Sentences with phrase «sees a relationship between objects»

The human mind automatically sees a relationship between objects that are in close proximity.

Not exact matches

For example, apes have extreme difficulty with photo - object matching and with seeing the relationship between a TV picture of a space and the real space, or between a dollhouse model of a room and the real room (MA 99 - 108).
It is caused by the attachment of desire to specific objects... [and he adds] As we shall see, the relationship between attachment and addiction is not as simple as it might sound.
Regardless of the mode of making or the content within the form, each work in the exhibition asks us to reevaluate the way we see and experience the spaces we are in, the objects we confront, and the relationship between vision and perception.
Part of the curator's interest here is in the relationship between text and sculptural objects and the manners in which a written text can be unraveled structurally and what this deconstructed form allows to be seen.
Seeing this work first reiterates the notion of object subversion between the relationships of galleries to objects, be it from a conceptual curatorial perspective or objects as commodities.
Instead of being fascinated by Zittel's personal story, we see our own shifting relationship between the use object and the art object; our unique need and obsession around each; our relationship to genuinely significant value structures and the shift and slippage when use objects become art objects.
Examining the relationship between self and others, seer and the seen, subject and the object, Byrne subverts our expectations and associations of this timeless genre.
Working on the relationship between what we see and how we physically perceive, Franz West's work is influenced by Lacan's psycholanalytical tests and Wittgenstein's philosophy, and explores the relationship between art and everyday life, questioning the traditional way of contemplating an artistic object.
For Baghramian, whose work is currently included in Documenta's Athens section and will be seen later this year at Skulptur Projekte Münster and the Walker Art Center, these bizarre objects are about the relationships between people and systems.
Three Evidentiary Claims Artists: Erin Shirreff, Lesley Vance, and Michael Jones McKean Curated by Rachel Cook Three Evidentiary Claims examines the vexed relationship between images and objects, offering a set of triangulations as a reading strategy for how to see, think, and experience the creation of meaning within artworks.
Only object - oriented ontology, the study of relationships between objects, beyond the scope of humans, could begin to explain the object that we are seeing.
Featuring work from MoMA's permanent collection, «Take an Object» traces the trajectory from Neo-Dada, to Pop, to Fluxus, to proto - Minimalism, specifically as seen through the relationship between everyday objects and traditional art practices.
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