Sentences with phrase «select historical works»

In addition to the all - new paintings created specifically for this show, the show will include select historical works from Chong - Hyun's oeuvre.

Not exact matches

After a long period of literary, historical, and form - critical study of the New Testament, along with more recent work on the «redaction» of its several books in the light of the motives that led their authors to select and arrange the material then available to them, it is clear that any claim to «simple historicity» is false.

For example, instead of selecting research topics entirely because of the state of the discipline, a historical scholar can select a topic that the church finds important in its own theological work.

What McKinney discovered is that work in which the teacher, researcher, or curriculum developer selects materials and listens closely, and allows questions to come from the students (and not from a teacher's guide or the all - to - common «list of questions to ask about a historical document») is extremely rare.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Robert Berman Gallery is showcasing select works featured in two important historical books, Hispanic Art In the United States: Thirty Contemporary Painters and Sculptors (1987), also an exhibition, and Le Demon Des Anges: 16 Artists Chicano Autour de Los Angeles (1989).

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Artists Select: Mark Mothersbaugh initiates an ambitious new curatorial series at the Clyfford Still Museum through which creative professionals engage in curatorial work traditionally performed by individuals with chiefly academic, art historical backgrounds.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Throughout this process a distinct distillation of choices developed for each artist that is wide - ranging but particular: both figurative and abstract, sculptures and some works on paper have been selected in addition to paintings, and historical as well as contemporary works, are juxtaposed.

This winter P.S. 1 presents an exhibition of outstanding Minimalist and Post-Minimalist works on paper, providing historical and artistic context to the Ronald Bladen: Selected Works exhibition which also opens Februaworks on paper, providing historical and artistic context to the Ronald Bladen: Selected Works exhibition which also opens FebruaWorks exhibition which also opens February 7.

These contributions are «interrupted» by a transcript of a talk Williams delivered on the work of John Chamberlain, and by historical and contemporary textual and visual materials that were selected by the artist himself.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

Aberdeen Beach, («The Strip», a half mile section along the Promenade which represents the historical centre of activity at the beach) As part of a major environmental improvement project I was selected to create work using light which will enhance the built environment and bring a distinctive and coherent image to the area.

With the renewed curatorial and academic interest in the African American contribution to the history of abstraction, «Mildred Thompson: Resonance, Selected Works from the 1990s,» presented in the Walter O. Evans Center for African American Studies, is a remarkable opportunity to expand this dialogue by celebrating the work of an under - recognized historical figure.

A brief discussion of historical events as well as background in Chinese philosophy, political systems and religious practices will be presented in order to allow students to recontextualize selected works within their originating culture.

Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.

Pio Abad's work mines alternative or repressed historical events, and combines these with selected aesthetic phenomena.

The exhibition includes the work of significant historical, recent and contemporary Australian artists who have lived and worked in Bali, European artists who visited there prior to coming to Australia and bringing with them a range of new motifs and ideas, and selected examples of modern and contemporary Balinese art that provide a «right of reply».

The exhibition is organized around five selected themes from the complex history of the Second Wave, including the marginalization of women artists and their exclusion from the art historical canon, the female body and its representation, «women's work,» sexuality and gender, and race and ethnicity.

Luckily for the viewers, the artworks selected for the show include some historical installations zealously guarded by the artist in his own private collection — these rare pieces will be presented to the public alongside other works brought in from various private and public collections, joined by the artworks from the Museum's own permanent program.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

Willard's selected recent curatorial work includes; Unceded Territories: Lawrence Paul Yuxweluptun, Nanitch: Historical BC photography and BUSH gallery as well as the upcoming LandMarks 2017 / Repères 2017.

Featuring 81 exhibitors selected from IFPDA's international membership, the Fair arguably presents the largest art - historical span of works in a single fair; from Old Master to contemporary, and rare masterpieces to new - to - market editions making their public debut.

Featuring key works by Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo, among others, it offers a comprehensive outline of a complex art movement, with scholarly essays, historical precedents, a substantial plate section, biographies for each featured artist, selected bibliography and a detailed checklist.

Chief curator Alexander, whose job it was to consider and select artists whose work represents important art historical moments captured by the Walker collection as well as some recent purchases that foreshadow areas of possible growth, said: «I was interested in enabling a public vote and taking advantage of the natural impulse people have when encountering art to form an opinion.»

