoy's brilliance in taking
on multiple characters (plus thrillers are always more fun with a big audience anyway).
In the end, what the
film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of
seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the
theater with a smile
on your face.
: Even though it was available to
see in
theaters for a bit, the
film is now only available
on Netflix, where it was released
on Feb. 2.
Snowpiercer director Bong Joon - Ho's next
film — a monster story called Okja — is coming to Netflix
on June 28, but in a rare move, the streaming service will actually be giving people a chance to
see it in
theaters.
Although the
film underwhelmed critics (it currently has a 21 % rating
on Rotten Tomatoes), it pleased audiences who flocked to
theaters to
see the defiant main character fight back against a psychotic aggressor.
Most comic fans — nay, most Americans with access to movie
theaters — are either coming down from an Infinity War high or making plans to
see the
film before the moral embargo
on spoilers is fully lifted.
With Liman's latest
film, The Wall, about to arrive in
theaters, I re-watched and ranked Liman's movies, which have a surprisingly consistent tendency to be both wildly entertaining and compellingly thoughtful.I should note that Getting In, Liman's first
film, which IMDB lists as a video - only release, is genuinely tough to
see these days and after a lengthy search, I wasn't able to find a decent copy
on home video to screen for this piece.
It's easy to spot that the
film was made
on a paltry budget and a shame to
see that it didn't even make $ 50,000 dollars in US
theaters but what can you expect from notoriously choosy American audiences (who would rather spend their money
on Lone Ranger or another junky Hobbit flick).
Mesadieu is stoked to
see a
film adaptation of the first black superhero in mainstream comics, but he has another reason to be excited: His «Black Panther» - inspired art exhibition will go
on display Feb. 15 - 19 at the
theater.
The guys talk over their favorites of Hoffman's many remarkable performances (
see our full tribute to his 20 year career), his influence
on the
film and
theater worlds, and how he will be remembered from here
on out.
Paranormal Activity 3 is set to drop in
theaters October 21st, but specially - selected
theaters got to watch the
film on October 19th thanks to Paramount's «Tweet to
See It First» contest.
No timetable has been given for a «Zombieland 2» release, but
seeing as how the pair are also hard at work
on «Deadpool 2,» as well as Eisenberg's likely continued involvement within the DC Films universe, it might be a while longer before the
film shambles into
theaters.
At the Cinefamily Silent
Theater in Los Angeles, the unprecedented success of the screening invited an impromptu Carax restrospective —
seeing Motors
on the big screen in the same week as something like his 1986
film, Mauvais Sang had to be one of the most exciting weeks I had in the
theater this year.
Certainly, there is a huge demographic that will be highly likely to want to
see the
film in the
theater, but I strongly recommend to save their movie bucks and go
see it at a matinee price or
on the «Discount Day» some
theaters may offer.
Considering its length and the fact that it's very much a
film that should be
seen in a
theater, Fincher's
film plays extremely well
on the much smaller screen in my living - room.
Spencer, who does not appear in the
film, wrote a Jan. 31 post
on Instagram saying she planned to buy out a
theater in Mississippi «in an underserved community there to ensure that all our brown children can
see themselves as a superhero.»
That same one can be forgiven if one had expected more from Trey Parker and Matt Stone, those deliciously subversive elves who nail popular culture in all its absurdist splendor
on their television show, «South Park», and who had us all humming «Blame Canada» as we left the
theater after
seeing the
film version, suggestively, but correctly subtitled: BIGGER LONGER & UNCUT.
Amplify has acquired the U.S. distribution rights for Craig and Nathan Zellner's Sundance standout «Kumiko, The Treasure Hunter,» the company announced
on Tuesday, meaning that one of the most unique
films of this year's festival will now
see theaters.
Spotlight expands to Chicago
theaters on November 13, but The A.V. Club and Open Road
films have an opportunity for you to
see it
on November 10 for free.
If your local
theater screens this
film, certainly try to
see this
on the big screen.
Factor in concessions, transportation to and from the
theater, and — for some moviegoers, anyway — inflated babysitting rates, and
seeing films on the big screen becomes a pretty costly pastime.
If anything, I think I was probably too gentle
on the
film in
theaters, a reflection of my ability to
see the good in superhero movies that are even widely deemed disappointing (like last year's Fantastic Four).
The portrayal is so detailed and nuanced that walking out of the
theater after
seeing the
film, the following question was
on the top of my mind: Who does Lucy Punch know that is just like her character Amy Squirrel?
While I can't fully endorse
seeing Lawrence of Arabia anywhere but in a movie
theater (preferably
on film), if you've never
seen the epic, you can't spend 216 minutes of your life any better way.
However, in a year that's
seen him send three
films to
theaters or
film festivals,
On The Beach At Night Alone is not only the best of the year and maybe his most personal
film, it may also simply be the director's crowning achievement writ - large.