Sentences with phrase «sees the gallery space»

At l'étrangère in London, an intriguing new exhibition by the French artists Florian Pugnaire and David Raffini sees the gallery space enveloped by two film and sculptural installations featuring vehicles that self - destruct.

Thorne will join the institution in spring 2014, during a major \ nextension and renovation project which will see the gallery space almost \ n double.

Not exact matches

Photos return expired birds to flight at the Peggy Notebaert Nature Museum - Chicago Reader - May 9, 2016 When you walk into the second - floor gallery space of the Peggy Notebaert Nature Museum you might be surprised to see Art Fox's photographs of birds literally hovering off the wall.

I literally can not wait to decorate my own space haha I love gallery walls, I can't wait to see the finished product!

Today I will be hosting an event with Gallery Furniture at their I45 location from 6 - 8 pm talking about how I style a kid friendly living space and I will have to examples side by side so you all can see.

When I spoke at a packed gallery space in downtown Stockholm on Monday night, I saw the light dawning in some people's eyes at the possibilities.

Visit the Court House Museum, browse around the town, and go to see a Fine Art and Furniture Gallery, which is influenced, by the wide - open spaces of the region.

At «CAW in Action: The Sculptors Guild» the Santa Barbara Arts Collaborative and the Santa Barbara Sculptors Guild are co-hosting a gallery show and open house, inviting everyone to see the new Community Arts Workshop and some great art, and any artist with an idea to come see how they can use the space.

The best way for a gallery to stay afloat is to find new demographics, and if those demographics won't come to the space to see the work, the space has to be brought to them.

Part of building my business has been to create my own studio / gallery space where I can welcome people to see my work.

When I was fortunate enough to have a gallery space I sold to those who «listened» and could visually see and loved my ethical message.

But this article has made me realize that I need to get out of the 2 gallery co-ops I'm in that have done nothing for me, to stop showing my work in the local art league shows that always make me depressed when I go to see them, and to quit buying booth space at holiday vendor shows next to Mary Kay because it might give me some exposure.

Many local galleries keep limited hours, which sometimes makes it difficult to see the amazing work our creative neighbors toil over day in and day out in countless studio spaces.

Perhaps the mannerism found in Varejão's new tropical / orientalist banana - leaf painting series can be seen as being part of a negative phenomena found in many international galleries based in Hong Kong and China, where «the Orient,» as a subject, seems to be enforced on artists debuting a solo exhibition at these spaces.

SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London

Condo New York will be spread out across the Lower East Side and Chelsea, and features some of the city's best galleries lending their spots to international favorites including Mexico City's LABOR and Guatemala's Proyectos Ultravioleta (who always do art fair booths so well that I can't wait to see what they can do with a brick - and - mortar space).

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Cool art pervades these spaces and this exclusive aesthetic point of view, happens to be the same point of view seen in the Salon of the galleries and museums.

The original work as installed at the Deichtorhallen occupied a 15,000 square foot space; to have it reduced to occupy the Piccadilly gallery space of Hauser & Wirth was a feat in itself but was criticised by some critics who saw the scaled down version as merely that — a scaled down reproduction.

You can see one gallery and say, oh I like this gallery, and go see [their permanent space].»

But these fairs, which present scores of galleries from around the world within a walkable and inviting space, offer an unparalleled chance to see what's going on in the contemporary art world.

My first and only time seeing Barlow's work was at Hauser & Wirth London in their Piccadilly gallery, where her work stood immense and impeccably wedged within the space's existing architecture (the site is converted from an old bank).

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

ARTOPIA is an art diary featuring my evaluations of the art I see in galleries, museums, public spaces, and sometimes in artists» studios.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Occupying new galleries in the fresh extension of the Tate St Ives complex — a # 20 million, four - year project that has seen the space for showing art at the gallery double — this is the first major show of British artist Patrick Heron (1920 - 99) for two decades.

The galleries will all be at liberty to change up their sections as often as they see fit, and they'll take turns being responsible for staffing the space from day to day.

Seated on a Victorian see - saw, the entire work slowly pivots in the gallery space, offering a metaphor for dialogue, balance and conflict, while symbolising the possibility of compromise and resolution between two opposing forces.

The architecture they saw at the Missions informed Adjaye's design for the vaulting, skylit gallery spaces of the new building.

And as much as I'd love to see the MFAH devote more gallery space to American art, until the new building comes along I don't know where the gallery space can come from.

In the front gallery space a large triptych hangs across the gallery wall, marking a return to a format not seen in the artist's work since the late eighties and early nineties.

Fontana also saw that in a more concrete sense, as with Robert Rauschenberg's White Paintings of the early 1950s, a pure white surface could be a receptor for the movements of light and shadow in the gallery space, furthering his quest for direct interface between viewer and work.

You can see Tyler Shield's Submerged exhibition until the 9th Novermber at Imitate Modern's urban contemporary gallery space at 27a Devonshire Street, London, W1G 6PN for more information go to — imitatemodern.com/exhibitions/tyler-shields-submerged /

Those who toured the Whitney Museum of American Art's new building before it opened saw what its fifth floor looked like as a single vast gallery — reputedly the largest column - free museum exhibition space in New York.

Attuned to the poetics of space, from the street to the rarefied galleries that keep its noise at bay, and to the orchestration of everyday objects and materials in his work and the encounters we have with it, David Hammons always sees life as preceding art.

This year sees a number of gallerists pairing up to present artists, like DREI and Proyectos Monclova who are collaborating in their presentation of artists Hayley Aviva Silverman, Anna Virnich and collective, Tercerunquinto, and Natalia Hug Gallery with LA's Mier space who are presenting Jana Schroeder.