The New - York Historical Society organized the exhibition with works selected from their rich collections of 19th - century American landscape painting.

Between 2005 - 2006 Sichel selected the works for the historical video collection of the Museum Reina Sofia, and in 2006 she curated for the Museum First Generation: Art and Moving Image: l963 - 86, exhibiting the new collection comprised of about 80 works.

In addition to selected works by four artists and related archival materials, this presentation at e-flux will include re-creations of historical installations by Kwok as well as guided tours of downtown by New York - based artists, writers, and curators.

The newly produced work could respond to the selected piece in a number of ways — by addressing its historical origins, by proposing a new visual relationship in the tradition of Dr. Barnes, or by critiquing the Barnes method altogether.

New York... Beginning October 23, 2017, Luxembourg & Dayan will celebrate the semi-centennial of the Arte Povera movement with Contingencies: Arte Povera and After, an exhibition placing select works by contemporary artists in dialogue with significant Arte Povera works from the 1960s and 1970s, crossing these historical moments in order to better understand the echoes between them.

Also included are the world premiere of a new work to be performed by Abramović herself and — reperformances ‖ of influential historical pieces by performers selected especially for this exhibition.

Frischmann admires the low - tech physicality of the paintings she has selected, suggesting that the work reveals a freedom from fashion and historical precedent.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

The presentation will also feature significant historical works by Brazilian artist Sergio Camargo and Cuban artist Loló Soldevilla, alongside carefully selected works by James Casebere, Jose Dávila, Antony Gormley, and Callum Innes.

Though the exhibition looks to the future of textile work, McIntosh selected work that was in conversation with the art - historical influences like cubism, surrealism, dada, abstract expressionism, color field, and minimalism.

The exhibition will bring together selected historical pieces from the Royal Academy Collection together with works by contemporary artists.

Moran Bondaroff is pleased to announce Eternal, a three - person exhibition with new work by Marco Barrera and Agathe Snow, and historical pieces by George Herms, selected by Barrera and Snow.

The exhibition coincided with a show of selected works curated by the artist, titled Kerry James Marshall Selects, which featured a range of art historical artifacts and works spanning over 5,000 years — from African masks to French post-Impressionism — highlighting Marshall's rich, eclectic range of influences for his own work.

Works were selected to highlight the depth and breadth of artistic practice in Iraq, but also to expose a shared emphasis on the nature of everyday life there, exemplified by a determination «to make do and get by» and an inventiveness borne out of necessity in extraordinary historical circumstances.

Ed Ruscha Beginning in 2012, a renowned international artist will be invited each year to select an exhibition of works drawn from the historical collections of the Kunsthistorisches Museum.

The 4th edition of Bologna Art First, a striking and original walk through the most prestigious sites in the city's historical centre, with installations and works of art presented by galleries exhibiting at the fair and selected by a specially appointed advisory board, will be offered from 23 January to the end of February.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni and Greg Colson.

Taking selected works, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, VALIE EXPORT, Geta Brătescu, Edward Krasiński and Sanja Iveković, the project stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmuş, Ashley Hans Scheirl and Stephen Willats.

Back to the Future is a special area of the fair dedicated to solo shows of «historical» works produced by the selected curated artists between 1960 and 1989.

The selected works all make reference to classical or art historical sources either in the method of depiction or their subject matter.

Throughout this process a distinct distillation of choices developed for each artist that is wide ranging but particular: both figurative and abstract works have been chosen, sculptures and some works on paper have been selected in addition to paintings, and historical as well as more contemporary works have been juxtaposed.

The Devil Had a Daughter involves newly commissioned works by Dylan Martorell and Sally Smart, recent and in some cases historical work by participating artists, and selected works from the Monash University Collection.

Works in a variety of media by eleven contemporary artists, most of whom live and work in Iraq, were selected to highlight the breadth of artistic practice in Iraq and a creativity borne out of necessity in extraordinary historical circumstances.

1896 — 1921 (except 1902, when the exhibition was a historical overview of well - known works by international artists; 1906, when the show was suspended to accommodate the enlargement of the museum; and a five - year hiatus between 1915 and 1919 due to World War I): the International was selected by Carnegie Museum of Art director John.