While you're in 56 Bogart visiting Momenta and NURTUREart, see the year - old performance space and parlor gallery Agape across the hall, opened and co-run by Momenta founder Eric Heist and artist Kikuko Tanaka.

It also addresses the artist's practice in the context of Chinatown: «As a gallery representing the non U.S., non New York based artist Omer Fast, it is reprehensible that you see fit to support this exploration of «temporal space» while contributing to the displacement of low income tenants and business owners in Chinatown.

He had an indelible arc with Feature, but I still remember him as the first performance curator at Randolph Street Gallery, as well as for his own irreverent works — brave, naked, patriotic for the spaces he helped us see and believe in.

Caitlin Haskell: For me, it has also been interesting to think about how the closing of SFMOMA's building allows you to see its works in new contexts — in other gallery spaces, or as parts of other stories.

Visit the Conservatory Gallery to see Isamu Noguchi: The Transformation of Nature, a selection of rare photographs from The Noguchi Museum's archives relating to Noguchi's vision of public spaces and his work as a garden, park, and playground designer.

The first time I saw Agnes Martin's work in a gallery space was at Dia: Beacon.

Adventures of the Black Square: Abstract Art and Society 1915 — 2015, Whitechapel Gallery London, 15 Jan - 6 April, 2015; Solo Shows at Pace Hong Kong (2015); Pace London (2013); Sichuan Fine Art Institute, Chongqing, China (2012); Zhao Yao: You Can't See Me, You Can't See Me, Beijing Commune, (2012); Zhao Yao: I am Your Night, Beijing Commune (2011); 51m 2: 3 # Zhao Yao, Taikang Space, Beijing (2009).

The weekend in January that saw two big art fairs and a spate of new exhibitions across the Bay Area also left us with something more permanent: Three new gallery spaces opened in San Francisco over three days, Jan. 12 - 14.

«I don't know how she saw images of my work, but she said she wanted to nominate me for a show at Hillyer Art Space,» Tarr says, referring to the gallery and nonprofit where Cleary served on a committee to select artists for shows.

But he also reassures us in his essay that, «There were a lot of «almosts» this round, many of whom could have made the cut, and while that usually is small consolation to those whose friends, dealers, and collectors don't see them on these pages, it should be comforting to know that this is only the tip of the iceberg of new scintillating artworks coming your way at a gallery, museum, or alternative space near you.»

Brooklyn Jared Bark Photobooth Works 1969 - 1976 / Southfirst / 60 N. 6th / thru 11/15 / southfirst.org / Opening 9/24 No Irony Here: David Kramer, Paul Gagner, Claudia Bitran, and Cate Giordano / The Parlour Bushwick / 791 Bushwick Avenue / thru 11/1 / theparlourbushwick.com / Opening 9/25 Body Utopia: C. Ganesh, C. Haynes, R. Lehrer, S. Perry, P. Yolacan, C. Zavitsanos / Brooklyn Art Space / 168 7th / thru Oct 31, 2015 / www.trestlegallery.org / Opening 9/25 Samuel Laurence Cunnane / Theodore: Art / 56 Bogart / thru 10/25 / theodoreart.com / Opening 9/26 Smack Mellon Open Studios w Nadia Awad, Zachary Fabri, Donna Huanca, Nyeema Morgan, Lori Nix, Chat / Smack Mellon / 92 Plymouth / thru 9/27 / smackmellon.org / Opening 9/26 / Rachel Whiteread: Looking Out / Luhring Augustine / 25 Knickerbocker / thru 12/20 / www.luhringaugustine.comMelissa Murray and Julia Westerbeke: ECHOES / A.I.R. Gallery (Artists in Residence) / 155 Plymouth (new location) thru 10/11 / http://airgallery.orgAndy Cross, Benjamin Degen, Alyssa Gorelick, Hein Koh, Ben Pederson, Dav Color Against Color, curated by Eric Hibit / Ortega y Gasset Projects / 363 Third / thru 10/18 / oygprojects.com Ecstatic Prismatic / Honey Ramka / 56 Bogart / thru 10/11 / honeyramka.com Jolie Laide / Life on Mars / 56 Bogart / thru 10/4 / lomg.kassandramj.com / Elana Herzog at Studio 10 / 56 Bogart / thru 10/11 / http://www.studio10bogart.com Seeing Sound / Odetta / 229 Cook / thru 11/01 / www.odettagallery.com Andrew Ross / Signal / 260 Johnson / thru 10/24 / ssiiggnnaall.com Xiao Fu: Pixel World and Justin Cooper / Storefront Bushwick / 324 Ten Eyck / thru 10/11 www.storefrontbushwick.com Libby Hartle Shades and Shallows and Kristen Jensen intermission / Outlet / 253 Wilson / thru 10/4 / www.outletbk.com Jane Fine: Contents Under Pressure / Pierogi / 177 North 9 / thru 10/11 / www.pierogi2000.com Gabriele Evertz: The Gray Question / Minus Space / 16 Main / thru 10/31 / www.minusspace.com / Jacob Goble BANKRUPT / Sardine / 286 Stanhope / thru 10/4 / sardinebk.com /

Half art stroll, half bar crawl, alternative spaces and reputable galleries will once again welcome the public to see real art in real time, one night only on March 10, 6 - 10 pm with an official after party at English Kills from 10 - 12 pm.

The extensive warehouse spaces in Bushwick have seen an influx of art galleries and popups recently, sometimes as second locations of Manhattan locales such as Chelsea's Luhring Augustine, while also serving as a breeding ground for aspiring artists in shared spaces such as 3rd Ward on Morgan Avenue.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7